The Titan Prometheus is punished by Zeus for attempting to steal fire for humankind.
Malpertuis (1971)
Malpertuis is the name of an old, rambling mansion which is in reality a labyrinth where characters from Greek mythology are imprisoned by the bedridden Cassavius. He manages to keep them, as well as his nephew and niece, prisoners even after his death, through a binding testament. As Jan, the nephew, unravels the mystery, he discovers that he cannot escape the house because Malpertuis is far more significant than he was led to believe.
Phaedra (1962)
A modern retelling of the Greek myth of Phaedra. The young and fiery second wife of an extremely wealthy shipping magnate meets her estranged stepson Alexis and sparks immediately fly. Their love seems doomed from the beginning when she convinces him to come to Paris to meet his father.
Medea (1969)
Based on the plot of Euripides' Medea. Medea centers on the barbarian protagonist as she finds her position in the Greek world threatened, and the revenge she takes against her husband Jason who has betrayed her for another woman.
Oedipus Rex (1957)
The story of Oedipus' gradual discovery of his primal crime, killing his father and marrying his mother, filmed by the famed British theatrical director Sir Tyrone Guthrie. This elegant version of Sophocles' play adds a brilliant stroke: the actors wear masks just as the Greeks did in the playwright's day.
The Bacchae (2009)
A talented ensemble cast bring Euripides masterpiece to life. The Bacchae (also called The Bacchants or Bakchai in Greek) tells the story of the god Dionysus who comes to the city of Thebes disguised as a charismatic young man accompanied by a throng of erotic female maenads. The immortal play is a study in fanatical religions and confronts the personal balance that we all must find between order and spontaneity.
Echo (2023)
A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?
Johnny Minotaur (1971)
Johnny Minotaur is a lyrical explosion of taboos: incest, intergenerational desire, pansexuality and autoeroticism are a few of the issues Charles Henri Ford grapples with through mythopoeic, sensual imagery, recitations of his diaries and a philosophical debate featuring an impressive narration by such artists as Salvador Dali, Allen Ginsberg, Warren Sonbert and Lynne Tillman.
Greek Gossip (2020)
In a world where Greek mythology is reality, Ben, a lonely reporter, finds his morals swayed by his desperation for affection.
Achilles (1995)
With the loss of Patroclus (his undeclared male lover), Greek warrior Achilles returns to the Trojan War.
Orpheus in the Underworld (1974)
This musical comedy based on an opera by Jacques Offenbach incorporates a twist on the classic Greek myth: Orpheus, a music teacher at a girls’ school in the ancient Greek city of Thebes, actually does not miss his wife Eurydice that much – until the gods and Offenbach himself pressure him to retrieve her from Hades.
The Colossus of Rhodes (1961)
While on holiday in Rhodes, Athenian war hero Darios becomes involved in two different plots to overthrow the tyrannical king, one from Rhodian patriots and the other from sinister Phoenician agents.
The Golden Thing (1972)
Eleven-year old Jason and his companions, including Hercules and Orpheus, go with the ship "Argo" in the search for the Golden Fleece. With wit and cunning to overcome various obstacles until they reach the destination of their fantastic journey. The experiment is not only due to the popularization or naive glorification of a myth, but the search space occupied by fact that the heroes of antiquity were actually very young.
Pink Ulysses (1990)
A homoerotic exploration of the Odyssey mixing black and white, color, and old film clips.
A Christmas Carol: A Ghost Story (2022)
It’s a cold Christmas Eve and mean-spirited miser Ebenezer Scrooge has an unexpected visit from the spirit of his former business partner Jacob Marley. Bound in chains as punishment for a lifetime of greed, the unearthly figure explains it isn’t too late for Scrooge to change his miserly ways in order to escape the same fate, but first, he’ll have to face three more eerie encounters. Filmed at the Alexander Palace Theatre, London.
Stop-Motion (2024)
After a tragic accident, a woman cares for her injured mother while coping through stop-motion filmmaking, mending strained family ties, and seeking growth amidst grief.
Run Melos! (1981)
Hashire Melos! is the title of two Japanese animated films. The first was directed by Tomoharu Katsumata and released on Japanese television on February 7, 1981. It was either 68 or 87 minutes long, and its official title did not include the exclamation mark on the end. The second, with the exclamation mark, was a 107-minute remake of the first and was released on July 25, 1992. It featured direction and screenplay by Masaaki Osumi, music by Kazumasa Oda, art by Hiroyuki Okiura and Satoshi Kon, and background art by Hiroshi Ohno. Both were produced by Toei Company Ltd. Visual 80, and both were based on the original short story written by Osamu Dazai in 1940.
Tiresia (2003)
Based on the legend of Tiresias, it tells of a transsexual who is kidnapped by a man and left to die in the woods. She is then saved by a family and receives the gift of telling the future.
Penthesilea: Queen of the Amazons (1974)
Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth. It asks, among other questions, is the Amazonian woman a rare strong female image or is she a figure derived from male phantasy? The film explores the complexities of such questions, but does not seek any concrete answers.