Tania and Cocteau, a cat that comes from the not too distant future, tell the story of the passage of animals through the world and their relationship with humans.
Black Crowns (2023)
The hairstyles of four Afro-descendant people from Mexican - Senegalese families, represent the starting point to reflect, through memories that emerge from their past and present, what it is like to live in México wearing a Black Crown and the consequences that implies.
Myth (2022)
Collaborating with Australian circus company Gravity & Other Myths, 2020 BAFTA Newcomer and Berlinale Talent Campus alumna Alies Sluiter crafts a disquieting, quasi-surrealist tale of bravery and grief.
Shackles (2023)
The discharge of the nuclear sewage has brought great crisis to the environment. A particular mermaid becomes victim to it all.
Better Than Dog (2016)
The story of a unique Georgian musician - Gia Iashvili, who makes music for the sake of creating and remains little-known in his own country.
H.P. Lovecraft - Ipotesi di un viaggio in Italia (2004)
A documentary about the possible ties between H.P.LOVECRAFT and the Polesine region (Italy), stimulated by the casual discovery of a mysterious manuscript attributed to the great American horror writer died in 1937.
Manzanar (1972)
Short film about the Manzanar Japanese American internment camp. Preserved by the Academy Film Archive in 2011.
Shake Hands with Danger (1980)
This short cautionary training film examines dangers associated with earthmoving equipment operation, showing many simulated accidents on construction sites.
Dance on Film: BBC Introducing Arts (2020)
Acclaimed dancer Carlos Acosta introduces a new generation of film makers who use b-boying, ballet and contemporary dance to tell their stories. Subjects range from dancing in a bingo hall, acid attacks, body image and wellbeing and the mystical world of baby eels. Each is a remarkable fusion of dance and film. Anatomy of a Crooked Spine; Blast; Elver; Full House; I Am Soldier; I Dance Best with You; Inside; Inside We Break; Manmade; Petals and Pain; Scapelands; We Are Ready Now; We Are Always Here; Do I Have Free Will?
What Do You Know About the Water and the Moon (2019)
During an abortion, 17-year-old Yang gives birth to a live jellyfish in her bathroom.
Bakelite (2023)
This underwater ballet is an ecological story depicting our paradoxical relationship with plastic. Bakelite launched the #SickOfPlastic campaign from On Est Prêt, along with the Surfrider Foundation, Break Free from Plastic and the Resilient Foundation. Photography was directed by Jacques Ballard, a specialist in underwater cinematography.
Hammer A.D. 2023 (2023)
A short documentary to celebrate Hammer Films' 89th anniversary. Discover how Hammer has shaped the horror genre, influenced culture, and what the future holds. Featuring insights from new CEO and Chairman John Gore, candid conversations with legendary Hammer Glamour icons Caroline Munro and Madeline Smith, plus contributions from writer and actor Mark Gatiss. Plus, voices of the horror community — from seasoned critics to influential content creators — discuss the indelible mark Hammer Films has made on the genre.
Wings of Kyrgyzstan (2019)
As „wings of men“ they became the faithful companion of a great nomadic nation thousands of years ago. Today, 28 years after the Soviet occupation, the little horse is an essential part of the cultural heritage and the search for identity of the modern Kyrgyz people. Based on its own story, a so called „good brown horse“ leads through the film and offers an insight of what it could mean to be „todays wings of men“. Told by a horse’s voice and through its eyes, this short film still is a documentary, but also a poetic journey to a nomadic culture.
Little Boy Blue (1936)
The Big Bad Wolf stalks Little Bo Peep and steals one of her sheep. She enlists Little Boy Blue and a dancing scarecrow to assist her and her mischievous black sheep in rescuing it. Singing, dancing, hilarity and impalement ensue.
Carmencita (1894)
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
Cirque du Soleil: Journey of Man (2000)
A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.
S'altra banda (2022)
What's on the other side of Fornells bay? Pepe el Malo is an urban legend or he really existed? This documentary doesn't try to shed light on the dark; it rather plays deftly with the ambiguities of a character that is part of the Menorcan imaginary.
The Meerkats (2008)
A coming of age story following a young meerkat pup, Kolo, growing up in the Kalahari desert; and an inspiring look at how one family's connection to each other and their surroundings is a model of resilience and fortitude for us all. Shot using ground-breaking techniques, this dramatised documentary is a one-of-a-kind presentation from The Weinstein Company and the BBC, featuring narration by Paul Newman.
Fisherman (2021)
A fisherman is at the lake when a beautiful young man gets into the water. Fascinated by him, the fisherman begins an idyllic sexual trip into nature.
Roundhay Garden Scene (1888)
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.