At a mobile home park in small-town Northern California, five best friend retirees navigate their golden years with grace, humor, and wisdom, and reflect on the importance of genuine human connection.
Guide to a Midwest Hometown (2022)
Coming back during Winter, Alex Powell explores both the places and personal connections found in his hometown and how they've changed. “Guide to a Midwest Hometown” explores what makes the barren places at home feel sentimental and special, and the good and bad feelings that come when being back home. Inspired by "How To With John Wilson".
Strike: The Greatest Bowling Story Ever Told (2014)
Bill Fong is passionate about bowling. When he's not working at the bowling shop he's studying YouTube videos, playing 20 games a week as a member of four active leagues, and memorizing the characteristics of each of the 48 lanes at his regular bowling alley. Yet despite all of Bill's determination, he has yet to achieve his dream of going pro. One seeming ordinary night all may change for this underdog as Fong begins to get strike after strike, nearing the ever elusive 'perfect series,' a feat only achieved 21 times since 1895. The achievement would be historical, the first for Texas and the first by an Asian-American. A perfect series could be just the thing to launch Bill into the pros but will he be able to make it or buckle under the pressure?
Reclaiming Beautiful (2023)
In this documentary, a group of young women discuss the varying definitions of the word "beautiful" and how these definitions have impacted them.
With Tired Theodore to the Putte's Mill (2015)
The old bus "Tired Theodore" came into service in 1954 and operated for long periods along the line Lumparland - Mariehamn. One summer day a number of older people had gathered for a bus ride along the winding country roads in Lumparland, and to relive old memories. At the same time one of the locals, Putte Karlsson, took up a large project: rebuilding the old mill in Lumparby. The mill was owned by his grandfather, skipper and farmer in the village. Sawmills previously existed in many villages in Åland Islands but today they are no longer in use. It is a big challenge and many are skeptical that Putte will put everything to work.
(Im)mortals (2022)
What happens after death? Lila Ribi's 100-year-old grandmother Greti always has the same answer: There is nothing after death. The filmmaker sees things differently.
Look at Life: Change at the Tower (1967)
A look at the day-to-day running of the historic Tower of London and coping with up to 16,000 visitors each day. A stunning display of the Crown Jewels.
Artifact from the Future: The Making of 'THX 1138' (2004)
The Making of feature for the George Lucas movie 'THX 1138'.
The Invisible Subtitler (2013)
The Invisible Subtitler is an independent documentary about the use of subtitles in cinema and the life of subtitlers themselves, focusing on the economic issues faced by the subtitlers and how they are currently invisible in the globalized business of the film industry.
Shéár Avory: To Be Continued (2020)
The coming of age story of Shéár Avory, a 17 year old trans* aspiring social justice advocate in Los Angeles who navigates housing instability and familial dependency on their journey to adulthood. Shéár depends closely on their mother for continued access to their medical transition, though struggling in her recovery from addiction, she is unable to always offer Shéár the support they need. An observational piece, the film aims to ask, what does coming into adulthood actually look like, for a young Black trans* femme in today’s America?
Debris (2022)
Debris is a 25 minute film made in collaboration with the National September 11th Memorial and Museum. This documentary tells the story of September 11th, 2001 using bystander footage, source audio and newly composed music. Some of what you'll see may seem familiar - but certain events in Debris have rarely been viewed by the public.
Le Paris des mannequins (1963)
A photoshoot on the roofs and in the streets of Paris, under the astonished eyes of the inhabitants.
About ‘Song of Ceylon’ by Basil Wright (1975)
Song of Ceylon was commissioned for the short-lived German TV-series Telekritik and broadcasted in 1975. In Telekritik documentary approaches were analysed and made available for a critique of contemporary TV, its aesthetics and modes of production. Other authors for the series include Hartmut Bitomsky, Rainer Gansera and Klaus Wildenhahn.In the 30-minute movie, Farocki shows and comments on excerpts from the film Song of Ceylon by Basil Wright (and a short segment of Eisenstein's Mexico-fragments). Farocki's voice-over describes part of the movie, focussing on details and montage. He also uses didactic and descriptive drawings and intertitles to confront the classic documentary and its stylistic approaches with contemporary TV.
Koyaanisqatsi (1983)
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
Pusharatas: A Biloxi-Croatian Tradition (2013)
Every year at Christmas, the women of the Slavonian Ladies' Auxiliary celebrate their culinary heritage by getting together to make pusharatas (a type of Croatian doughnut) for the people of Biloxi, Mississippi.
Boundless (2013)
As Hong Kong's foremost filmmaker, Johnnie To himself becomes the protagonist of this painstaking documentary exploring him and his Boundless world of film. A film student from Beijing and avid Johnnie To fan, Ferris Lin boldly approached To with a proposal to document the master director for his graduation thesis. To agreed immediately and Lin's camera closely followed him for over two years, capturing the man behind the movies and the myths. The result is Boundless, a candid profile of one of Hong Kong's greatest directors and a heartfelt love letter to Hong Kong cinema.
The Beloved Child, or I Play at Being a Married Woman (1971)
A young mother, alone with her daughter, confides in a friend who happens to be the director herself. Chantal Akerman, although she sympathizes with the mother, does not say a word.