Return to the Pleasure Dome (2017)
A dancer encounters an unnatural menacing force to the beat of a rockabilly tune. Madness ensues as the surreal and nightmarish event unfolds setting the stage for the question of whats real and whats not. Is it a dream or hallucination?
Demi-Goddesses (2023)
The second essay about still dominant dark aspects of our modern society. It is conceived as a surreal anti-patriarchal thought experiment and raises important questions about gender, power, and social change, prompting us to reflect on how historical patterns of discrimination and oppression might be either repeated or overcome in a reversed gendered world. It challenges the viewer to confront their own assumptions and biases, and to consider the possibilities of a more equitable society.
No. 11: Mirror Animations (1956)
Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.
Memoirs of a Strangler of Blondes (1971)
First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.
Spheres (1969)
This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.
Street Musique (1972)
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
Skagit (2022)
Four friends leave Seattle for a weekend in a remote, rain-soaked corner of Washington State's rustic Skagit Valley. The foreboding October landscape begins to warp their minds, plunging each of them into alternate realities where they must grapple with personal demons, sexual tensions, and a sinister natural world as they claw their way back to sanity.
Black Fish (2006)
Darkness and light, as seen by VIFF’s favourite Buddhist erotist. Part of the TOKYO LOOP animation anthology produced by ImageForum Japan.
Friend of the World (2020)
After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.
INFRASTRATA (2024)
Amongst the contemplative static shots of decaying architecture weaves an abstract narrative unveiling the life-cycle of a higher perception, too large to perceive. Shot at various sites across south-east England, INFRASTRATA is a study on the concept of super-organisms, and the relationship between structure and nature.
LAND (2013)
LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)