What is possible when we have guaranteed money to meet our basic needs? No requirements. No stipulations. No paybacks. We look to the village of Busibi to discover what’s possible when we give money directly to people. No strings attached. The answer lies in the residents’ personal stories. Their successes and tribulations illustrate the impact of one of the most daring projects in contemporary development cooperation. Their life stories unexpectedly prove to be all too familiar. They make us laugh. They move us. Blending in together, they create a colorful and poetic reality portrait, illustrating the big consequences of a small sum of money …
No Traces of Life (2024)
Building on Forensic Architecture’s previous investigation into herbicidal warfare and its effects on Palestinian farmers along the eastern perimeter of the occupied Gaza Strip, this investigation marks Land Day in Palestine by examining the systematic targeting of orchards and greenhouses by Israeli forces since October 2023. Our analysis reveals that this destruction is a widespread and deliberate act of ecocide that has exacerbated the ongoing catastrophic famine in Gaza and is part of a wider pattern of deliberately depriving Palestinians of critical resources for survival.
The Overnighters (2014)
Desperate, broken men chase their dreams and run from their demons in the North Dakota oil fields. A local Pastor's decision to help them has extraordinary and unexpected consequences.
The New World of Xi Jinping (2021)
Behind his polite exterior lies a formidable leader with a ruthless character, ready to do anything to make China the world's leading power by the People’s Republic’s centenary in 2049. This well-documented portrait of the Chinese president gives an unprecedented insight into his politics and shows how Xi Jinping's personal journey has shaped his choices as he steers China towards world domination.
Not Even in a Wildest Dream (2017)
The challenges of the present, expectations for the future, and the dreams of those who experience the reality of public high school in Brazil. Through the voices of students, principals, teachers and experts, "Not Even In a Wildest Dream" offers a reflection on the value of education.
I'm Just A Layman in Pursuit of Justice: Black Farmers Fight Against USDA (NaN)
"I’m Just a Layman in Pursuit of Justice" chronicles the injustices of the U.S. Department of Agriculture, also known as ‘the last plantation,’ and the lived experiences of Black farmers who chose to fight against discrimination.
Resistance Climbing (2023)
In 2014, during a trip, American Tim Bruns discovered cliffs in a small village five minutes north of Ramallah in Palestine and got to work equipping all the easy routes, then setting up climbing routes so that we can start teaching people how to climb. Bruns and Harris also opened Wadi Climbing, the first indoor climbing gym in Palestine. Today, gathered in the conflict-torn hills of Palestine, a diverse team of Bedouins, activists and urban professionals have embraced climbing as a much-needed respite from the burden of Israeli occupation. American writer and climber Andrew Bisharat visits the West Bank to explore his own roots and the power of climbing to transform lives. This documentary is part of the Reel Rock 17 series released in 2023.
Echoes 'Cross the Tracks (2012)
A powerful documentary starring Morgan Freeman about the genesis of The Blues in the South and the music spreading around the world. Morgan Freeman shares his story of his experience of growing up in Clarksdale, Mississippi and his love for the Blues.
China: The Uighur Tragedy (2022)
A relentless chronicle of the tragedy of the Uighurs, an ethnic minority of some eleven million people who live in the Xinjiang region of northwest China, speak a Turkic language and practice the Muslim religion. The Uighurs suffer brutal cultural and political oppression by Xin Jinping's tyrannical government: torture, disappearances, forced labor, re-education of children and adults, mass sterilizations, extensive surveillance and destruction of historical heritage.
Agnus Gay (1997)
Footage from the first ever São Paulo LGBTQ Pride Parade, which took place on the 28th of June 1997 on Avenida Paulista. The annual event would go on to become the largest pride parade in the world.
Earning a Living - Ten Years in Marta's Life (2021)
Marta and Karina are sex workers also studying to become lawyers. Filmed over ten years, this documentary captures their unlikely journey from prostitution to the defense of women's rights.
The Void Inside (2020)
After getting caught in a fight, Vahid needs to sell one of his kidneys to avoid a prison sentence of many years. While waiting for the liberating call from a buyer, a wish for a better life starts to grow within him.
Alone (2020)
Alone explores the existential pain of Ukraine through the eyes of an unlikely protagonist, one of the country’s most commercially successful pop stars. Andriy Khluvniuk, lead singer of hip-hop rock band Boombox, has millions of devoted young fans who adore him as a singer songwriter and sex symbol but know nothing of his personal turmoil caused by the political instability and military aggression in his homeland. Andriy is on a mission to raise awareness and motivate his fans to join him in taking a stand against the war in the east of Ukraine, and call for the release of Oleg Sentsov, a Ukrainian filmmaker and political prisoner in Russia. As tensions between Ukraine and Russia become a footnote on the world’s media agenda, Andriy use his fame to refocus the global spotlight on the fragile independence Ukraine is fighting for. The film culminates in an incredible sequence of events that result in Oleg Sentsov's release in a prisoner swap. Andriy and Oleg can meet each other at last.
We Are Not Princesses (2018)
We Are Not Princesses is a documentary film about the incredible strength and spirit of four Syrian women living as refugees in Beirut as they come together to tell their stories of love, loss, pain and hope through the ancient Greek play, Antigone.
Memory Books (2008)
In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.
War Dance (2007)
Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.
It’s Basic (2023)
When 2020 presidential hopeful Andrew Yang proposed to give every American $1000 in monthly income, it helped bring the issue of Guaranteed Basic Income (GBI) to national light. By then, several U.S. cities had already begun GBI pilot programs in which they provided $500 per month to a select group of people for one year.
Hating Peter Tatchell (2021)
The powerful and inspiring true story of the controversial human rights campaigner whose provocative acts of civil diso bedience rocked the British establishment, revolutionised attitudes to homosexuality and exposed world tyrants. As social attitudes change and history vindicates Peter's stance on gay rights, his David versus Goliath battles gradually win him status as a national treasure. The film follows Peter as he embarks on his riskiest crusade yet by seeking to disrupt the FIFA World Cup in Moscow to draw attention to the persecution of LGBT+ people in Russia and Chechnya.
Living Art (2024)
The thousand-year-old tradition of pottery in the Indian subcontinent is now under threat. With the market being flooded with plastic in the evolution of civilization, today this Pal community is becoming displaced.
Posted by: İlhan Sami Çomak (2016)
The story puts İlhan Çomak at the center, even though he is not physically present in the film. It focuses on the 21 years that İlhan spent in prison and his family’s experience of those years without him. The narrative is constructed through the letters İlhan wrote and aims to describe his life, his emotions and longings. The film constructs İlhan’s history through a chronology in the prison but refrains from restricting it only to a “prisoner’s quest for justice”, and rather tells a story of the situations he finds himself in over the years and his emotions and their equivalents in life.