The evolution of the depiction of the various Native American peoples in cinema, from the silent era to the present day: how their image on the screen has changed the way to understand their history and culture.

I Stand: The Guardians of the Water (2017)
First hand interviews and on the ground footage give a stirring account of The Standing Rock Sioux Nation's and water protectors' opposition to the Dakota Access Pipeline

Stumped (2017)
When filmmaker Will Lautzenheiser's limbs are amputated, his life is derailed and he turns to stand-up comedy as therapy. Meanwhile, a world-famous medical team is performing transplants that restore bodies to unprecedented levels. Despite grave risks, Will agrees to undergo an experimental double-arm transplant in the hope of reclaiming his independence.

Butch Jamie (2008)
The film follows the story of Jamie, a struggling butch lesbian actress who gets cast as a man in a film. The main plot is a romantic comedy between Jamie's male alter-ego, "Male Jamie," and Jill, a heterosexual woman on set. The film's subplots include Jamie's bisexual roommate Lola and her cat actor Howard, Lola's abrasive butch German girlfriend Andi, and Jamie's gay Asian friend David.
Dearly Departed (2006)
Hollywood is a hot spot for celebrities, and tour guide Scott Michaels (E!'s "20 Most Horrifying Hollywood Murders," FindADeath.com) knows their, well, haunts. DEARLY DEPARTED is an all-access tour of the "backlots" of L.A. - locations where the most infamous murders, suicides and bizarre crimes involving A-listers have taken place. The Viper Room, the site where "The Black Dahlia" was discovered, and dozens more legendary spots are explored in this funny and equally shocking ride into L.A.'s seedy underground.

Earth (1998)
It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl bears witnesses to tragedy as her ayah is caught between the love of two men and the rising tide of political and religious violence.

The Pixar Shorts: A Short History (2007)
The story of Pixar's early short films illuminates not only the evolution of the company but also the early days of computer animation, when a small group of artists and scientists shared a single computer in a hallway, and struggled to create emotionally compelling short films.

One Last Hug (2014)
"One Last Hug" chronicles a three day summer camp for children learning to cope with the death of a loved one. With the guidance of trained professionals, grieving children as young as seven years old learn that their feelings are normal, and that by talking about them they can begin to heal. A testament to the healing power of shared sorrow, One Last Hug shows the often-unseen and particular experience of children's grief.

A Suitable Girl (2017)
A Suitable Girl follows three young women in India struggling to maintain their identities and follow their dreams amid intense pressure to get married. The film examines the women's complex relationship with marriage, family, and society.

Kirk Douglas: Before I Forget (2009)
Kirk Douglas recounts his remarkable life in a celebrated one-man theater performance augmented with rare film highlights. He shares memories of family, marriages, other Hollywood greats, breaking the blacklist and his life-altering stroke – all with honesty and humor.

Veteran Car Rally, Brighton (1964)
Vintage vehicles on parade in this amateur film record of the longest-running motor event in the world.

Portobello Road Market (1964)
Find bric-a-brac and trinkets galore in this vividly colourful snapshot of Portobello Road Market.

Footprints of Pan-Africanism (2017)
In 1957, Ghana was the first African country to become independent of its colonial rulers, in this case the British. Kwame Nkrumah, the first president of what in 1960 became the Republic of Ghana, called on Africans from all over the world to come to Ghana to help build the new nation. The most important aim was to "undo the damage caused by the slave trade" as filmmaker Shirikiana Aina expressed it in her documentary Footprints of Pan Africanism. Several people speak in Aina’s film about the reconstruction of Ghana and Nkrumah, who was deposed in 1966, offering room for their frequently gripping personal stories. These are often marked by racism, the emerging civil rights movement and what it’s like to be black and live elsewhere. For many, returning to Africa was like going home.

Jesus Camp (2006)
Jesus Camp is a Christian summer camp where children hone their "prophetic gifts" and are schooled in how to "take back America for Christ". The film is a first-ever look into an intense training ground that recruits born-again Christian children to become an active part of America's political future.

Apocalypto (2006)
Set in the Mayan civilization, when a man's idyllic presence is brutally disrupted by a violent invading force, he is taken on a perilous journey to a world ruled by fear and oppression where a harrowing end awaits him. Through a twist of fate and spurred by the power of his love for his woman and his family he will make a desperate break to return home and to ultimately save his way of life.
Halbmond und Preußenadler - Meine Reise durch Berlin (1987)
A documentary about the lives and history of Turkish immigrants in three centuries of Berlin history.
For the Rights of All: Ending Jim Crow in Alaska (2009)
In 1867, when the United States purchased the Alaska territory, the promise of the Constitution and the Bill of Rights didn't apply to Alaska Natives. Their struggle to win justice is one of the great, untold chapters of the American civil rights movement, culminating at the violent peak of World War II with the passage of one of the nation's first equal rights laws.

Hearts of Darkness: A Filmmaker's Apocalypse (1991)
A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

Mohawk Girls (2005)
For three teenage girls growing up in Kahnawake — and indeed, all teenagers on the reserve — life can be quite confusing. If they want to move away to pursue new experiences — perhaps in nearby Montreal — they risk losing credibility, or worse yet, their rights as Mohawk women. Of course, if they stay, their opportunities in the tiny community are limited. With insight, humour and heart, director Tracey Deer (who left Kahnawake to attend school and pursue filmmaking) returns to her community to follow these Mohawk girls and tell their stories. Her deeply emotional documentary reveals the complex hope, heartache and promise of growing up Indigenous in the 21st century.