Long before Kim Gordon was a cooler-than-thou multimedia artist in Body/Head, she was a cooler-than-thou multimedia artist in Sonic Youth. In the ’80s, Gordon and her bandmates were fixtures of New York’s downtown art and music scene; one regular haunt of theirs was legendary nightclub Danceteria, which served as the setting for a short film Gordon made sometime around 1985. Now, as Dangerous Minds points out, said video has surfaced online thanks to filmmaker/designer Chris Habib (a.k.a. Visitor Design). “Excellent video I found in my Sonic Youth archive,” Habib writes on the clip’s Vimeo page. “I digitized it for Kim during her [early 2000s] CLUB IN THE SHADOWS exhibition at Kenny Schachter’s old space in the West Village.”
Related Movies
Megalópolis (2021)
Exploration of the territory in a delirious time-space journey through the largest Megalopolis in America.
Being in a Place: A Portrait of Margaret Tait (2024)
Drawing on a wealth of unseen archival material and unpublished notebooks, the film weaves a complex and personal portrait of Margaret’s life, from the perspective of a fellow artist sensitive to the potential Margaret envisaged for film as a poetic medium.
Sea of Cranes (2021)
A short experimental tone-poem documentary that explores three stages of the gentrification of Seattle.
How I'm Goin' Public (2023)
A single-channel, nonlinear performance video and diegetic sounds. Exploring the ground of the reenactments of intimacy and the public display of these reenactments through video projections.
Feeler (2016)
16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.
to boyhood, i never knew him (2022)
Archive footage from 2006 - 2010 of a young girl growing up during the ages of four to eight. Only fragments of what is remembered exists. Words from a transgender man float to the surface as fleeting memories go on.
The Uptown (2022)
A vacant theater still has “screenings” of its own: apparitions that come to life on a curved screen without anyone to see them, creating spectacular scenes without any projectors at all.
Vibrant Matter (2024)
A silent city symphony, projected from gorgeous black and white 16mm film. Materia vibrante lets the resonating frequencies of the urban environment create the inaudible hum that keeps the engines of society running, absent of the inhabitants running around like little ants toiling away.
Aurum iter (2023)
Aurum Iter is a cinematic journey that delves into the depths of the visual and sonic, challenging the boundaries of traditional storytelling. Inspired by the minimalist essence of "Koyaanisqatsi", the short film invites viewers into a unique sensory experience where King Crimson's music intertwines with the visuals. Without dependence on words, the film reveals the fascinating interaction between humanity, exploring the intrinsic beauty and complexity of the world around us. As the visuals unfold before the viewer's eyes, an invitation is issued to contemplate society's impact on humanity and our never-ending quest for harmony with the environment. In Aurum Iter, I invite viewers to a poetic meditation on life, the interconnectedness of all things, and the urgent need to preserve the delicate balance between man, nature, and the body itself.
The Ongoing Conversation (2023)
An Editor recounts the diaries of a failed film production as they attempt to construct a new narrative from the remaining footage.
Untitled (Pink Dot) (2007)
In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.
Duelo (2023)
The short film follows Endika, a director who, in the midst of a clash with his reality, transforms a documentary about paternal absence into a personal quest for reconciliation with his own father.
A Common Sequence (2023)
An interconnected look at tradition, colonialism, property, faith, and science, as seen through labor practices that link an endangered salamander, mass-produced apples, and the evolving fields of genomics and machine learning.
Ten Lives of a Cat: A Film about Chris Marker (2023)
Ten years after the death of iconic French filmmaker, Chris Marker. A filmmaker, hoping to rediscover that unique sensibility against the uncertainty of the new century, returns to the places synonymous with those incomparable and unforgettable films-- From the cat cemetery of Sans Soleil, to the mausoleum of The Last Bolshevik; The caves of Level Five to the rooftops of The Case of the Grinning Cat. A biographical portrait of one of the 20th century's greatest and most misunderstood filmmakers.