Archibald, an astronaut painter is on a mission to paint his magnum opus, the solar system. Driven by obsession, he is faced with his final piece, which will guide him to his doom, The Sun.
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Two Bagatelles (1953)
Norman McLaren instructs Grant Munro on the movements he is to make. The film technique for Two Bagatelles is pixillation, where the actor is animated frame by frame, as in the film Neighbours/Voisins.
Sunshine (2007)
Fifty years into the future, the sun is dying, and Earth is threatened by arctic temperatures. A team of astronauts is sent to revive the Sun — but the mission fails. Seven years later, a new team is sent to finish the mission as mankind’s last hope.
A Grand Day Out (1990)
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
The Wrong Trousers (1993)
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
A Close Shave (1996)
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
The Eighth Day of Creation (2003)
At the end of the eighth day the Creator has taken refuge in a dark dungeon . Obsessed with transcending he manipulates life to the extreme and tries to engender the perfect being that will immortalize him
Hair Love (2019)
When dad has to unexpectedly step in for mom to do his daughter Zuri’s hair before a big event, what seems like a simple task is anything but as these locks have a mind of their own!
Ad Astra (2019)
The near future, a time when both hope and hardships drive humanity to look to the stars and beyond. While a mysterious phenomenon menaces to destroy life on planet Earth, astronaut Roy McBride undertakes a mission across the immensity of space and its many perils to uncover the truth about a lost expedition that decades before boldly faced emptiness and silence in search of the unknown.
No. 11: Mirror Animations (1956)
Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.
Aquarela do Brasil (1942)
José Carioca, showing Donald Duck around South America and introducing him to the samba
Puddles (2019)
An adventurous young boy discovers that puddles can be portals to a fantastical world, but struggles to get his sister's attention away from her phone to see the magic in the world around her.
Hair-Jitsu (2019)
A young girl faces off against an evil hairdresser as she goes through imaginative lengths to avoid her first haircut.
Lightning in a Bottle (2019)
During a thunderstorm, a young boy's effort to capture lightning in a glass bottle as part of a science fair project succeeds beyond his wildest expectations, but is shocked when he discovers the consequences of this unnatural feat.
The Race (2019)
Grim desperately needs one more soul to win his work competition, but his last scheduled collection at a rigorous bike race turns his world upside-down. At the finish line, he learns that life is not always about the trophy at the end of the race.
Lucky Toupée (2019)
This clever bit of balderdash lifts the lid on an original tale about a hijacked hairpiece, a gang of larcenous leprechauns, and a budding romance.
Bat Time (2015)
When night dawns on the farm a little bat wakes up. The little bat wants somebody to keep its company. It doesn't want to be alone. It is looking for a friend.
Baseball Bugs (1946)
Bugs Bunny single handedly takes on the “Gas-House Gorillas,” a baseball team of hulking, cigar-chomping bullies.
Big House Bunny (1950)
While attempting to evade a group of hunters, Bugs Bunny jumps into a rabbit hole and inadvertently tunnels into Sing Song prison, where the malevolent prison guard, Sam Schultz, assumes he's an inmate.
Yellow Fever (2012)
What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.