A boots-on-the-ground documentary following animal rescue and humanitarian aid during the Ukraine War. Edited together with various news coverage of the conflict, the story unveils a portrait of war's most insidious weapon: dehumanization. This film was made entirely non-profit by independent journalists and activists.
Belarus: An Ordinary Dictatorship (2018)
It’s the last dictatorship of Europe, caught in a Soviet time-warp, where the secret police is still called the KGB and the president rules by fear. Disappearances, political assassinations, waves of repression and mass arrests are all regular occurances. But while half of Belarus moves closer to Russia, the other half is trying to resist…
Babi Yar. Context (2021)
Nazi troops massacre 30,000 Jews over a three-day period in September 1941. Babyn Yar ravine in Kyiv, Ukraine.
Grandma, Please Tell Us About the Holodomor (2020)
This is a story about generations and the importance of preserving historical memory. The grandmother of one of the protagonists, Svitlana Zalishchuk, left behind a diary in which she recorded her memories of the terrible times. Veronika, a 12-year-old girl from Uman, and her mother made a film for the Autumn on Pluto 2.0 project about her grandmother Ksenia Logvyniuk, who told us where people found food and how they escaped starvation. Sasha, another 12-year-old protagonist of the film, did not find her great-grandmother alive, but she recreated her relative's experiences based on her father's stories.
Two Sisters (2025)
Two sisters set out from Warsaw to Kharkiv to pick up their seriously injured father.
Nothing Lasts Forever: Russian Punks in Georgia (2024)
Since the full-scale invasion of Ukraine, many in Russia's DIY punk scene fled to Tbilisi, Georgia. Mobilization only exacerbated that trend. This documentary follows the stories of some of those punks but also explores the complicated socio-economic effects they have on the city. The film is about the potential for punk and other similar subcultures to make connections even across otherwise tense political borders.
Mariupolis 2 (2022)
In 2022, Mantas Kvedaravičius went back to Ukraine, Mariupol, at the heart of the war, to be with the people he had met and filmed in 2015. Following his death, his producers and collaborators have put all their strength into continuing transmitting his work, his vision and his films. Also a PhD in anthropology, Mantas Kvedaravičius wished to testify as a filmmaker as far as possible from the agitation of the media and the politicians. With huge force and sensitivity, Mariupolis 2 depicts life as it continues amidst the bombing and reveals images that convey both tragedy and hope.
Charakter: Athlete (2024)
During the aggression on Ukraine, Russian soldiers killed more than 400 Ukrainian athletes. Russians destroyed hundreds of stadiums, sports centers, gyms, and pools. Thousands of young athletes and children fled war to foreign countries.
Glory to the Heroes (2023)
An eye-opening documentary capturing Ukrainian soldiers in trenches and civilians facing ongoing destruction by invading Russian military forces.
Askania Reserve (2019)
Askania-Nova is the largest steppe wildlife sanctuary in Europe. It is located in south part of Ukraine, not far from Crimea peninsula. In order to underline this unique beauty we created a documentary musical film about life of animals and people in wildlife sanctuary of Askania-Nova. The movie reveals stories of a three protagonists, whose destinies were entangled because of wildlife sanctuary.
Tales of a Toy Horse (2021)
In his own way, Anatoli Ljutuk is a legend of Tallinn's Old Town - a man from Western Ukraine who has built a unique world on Laboratory Street, the main core of which is the Ukrainian Cultural Center and Church. There, he engages in calligraphy, makes paper in a medieval way, carves traditional wooden toys in his workshop and makes books in the spirit of old monasteries. According to the oath taken a quarter of a century ago, he has promised to create something good every day. His daily commitment is challenged by the war that broke out in Ukraine, which Anatoly cannot passively ignore.
The Living (2009)
Tells the story of the tragic events in Ukraine in 1932-33, the genocidal Great Famine or the Holodomor, and one Welshman's attempts to tell the world what was happening.
My Dear Theo (2025)
In a series of letters to her young son, a mother, soldier and filmmaker documents her thoughts from the Ukrainian frontline.
Maidan (2014)
A chronicle of the civil uprising against the regime of Ukrainian president Viktor Yanukovych that took place in Kyiv in the winter of 2013/14. The film follows the progress of the revolution: from peaceful rallies, half a million strong in the Maidan square, to the bloody street battles between protesters and riot police.
Orange Revolution (2007)
Filmmaker Steve York explores the controversial 2004 Ukrainian presidential election, during which candidate Viktor Yushchenko suffered a near-fatal poisoning and his unpopular opponent, Viktor Yanukovych, was declared the winner. In the aftermath, more than a million people -- including the ailing Yushchenko -- took to the streets of Kiev, protesting the results that contradicted exit polls showing Yushchenko with an impressive lead.
Ukraine : la fin du monde russe ? (2022)
By invading this "state fiction" that is, according to him, Ukraine, Vladimir Putin takes up the motto of the tsars: "sovereign of all Russia, the great, the small and the white". The first would have Moscow as its capital, the second, kyiv, and the last, Minsk.
Hard Work and "Whatever" (NaN)
This Ukrainian-Jewish teenager immigrated to San Francisco as a young child. Now on the brink of adulthood, she interviews her grandparents about their new lives yearning to see her American world through their eyes. Yelena understands that life in the US has changed her profoundly.
Ballroom King (2021)
The film tells the stories of three protagonists, which are intertwined in one story about the Master: a rural school pupil who dreams of ballroom dancing – Makar, world champion in ballroom dancing – Alex Ivanets, and his first teacher – Petro Horhol, who lives in a small Ukrainian town of Poltava.
The Gas Weapon (2014)
Analysis of the impact of natural gas - more specifically, the Ukrainian and European dependence on Russian gas - on European politics in the wake of Euromaidan. Featuring interviews with high-level government officials, journalists and industry analysts from several countries, the film argues that a generation after its break from the USSR, Ukraine is independent in name only. To bring the country to its knees, all Russia has to do to is turn off the gas, as it did briefly in the winters of 2005 and 2009.
Through Immigrants' Eyes (NaN)
This Ukrainian-Jewish teenager immigrated to San Francisco as a young child. Now on the brink of adulthood, she interviews her grandparents about their new lives yearning to see her American world through their eyes. Yelena understands that life in the US has changed her profoundly.
Remember When We Immigrated Here? (NaN)
This Ukrainian-Jewish teenager immigrated to San Francisco as a young child. Now on the brink of adulthood, she interviews her grandparents about their new lives yearning to see her American world through their eyes. Yelena understands that life in the US has changed her profoundly.