The film is part of Eye Filmmuseum’s Mutoscope and Biograph Collection. This collection consists of about 200 films preserved on their original 68 mm format. The digital file provided is scanned in 2022 at Eye Collection Center, from the 35 mm duplicate negative that was made in 1998. After the first analogue preservation round made 25 years ago, Eye is now undertaking the digital restoration of the Mutoscope & Biograph Collection. “Mardi Gras Carnival” became the focus of attention, thanks to its inclusion within ‘The Artistry of REX’ exhibition, that opened in the summer of 2022 at the Louisiana State Museum.
Related Movies
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Hearts and Minds (1974)
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I Don't Know (1971)
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Marjoe (1972)
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Burden of Dreams (1982)
The Amazon rain forest, 1979. The crew of Fitzcarraldo (1982), a film directed by German director Werner Herzog, soon finds itself with problems related to casting, tribal struggles and accidents, among many other setbacks; but nothing compared to dragging a huge steamboat up a mountain, while Herzog embraces the path of a certain madness to make his vision come true.
Metroliner (1975)
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The Fighting Lady (1944)
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The Titan: Story of Michelangelo (1938)
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The Unconquered (1954)
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Who Are the DeBolts? And Where Did They Get Nineteen Kids? (1977)
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From Mao to Mozart: Isaac Stern in China (1981)
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Ring of Steel (1942)
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Christopher Tree (1967)
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Always for Pleasure (1978)
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Garlic Is as Good as Ten Mothers (1980)
A zesty paean of praise to the greater glories of garlic. This lip-smacking foray into the history, consumption, cultivation and culinary/curative powers of the stinking rose features chef Alice Waters of Chez Panisse, and a flavorful musical soundtrack. Preserved by the Academy Film Archive in 1999.
Portrait of Jason (1967)
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The Battle of San Pietro (1945)
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Scared Straight! (1978)
The filmed depiction of a program where convicts tell troubled kids about the horrors of prison life. Preserved by the Academy Film Archive in 2007.
Necrology (1970)
The faces of a 5:00 PM crowd descending via the Pan Am building escalators in one continuous shot. In old-fashioned black and white, these faces stare into the empty space, in the 5:00 PM tiredness and mechanical impersonality, like faces from the grave.
Crossroads (1976)
The 1945 atomic-bomb explosion at Bikini Atoll becomes a thing of terrible beauty and haunting visual poetry when shown in extreme slow motion, shown from 27 different angles, and accompanied by avant-garde Western classical music composed for electric organ by Terry Riley. Preserved by the Academy Film Archive in partnership with Pacific Film Archive in 1995.