The second part of the series Cypriot Collage Stories sketches out the history of this Mediterranean island as a conflict of its two mothers – Aphrodite and Virgin Mary. Animations and collages are intertwined with found footage of the 1974 Turkish invasion of the island, revealing the obvious fact that modern conflicts are rooted in history.
What We Ask of a Statue is That It Doesn’t Move (2024)
Athens. Nothing seems to move. The locals seem as still as statues. While at the same time, somewhere, a caryatid is escaping from a museum and a small group of people demands the destruction of all antiques. Would film be the only way to avoid stone-cold indifference?
Supersilly (2024)
Having crept into a tent, a young girl steps out of it grown and strangely dressed as a bunny rabbit. An inner journey through which the young woman tries to understand the drama at the root of all her suffering.
Southern Brides (2025)
Women of mature years talk about their marriage, their first time, their intimate relationship with sexuality. In the repetition of these ancestral rituals, the director questions her own lack of marriage, of children, and with it, a chain of mother-daughter relationships that is dying out.
Evaporating Borders (2014)
Evaporating Borders is a poetically photographed and rendered film on tolerance and search for identity. Told through 5 vignettes portraying the lives of migrants on the island of Cyprus, it passionately weaves themes of displacement and belonging.
Esperança (2019)
Esperança, 15, has just arrived in France from Angola with her mother. At Amiens station, they don’t know where to sleep and look for someone who can help them.
The Girl and The Pot (2024)
In a dystopian world, a girl breaks her ceramic pot, which holds a secret within. The breaking of the pot opens portals to a parallel universe and the girl enters a time of transformation in which the creation of a new world is finally possible.
Tönende Handschrift II: Pitsch und Patsch (1932)
Animation with experimental sound painted by Rudolf Pfenninger.
Lily & the Snowman (2015)
Every winter, a magical snowman puts on a show for a little girl. But over time, life pulls them apart. Will she remember to take the time for what she loved?
Breakdowns of 1938 (1938)
Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.
Exhumados (2022)
Exposition of two different processes of forensic identification in exhumed bodies with features of violence.
Demi-Goddesses (2023)
The second essay about still dominant dark aspects of our modern society. It is conceived as a surreal anti-patriarchal thought experiment and raises important questions about gender, power, and social change, prompting us to reflect on how historical patterns of discrimination and oppression might be either repeated or overcome in a reversed gendered world. It challenges the viewer to confront their own assumptions and biases, and to consider the possibilities of a more equitable society.
Carmen Not Only According to Bizet (1968)
This is funny or rather crazy adaptation of classical opera Carmen inspired by famous czech theatre Ypsilon play of the same name shot at various bizarre locations such as airport, botanical garden and winter forest.
Piccolo (1959)
Two men in adjoining duplexes, good friends, are enchanted by the song of a bird. One buys a small harmonica and learns to play it; he keeps his neighbor awake. The neighbor buys a larger harmonica, and an arms race ensues; the instruments get larger, until it's a piano vs. a pipe organ, and then they start bringing in larger groups of friends until an entire orchestra is playing the 1812 Overture. The houses collapse from all this, atop the dueling orchestras, and on their way up to heaven, the man puts his small harmonica up for sale.
Swipe (2020)
A young boy addicted to iFatwa, an app that crowdsources religious death sentences, spends his days swiping on the lives of strangers.