This beautiful and poignant film was commissioned by TENI (Transgender Equality Network Ireland) and is a conversational piece which explores gender identity and transgender experiences in Ireland.
Devil in the Room (2013)
Have you ever woken in the night unable to move, certain that you are not alone? This is an experimental documentary examining what happens when dreams leak into waking life. It is about what is real, what is not, and if it even matters.
Wonders of the Arctic (2014)
Wonders of the Arctic 3D centers on our ongoing mission to explore and come to terms with the Arctic, and the compelling stories of our many forays into this captivating place will be interwoven to create a unifying message about the state of the Arctic today. Underlying all these tales is the crucial role that ice plays in the northern environment and the changes that are quickly overtaking the people and animals who have adapted to this land of ice and snow.
Olympic Pride, American Prejudice (2016)
In 1936, 18 African American athletes dubbed the "black auxiliary" by Hitler defied Nazi Aryan Supremacy and Jim Crow Racism to win hearts and medals at the 1936 Summer Olympic Games in Berlin. The world remembers Jesse Owens. But, Olympic Pride American Prejudice shows how all 18 are a seminal precursor to the modern Civil Rights Movement.
Olympia: Part One – Festival of the Nations (1938)
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Olympia: Part Two – Festival of Beauty (1938)
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Workers Leaving the Lumière Factory (1895)
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Along the Coast (1958)
Tongue-in-cheek look at the French Riviera, especially in summer when it overflows with tourists. Reviews its history and famous visitors; displays its faux-exotic buildings, its crowded beaches, its trees and monuments; and, pokes fun at the colors women wear and the vagaries of fashion. The film celebrates the use of "Eden" as a place name, suggesting that paradise comes to the coast after all are gone, perhaps only on a remote island beach.
ITO – A Diary of an Urban Priest (2010)
A biographical documentary following the life of a young Japanese priest and bar-owner.
(not) betrayed by love (2023)
How does love fill your life? What is your perspective on love? (not)betrayed by love recognizes that there are several truths about love Is your love fragile, full of loneliness or full of life?
A Short History of the Highrise (2013)
“A Short History of the Highrise” is an interactive documentary that explores the 2,500-year global history of vertical living and issues of social equality in an increasingly urbanized world. The centerpiece of the project is four short films. The first three (“Mud,” “Concrete” and “Glass”) draw on The New York Times's extraordinary visual archives, a repository of millions of photographs that have largely been unseen in decades. Each film is intended to evoke a chapter in a storybook, with rhyming narration and photographs brought to life with intricate animation. The fourth chapter (“Home”) comprises images submitted by the public. The interactive experience incorporates the films and, like a visual accordion, allows viewers to dig deeper into the project’s themes with additional archival materials, text and microgames.
Let There Be Colour (2020)
On 8 September 2019 Sarajevo hosted its first Pride March, and this film covers its background.
The Yes Men (2003)
A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.
Snake's Mouth (2020)
Chicán (chi'kaan), a Mayan word meaning "Boca de Culebra", is a small Mayan community in southern Yucatán where for generations its inhabitants have been born with a particular characteristic and share the same surnames. This documentary portrays the life of a local family and their resilience in a town where tradition will continue unless someone breaks the cycle.
DIYSEX (2019)
DIYSEX is a film that reflects on the use of the image and the language of mainstream pornography, and wonders how far this use can transcend when making your porn film.
My Pregnant Husband (2020)
Couples Ari and Caitlin and Myles and Precious experience the joy of a transgender pregnancy when Ari and Myles, the men in their relationships, become pregnant.
Mexican Men (2016)
Who’s up for a sensual, seductive trip with some of the hottest Latin men that have ever graced the Silver Screen? ‘Mexican Men’ collects five of the most accomplished gay shorts from one of the homes of groundbreaking queer cinema. From short encounters, emerging love stories and deeply touching connections, these short films are sure to stir the heart... and body. Includes: Atmosphere [Atmósfera] (2010); To Live [Vivir] (2003); Tremulous [Trémulo] (2015); Wandering Clouds [Nubes flotantes] (2014); Young Man on the Bar Masturbating with Rage and Nerve [Muchacho en la barra se masturba con rabia y osadía] (2015).
Lost Theaters of Wichita (2016)
Lost Theaters of Wichita has the inside story from those who were there. It’s a tale of two great entertainment palaces—one that barely survived and the other that came crashing down while still in its prime. The Miller could still be entertaining people to this day in a grand atmosphere unlike any other. But instead, a parking garage sits in that spot–a monument to history lost and a lesson for future generations to heed. Program includes additional segments on Wichita theater history not included in the documentary itself, and a question and answer session with some of the people interviewed in the film.
Person (2007)
Person is a documentary about the life and work of filmmaker Luiz Sérgio Person. The documentary brings the reconstruction of the history of the São Paulo filmmaker through the personal journey of his daughter, Marina. Through interviews with friends, family, and people who worked with Person, she seeks to discover more than dates and biographical data.
Nice Chinese Girls Don't! (2019)
Kitty Tsui, Chinese American writer, poet, body builder, and lesbian activist, tells of her arrival as an immigrant to San Francisco and, amidst the anti-Vietnam war protests, finding her way to San Francisco State, which influenced her on her path as an activist and poet. In this first ever documentary about a Chinese American Lesbian, Tsui brings to life her coming of age in San Francisco in the 1970s, her challenges, and her continued rise to celebrity by being re-discovered by a whole new generation of Feminists.