In 2018, Taiwan was kept busy by noises of the election, among which the process of restarting the coal-fired power plant in Shen’ao was the most controversial and eye-catching. I followed the diving and canoeing instructor, recorded the rose coral reef and searched for a rare species of mollusk, the Epimenia babai Salvini–Plawen, in the waters of the local conservation area, and explored the ecological truth of Silence at the bottom of Deep Shen’ao together.

How to Blow Up a Helicopter (Ayako's Story) (2009)
Interview of Ayako Fujitani and her dad Steven Seagal.
Passaic Mosaic (2008)
A short documentary, looking at life in Passaic, New Jersey, whilst the film Be Kind Rewind (2008) is being shot there.
Insomnies (1979)
Insomnies is an impressionistic look at the city at night, avoiding the clichés of commercial or tourist films and suggesting instead a lifestyle rhymed by windshield wipers and the music of The Honeymoon Killers. The film is flashing back-and-forth and ultimately leaves, like an arabesque of light and colour made of lines, curves and angles.

Confessions of a CEO: My Life in an Out-of-Balance World (2025)
A bare-knuckled critique of corporate America told through the powerful true story of a toxic CEO who evolves from a profits-over-people, philandering executive to an unorthodox leader, populist messenger, and mentor to American influencers. It’s a story of growth, redemption and the impact of self-awareness on leadership and life.
Guardian of the river (NaN)
This documentary details the indigenous environmental movement in Honduras in 2016 specifically in the aftermath of prominent activist Berta Cáceres' assassination at the hands of a hired hitman. The documentary shows the effects of international and domestic dam development on the local landscape and the organized political resistance efforts.

Lady Samurai (2019)
This is the story of Kaori Kawabuchi, a samurai sword performer, singer and motion capture actor. An inspiring woman keeping alive ancient traditions and spirituality in modern Japan.

Plastic Him (2022)
A self portrait filmed with a modified PXL 2000 Camcorder. The camcorder itself records on to audio cassette tape. The tapes themselves are recycled which means I have recorded over them several causing them to slowly degrade.

Inside Troublemaker Studios (2004)
A short featurette available on the DVD for Once Upon a Time in Mexico (2003), released in January 2004.

Knife Skills (2017)
Edwin’s Restaurant is determined to become one of America’s top French restaurants, with a staff unlike any other in the country. Brandon Edwin Chrostowski prepares to open his Cleveland, Ohio fine dining establishment with a staff composed nearly entirely of recently released prisoners in search of an opportunity to get their lives back on track. They sign up for a classical French food boot camp to learn the ins and outs of fine wine, sauces, and more.
Adrift (2004)
"Adrift" is shot on the arctic island of Spitzbergen and in Norway. It combines time-lapse photography with stop-motion animation of the landscape. Through camera-angles and framing the film gradually dislocates the viewer from a stable base where one loses the sense of scale and grounding.

Wingsuit Warrior (2013)
Base jumper Jeb Corliss sustained grave injuries on a crash in South Africa. Through rehab, Jeb relearns the sport to tackle mountains in Europe.

A Fire (1961)
The National Iranian Oil Company (NIOC), formed upon nationalization of the British Anglo-Iranian Oil Company, employed film systematically, producing many films on oil and petrochemical subjects. It also made films depicting Iran's progress and modernization, highlighting the role of the Shah and NIOC in that direction. Under its auspices, Ebrahim Golestan directed A FIRE (1961), a highly visual treatment of a seventy-day oil well fire in the Khuzestan region of southwestern Iran. This film was edited by the Iranian poet Forough Farrokhzad and won two awards at the Venice Film Festival in 1961.

Spain '68 (1968)
Spain, 1968. An analysis of the political and social situation of the country, suffocated by the boot of General Franco's tyrannical regime. (Filmed clandestinely in Madrid and Barcelona during the spring of 1968.)

Workers Leaving the Lumière Factory (1895)
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Land Without Bread (1933)
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Bigger Than Us (2021)
For six years, Melati, 18, has been fighting the plastic pollution that is ravaging her country, Indonesia. Like her, a generation is rising up to fix the world. Everywhere, teenagers and young adults are fighting for human rights, the climate, freedom of expression, social justice, access to education or food. Dignity. Alone against all odds, sometimes risking their lives and safety, they protect, denounce and care for others. The earth. And they change everything. Melati goes to meet them across the globe. At a time when everything seems to be or has been falling apart, these young people show us how to live. And what it means to be in the world today.

Animal (2021)
16-year-old Bella and Vipulan are part of a generation convinced its very future is in danger. Between climate change and the 6th mass extinction of wildlife, their world could well be inhabitable 50 years from now. They have sounded the alarm over and over, but nothing has really changed. So they’ve decided to tackle the root of the problem: our relationship with the living world. Over the course of an extraordinary journey, they come to realize just how deeply humans are tied to all other living species. And that by saving them… we’re also saving ourselves. Humans thought they could distance themselves from nature, but humans are part and parcel of nature. For man is, after all, an Animal.