Elton and his band are accompanied by London's Royal Academy of Music Orchestra and Choir, performing a rare concert at the legendary Royal Opera House, with songs that include Take Me To The Pilot, Don't Let The Sun Go Down On Me, Burn Down The Mission and Philadelphia Freedom.
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Royal Opera House: The Queen of Spades (2019)
The dark world of Tchaikovsky’s penultimate operatic masterpiece Queen of Spades hinges on obsession, greed, and a secret in winning at cards… In 2005, the Opéra Bastille mounted a compelling production featuring Vladimir Galouzine as the mad lover Hermann, Hasmik Papian as the doomed Lisa, and Irina Bogatcheva as the mysterious Comtesse.
Elton John: The Nation's Favourite Song (2017)
Elton John on his extraordinary career and his songwriting partnership with lyricist Bernie Taupin.
Royal Opera House: Carmen (2018)
This ever-popular opera is given a fresh point of view in Barrie Kosky’s highly physical production, originally created for Frankfurt Opera. The Australian director is one of the world’s most sought-after opera directors, whose Royal Opera debut with Shostakovich’s The Nose in 2016 was greeted with delight. For Carmen he has devised a far-from-traditional version, incorporating music written by Bizet for the score but not usually heard, and giving a new voice to the opera’s endlessly fascinating central character.
Royal Opera House: La Bohème (2009)
John Copley's enduring production of one of the most famously melodious and popular of all operas is a classic of the Royal Opera repertory. With historically accurate designs by Julia Trevelyan Oman and an excellent cast headed by Hibla Gerzmava and Teodor Ilincai, this 2009 revival, in which conductor Andris Nelsons makes a distinguished Royal Opera House debut, does full justice to Puccini's masterpiece. Recorded 2009.
Royal Opera House: Macbeth (2018)
Verdi’s life-long love affair with Shakespeare’s works began with Macbeth, a play he considered to be ‘one of the greatest creations of man’. With his librettist, Francesco Maria Piave, Verdi set out to create ‘something out of the ordinary’. Their success is borne out in every bar of a score that sees Verdi at his most theatrical: it bristles with demonic energy.
Royal Opera House: La Traviata (2009)
Renée Fleming has matured into one of the finest sopranos around at the moment, a true star with a sparkling personality and a velvet-toned voice that is capable of wringing the finest emotions out of works by Strauss and Tchaikovsky that from a lesser singer could sound rather cold and clinical. I wouldn't have thought her voice would be so well suited to Violetta Valéry in La Traviata, and it does take some getting used to, but I think she at least brings a distinct quality to the role with an emotional heart that isn't always necessarily there when a leading diva uses it primarily as a display for her vocal talents. It's served well also by Antonio Pappano's conducting of the Royal Opera House Orchestra in a traditional, but effective production by Richard Eyre.
Faust | ROH | (2019)
Disillusioned with life, the aged philosopher Faust calls upon Satan to help him. The devil Méphistophélès appears and strikes a bargain with the philosopher: he will give him youth and the love of the beautiful Marguerite, if Faust hands over his soul. Faust agrees, and Méphistophélès arranges matters so that Marguerite loses interest in her suitor Siébel and becomes infatuated with Faust. Faust initially seems to love Marguerite in return, but soon abandons her. Her brother Valentin returns from the war and is furious to find his sister pregnant. Will Faust repent his destructive actions, and can his soul, and Marguerite's, be saved?
The Magic Flute (2003)
The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive. The internationally renowned Mozart interpreter Sir Colin Davis conducts the chorus and orchestra of the Royal Opera House and a glittering cast in David McVicar's 2003 production of the opera Mozart wrote in the final year of his life, recorded live at Covent Garden.
Royal Opera House: Il Trovatore (2017)
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The Cellist / Dances at a Gathering (The Royal Ballet) (2020)
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McGregor: Chroma / Infra / Limen (2011)
The diversity of Wayne McGregor's astonishing talent is demonstrated through Chroma, Infra and Limen, each created for The Royal Ballet, for whom he is resident choreographer. Intimate yet universal, light yet dark, frenetic yet lyrical, McGregor pursues his passion for exploring the inner workings of the human body and mind, his many-layered and beautiful dances providing visual, sensual and kinaesthetic stimulus for the viewer. Works: Chroma (Talbot; White III); Infra (Richter); Limen (Saariaho).
Dirty Dancing (1987)
Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances 'Baby' Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.
Gimme Shelter (1970)
A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.
Dont Look Back (1967)
In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.
The Drive to Sing (NaN)
When the COVID-19 pandemic forced musical activities to shut down in March 2020, singers searched for ways to stay connected and sing live music together. Online solutions such as Zoom helped groups socially, but did not allow a choir to rehearse and perform together. Several tech-savvy musicians turned to old-school audio technology to organize parking lot choirs, with each singer safely isolated in their own car. The idea spread through social media across the US and Canada, and reached the attention of the New York Times, the Today Show, and NPR. "The Drive to Sing" tells the story of the parking lot choir, the cast of characters who worked together to develop and refine it, and the singers who kept their musical communities going during this time of fear and isolation.
R.E.M.: Rough Cut (1995)
A behind-the-scenes documentary of R.E.M. as they prepare to embark on their 1995 Monster World Tour.
When I'm Done Dying (2021)
Fehmi is an aspiring young rapper from a slum of Istanbul where the Hip-hop subculture is the voice of the youth. Fehmi dreams of making a successful rap album, despite the disapproval of his family. Fehmi’s addiction to the deadly drug ‘bonzai’ jeopardises his burgeoning rap career. He comes to terms that he needs to quit, yet it’s a challenging pursuit. We witness Fehmi’s struggle through his relationships with his first love Devin, his gay brother Erdem and his band-mate Yunus. The process is an emotional roller coaster for everyone involved. Fehmi holds onto his passion for rap to stay strong in this rough journey.