Fragments of a collective post-human dream construct a world that straddles hyper-technological, ecological, and mythological dimensions.
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Flashing lights explode across an apartment as images of a naked woman in bed flicker in and out. Light paintings and projections illuminate a space of confrontation and an assault on the senses.
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The corner of a street is matched and mixed with the chant of a bird recorded on that same street. A symbiotic relationship is triggered: the rapid and successively repetitive montage cuts between the image of the street and the corners of the video frame itself produce new textures and shapes in our brain, whilst the sound follows the same rhythmic movements by emphasizing different “corners” (frequencies) from the bird’s singing. The energetic potency stemming from the junction of these elements creates a new image that is almost tactitle, maleable and rippling. The result is a somewhat humorous operation of the portuguese word "corner" throughout the different stages of making the piece, finally unveiling a piercing physical and kinetic experience for all the corners of our eyes and ears.
A Thousand and One Nights (1974)
Five different exploits of Sinbad the sailor where he gets mixed up with the pretty daughters of exotic potentates, with powerful monsters that threaten his existence, and with all sorts of teeming jungle life.
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Inhabitants of the territories annexed to the ancient city of Moscow get used to their new condition. It is not too distant of a future, but another large-scale expansion of the city will create and/or ruin some more fates. Will the "Myth-Module," an experimental device made by G.T. Podmyshkin, the professor of urban anthropology and the captain of a pirate spaceship, save him and his crew?
