A filmmaker reconstructs a common memory about the formerly industrialized Lake Constance region, which was also largely built up by migration – and in recent years has mainly attracted people who do not like to pay taxes. The imprints speak, the fog. Without talking heads, in perspectives beyond the memorialized self-image of this region, classism becomes comprehensible.
Related Movies
The Weight of Sight (2024)
The Weight of Sight is a playful and very personal essay where director Truls Krane Meby, through a massive archive of his own material - anything from DV-tapes to 35mm - explores the last 20 years of digital development - how it’s influenced the images we make, and our bodies. What kind of images do we get of the world now that everyone is a photographer, and what does it do with how we unfold our identities? How has the internet both captured and freed us? And will Truls even dare to show this film?
Magritte or the Object Lesson (1960)
The surrealist painter René Magritte questions the objective reality and emphasizes the arbitrariness of the relationship between an object, its image and its name: the evocation of mystery consists of images of familiar things gathered or transformed in such a way that they no longer conform to our ideas, whether naive or wise.
Visions of Europe (2004)
Twenty-five films from twenty-five European countries by twenty-five European directors.
What I Learned at the Harun Farocki Residency (2017)
In this video I share my experience as the first Resident of the Harun Farocki Institut in Berlin during the winter of 2016-2017. Produced for the Goethe Institute.
Magnicidios Poe (2017)
The sarcastic account of the assassination of five Spanish politicians between 1870 and 1973 is mixed with the narration of five short stories by Edgar Allan Poe illustrated by five skillful pencil artists. A documentary, a video essay, a collage, a provocative experiment where various pop culture figures and icons perform unexpected cameos. The macabre joke of a jester. Never more.
reminiscence on the garden (2022)
A gentle and confused home movie in search of a lost space - my grandmother's garden, where I spent my childhood. There is nothing to testify to that place and my time there. There are memories pollinated by the pollen of garden poppies the warmth of my hands, toiling in the sunshine and the stories of adults about the big world. Summer, reveries, childhood, prejudices, the realities of the noughties, a small town - shimmering images that can never manifest, but endlessly manifest themselves. The intimate experience is torn by externalised reality: the formerly Latin poppy becomes a threat to gardeners and gardeners, bugs represent terror and flowers represent death.
Heimat Is a Space in Time (2019)
Director Thomas Heise picks up the biographical pieces left by his family, and composes an epic picture of four generations of his family, of a country, of a century.
The Making of Transformers the Premake (2020)
The mind process behind the film, Transformers the Premake, explained by Kevin B Lee himself.
October in Madrid (1965)
Initially a made-to-order documentary on Spain, the film becomes an open-ended work-in-the-making about the creative process. “Settling in the Spanish capital to make a documentary, Hanoun sketches out for us the different steps involved in making a film. The author turns his hesitations, his doubts and difficult working conditions into the constituents of his work”. (Raphaël Bassan)
Martin und Hans (2022)
A fictional biography of Hollywood actors Martin Kosleck and Hans Heinrich von Twardowski, both of whom fled Hitler-era Germany to live a long-lasting relationship.
How to Explain Your Mental Illness to Stanley Kubrick (NaN)
A psychotic filmmaker named Philip summons a manifestation of Stanley Kubrick into his apartment to confront him on the depiction of mental illness in his filmography. Kubrick's obsession with 'crazy' characters who meet an untimely death disturbs Philip, who wishes he could see Kubrick characters who manage their illness. The two directors go on a journey into Kubrick's films to understand insanity in our modern era.
I, Apostate (2018)
A fantasia of post-indoctrination, immigration, and iconography. A pageant of wanderers and searchers: Mormon missionaries, a pioneer, polygamists, scouts, hunters, church-goers, and an aspiring prophet walk and walk and walk. A pilgrimage of memory, history, ancestry, and place.
Oblivion (2024)
A lone passenger is reflected in the windows of a train crawling through layers of textures towards Minsk. During his absence, the city has not changed: all the streets are frozen, long-gone voices can be heard in the empty rooms and around the corner you can find yourself in a video game from your childhood.
The Contact Enigma (2021)
Three people become connected through mysterious circumstances involving electronic devices which spontaneously appeared in their world.
On Memory (2021)
Musing on the nature of memory, Don Hertzfeldt recounts stories about a kiss from The King, a floating child in a backyard and a giant foot.
Twilight (2021)
Feeling lost, a holidayer takes a vacation, only to discover a world that is as banal as it is hyper-real. A found-footage essay film. A home-movie. A music video. An experimental documentary about the fantasy of air travel. Taking a tour of the global centres of accumulation - New York, Dubai, Burning Man - Twilight documents the unreal, the mundane and the spectre of ecological collapse.
