Esteemed documentarian Anand Patwardhan directs a portrait of his parents, whose families were intertwined with Gandhi and India’s independence movement. His view on history extolls unity between Hindus and Muslims, a value that needs reasserting in modern politics.
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Bhopali (2011)
BHOPALI documents the experience of second generation children affected by the Union Carbide gas disaster of 1984, the worst industrial disaster in history, and subsequent contamination of groundwater by Union Carbide Corporation (an American company now owned by Dow Chemical, the second largest chemical company in the world). It follows several children as they and their families cope with the ongoing medical and social disaster, as well as their memories of that traumatizing night that shocked the world and changed Bhopal forever. Set against the backdrop of vehement protests for the 25th anniversary of the disaster, the Bhopalis continue to fight for justice, proving to be anything but victims. Set against a backdrop of high stakes activism, global politics, and human rights advocacy, this film explores the ongoing struggle for justice against Union Carbide, the American corporation responsible for the disaster. Featuring Noam Chomsky, Satinath Sarangi, and attorney Rajan Sharma.
Dhrupad (1983)
A documentary story told through images, poetry and the Dhrupad, a vocal genre in Hindustani classical music, said to be the oldest still in use in that musical tradition.
Until I Fly (2024)
A charismatic Indian-Nepali boy, lives a bohemian life in a remote Himalayan village. As he transitions from childhood to teenagehood, his poetic journey of perseverance echoes issues that span across ages and communities.
Siddheshwari (1990)
An impressionistic biographical look at Siddheshwari Devi (1908–1977), the classical Indian singer whose voice was appreciated by the maharajas and public alike.
Nayanthara: Beyond the Fairy Tale (2024)
Celebrated actor Nayanthara looks back on her journey towards love and superstardom amidst personal struggles and triumphs in this intimate documentary.
Nocturnes (2024)
In the dense forests of the Eastern Himalayas, moths are whispering something to us. In the dark of night, two curious observers shine a light on this secret universe.
Invisible Demons (2021)
A prismatic meditation on pollution in the capital of the World’s biggest free-market democracy and the most polluted and populated city, Delhi – a film about the pollution inside of the human mind.
WOMB: Women of My Billion (2021)
A young woman, Srishti Bakshi embarks on a monumental journey, walking almost 4000km over 240 days, from Kanyakumari in the south, to Kashmir, in the North, along the way meeting and learning first hand about the experiences of many women from all corners of India. WOMB is a poignant and heart warming documentary exploring the social and political issues faced by women of today’s India. It is a unique testament to seemingly insurmountable challenges in these unprecedented times and the everyday sheroes who are battling to overcome.
While We Watched (2023)
A turbulent newsroom drama that intimately chronicles the working days of broadcast journalist Ravish Kumar as he navigates a spiraling world of truth and disinformation.
Brand Bollywood Downunder (2023)
When most people think about Australia, they picture massive sandy beaches, singlet-clad locals drinking beer, and kangaroos bounding through the dusty red outback. Saris, musical numbers, and masala are the furthest from anyone's mind - unless of course, you're one of the millions of Bollywood fans from around the world.
Pride of India: Shama Zaidi (2011)
The film starts with the earliest form of cinema and how Shama Zaidi became an integral part of the evolution of Indian Cinema.
A Rifle and a Bag (2020)
Somi is pregnant with her second child. A girl, she hopes. Together with her husband she prepares for this new phase of their parenthood. It means that their son has to go to school, but as an ex-Naxalite that is tough to achieve in contemporary India, where people like them are third-rate citizens. They lack the certificates and an opaque bureaucratic process doesn't help. Directors Isabella Rinaldi, Cristina Hanes and Arya Rothe of the NoCut Film Collective concentrate on Somi's close family ties, painting a portrait of ex-Naxalites in India. Once, Somi and her husband were communist rebels fighting for the rights of Indian tribes. However, to safeguard their family's welfare, they surrendered to the government in exchange for marginal compensation and simple accommodation.
Purdah (2018)
The inspiring story of a young Indian Muslim woman who trades her burka for dreams of playing on the Mumbai Senior Women's Cricket Team and how the harsh realities for women in her country creates an unexpected outcome for her own family, ultimately shattering and fueling aspirations.
War and Peace (2002)
Documentary about the nuclear sabre-rattling that has been going on between India and Pakistan. Comprised mostly of interviews with average folks on the street, the movie superbly demonstrates the gulf between the people's will and the greed of those in power.
Notes on Guler (2019)
Guler, a small principality near Kangra, was an artistic and cultural wellspring since it's accidental inception in the 15th century. Many greats like painters Pandit Seu, his sons Manaku, Nainsukh, and the poet Brajraj were born here. Today the whole system of patronage under which lofty endeavours were possible even in financially austere conditions is gone. And tragically even the physical landscape is submerged under a dam. The film seeks out some traces of the submerged past, through the memories of those left behind, a condensation of a bygone civilization.
Ladies Only (2021)
The local train is a sight to behold in the morning, overloaded with crowds fighting to get inside. A special compartment reserved for women appears as a temporary oasis – a haven for solitude and contemplation. Director Rebana Liz John questions the women, who reveal what it means to keep ambitions alive within an oppressive patriarchal system. Black and white imagery evocatively captures the details of the women’s experience in this world. They reflect on their lives, across generations, with humour, disappointment and defiance, forming a complex tapestry whose common ground is endurance and survival.
Lords of Lockdown (2022)
Anxious, out of work and without access to transport during the nationwide COVID-19 lockdown in 2020, migrant labourers in India’s metropolises decided to walk back home to their villages en masse. As news channels beamed heart-rending silhouettes of millions of men, women and children marching along national highways with their meagre belongings, it became plain that the lockdown had already drafted one of the most traumatic chapters in the nation's modern history.
Katiyabaaz (2013)
In Kanpur, India, an electricity thief provides Robin Hood style services to the poor in the face of day long power-cuts. Meanwhile the first female chief of the local electricity supply company has vowed to put an end to all illegal connections, for good. In a summer of crisis, both come to terms with India's energy poverty.
Chalo Jeete Hain (2018)
An impressionable boy is struck hard by Swami Vivekananda's quote, "Wahi jeete hain, jo doosro ke liye jeete hain" (translation: "Only those who live for others, actually live"). On the quest for purpose of life, he tries to pursue what he can do for others in his small world.