In subarctic Norway in a storm the sun projects shadows of clouds on a mountain forest.
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Photographer Fay Godwin Documentary (1986)
This film follows the renowned photographer Fay Godwin on location with her camera complete with extensive interviews and analysis. She loved the countryside in all its raw beauty rather than the sugar-coated image so often portrayed in the coffee table books of the time.
March of the Penguins (2005)
Every year, thousands of Antarctica's emperor penguins make an astonishing journey to breed their young. They walk, marching day and night in single file 70 miles into the darkest, driest and coldest continent on Earth. This amazing, true-life tale is touched with humour and alive with thrills. Breathtaking photography captures the transcendent beauty and staggering drama of devoted parent penguins who, in the fierce polar winter, take turns guarding their egg and trekking to the ocean in search of food. Predators hunt them, storms lash them. But the safety of their adorable chicks makes it all worthwhile. So follow the leader... to adventure!!
The Unpredictable Factor (2022)
In today's climate debate, there is only one factor that cannot be calculated in climate models - humans. How can we nevertheless understand our role in the climate system and manage the crisis? Climate change is a complex global problem. Increasingly extreme weather events, rising sea levels, and more difficult living conditions - including for us humans - are already the order of the day. Global society has never faced such a complex challenge. For young people in particular, the frightening climate scenarios will be a reality in the future. For the global south, it is already today. To overcome this crisis, different perspectives are needed. "THE UNPREDICTABLE FACTOR" goes back to the origins of the German environmental movement, accompanies today's activists in the Rhineland in their fight against the coal industry and gives a voice to scientists from climate research, ethnology and psychology.
An Inconvenient Truth (2006)
A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.
A Test of Violence (1969)
Stuart Cooper's short about the work of Spanish artist Juan Genovés is an inspired introduction to the works of this extraordinary artist, exploring its minimalist aesthetic and storytelling qualities through a variety of cinematic techniques, including rostrum, animation, news footage and live action recreations.
Everything at Once (Paco & Manolo's Gaze) (2021)
Paco and Manolo are two Catalan photographers from the outskirts of Barcelona who have been working together for thirty years as if they were a single person, capturing their images in Kink magazine, a very personal photography fanzine with a homoerotic aesthetic of Mediterranean essence.
32 Pills: My Sister's Suicide (2017)
Traces the life and mental illness of New York artist and photographer Ruth Litoff, and her sister's struggle to come to terms with her tragic suicide.
National Gallery (2014)
A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.
Standard Operating Procedure (2008)
Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.
Nothing Changes: Art for Hank's Sake (2018)
How far would you go to pursue your passion? At 87 years old, Hank Virgona commutes to his Union Square studio six days a week and makes art. Despite poor health, cancer, lack of revenue and obscurity as an artist, Hank is unrelenting in his quest to understand how life and art are the same.
I'm Too Sad to Tell You (1971)
This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.
