As Cirque du Soleil reboots its flagship production, O, more than a year after an abrupt shutdown, performers and crew members face uncertainty as they work to return to their world-class standards in time for the (re)opening night in Las Vegas. With unfettered access, filmmaker Dawn Porter captures the dramatic journey of the world's most famous circus act on its way back from the brink.
Corpo Presente (2024)
A hybrid feature film that investigates contemporaneity through the body and its countless possibilities of expression and meanings. The film puts the body and the idea of the body in evidence, through metalanguage, articulation and confrontation of documentary, fictional and performative languages. The film follows the trajectory of the main character who uses her own body to formulate universes and investigate the meanings that are drawn in it. In a kind of subjective diary written on her skin, she records sensations and reflections, building relationships with thinkers, performances and archival materials, which lead her to other bodies and other stories.
Soviet Submarine (2021)
On March 26th, 2020, seven boys locked themselves in a house for 48 hours, with only potatoes, bread, and red light for survival. Watch the chaos unfold and tension rise between the comrades as they struggle to find a cure before it's too late.
K'i Tah Amongst the Birch (2020)
Filmmaker/activist Melaw Nakehk’o has spent the pandemic with her family at a remote land camp in the Northwest Territories, “getting wood, listening to the wind, staying warm and dry, and watching the sun move across the sky.” In documenting camp life—activities like making fish leather and scraping moose hide—she anchors the COVID experience in a specific time and place.
Thursday (2020)
Thursday shot from filmmaker Galen Johnson's high-rise apartment during COVID-19 “lockdown” in Winnipeg, captures people going about their daily routines in the city's eerily empty streets, yards and parking lots, on their balconies and on the riverbanks. The extreme distance and the diminutive scale of humans is paired with sound close-ups—a combination that embodies the strange, heightened intensity of feeling of the time, knowing an era-defining tragedy is happening yet being so physically removed.
Christmas In Florida (2021)
A canceled Thanksgiving parade and no options professionally or personally, Kimberly DiPersia and Alex R. Wagner decide it would be a perfect opportunity to travel to Florida.
Life on the move (2021)
In his first heartfelt documentary, Jack Belhumeur takes the viewer on a ride, navigating the trials and tribulations of life as an essential worker far from home during the COVID-19 pandemic.
Balkan Baroque (1999)
Balkan Baroque is a real and imaginary biography of the Yugoslavian performance artist Marina Abramovic. Rather than a mechanical reproduction of the artist's work, the film tries to create a new reality by translating the performances into cinematographic images that intensify the fictional context of the film. Abramovic plays herself, but ,appearing in multiple forms, blurs her own identity. Memories and fantasies intermingle with day to day rituals. The chronological narrative often breaks to reflect the interior voyage of the protagonist from the present to the past and back to the present. The result is a visually impressive film. Balkan Baroque had its world premiere at the International Film Festival Rotterdam, 1999.
Window Visits (2020)
Window Visits documents a family’s weekly afternoon visits to a long-term care facility from a child’s perspective.
American Pathogen (2020)
Documentary film detailing how America became the epicenter of the COVID-19 outbreak, from the dismantling of our preparedness system starting in 2016 to the “missing months” of inaction in early 2020.
Coronation (2020)
As the first city hit in the global pandemic, Wuhan, with a population of 11 million, was placed under an unprecedented lockdown. The film showcases the incredible speed and power of China’s state machinery in its fight against the virus. On the other side of the scale is the crushing bureaucracy of that same machine.
As Seen by the Unseen (2023)
In this collaborative film, documentary filmmakers and photographers from around the world reflect on the mass movements and protests during the COVID-19 pandemic.
Two Pandemics (2021)
Seven Asian-Americans discuss their experiences with racism and the spike in Asian-directed hate crimes as a result of COVID-19.
The White Caravan (2022)
The neon sign ‘Circus’ illuminates the wide street of Naples’ suburbs: four circus families were abandoned by the institutions, and now they’re awaiting the pandemic will disappear, like a magic show. The circus has stopped, but their lives go on.
An Apology to Elephants (2013)
Elephants are among the most majestic and intelligent creatures on Earth--but for hundreds of years, they have suffered at the hands of humans. Narrated by Lily Tomlin, this documentary short traces our long history with elephants and explores the many problems that arise when they are brought to live in captivity in zoos and circuses.
Veränderung (2020)
Wim Wenders ponders about the future of our society and film making amidst the Covid-19 pandemic.
Flavio Paolucci. From Guelmim to Biasca (2024)
In 2022, an exhibition on the Swiss painter-sculptor Flavio Paolucci was planned in a German museum. The museum had reserved a white wall on which the artist was to create a work. Everything was ready, but the pandemic prevented the 88-year-old artist from travelling. So Flavio Paolucci had the idea of creating this mural in his studio and then destroying it.
This Is Closest to How the Last Weeks of March Felt Like (2020)
A personal account of the COVID-19 pandemic in America and its effects on an immigrant family as seen through the eyes of a student quarantined at his barren university.
Hard ♡ (2022)
Since 2013, the Casual Gabberz collective has been storming dancefloors and the stages of the biggest festivals with its gabber surge, that hardcore techno sound born in Holland in the 90s. Until a virus causes the planet to go haywire. And triggered an existential crisis within the collective.