The Bauls of West Bengal are nomad musicians who practice a traditional form of concert challenged by the increasing modernization of India. The term "Fous" here refers to those inspired and wandering musicians of Bengal known as Baül. The word Baül is derived from the Sanskrit word "vatul," which means "mad" in the sense that it commonly connotes a more or less frenetic behavior in French. The Baül are peculiar individuals, particularly in their mannerisms, customs, and practices. Although they may belong to either the Hindu or Muslim religion, the Baül refuse to be guided by any social or religious conventions. Freedom of spirit is their only guide. They thus move against the tide of habits, preconceived notions, and general theories. "Le chant des fous" (The Song of the Mad) is a film made by Georges Luneau.
Related Movies
Sid & Judy (2019)
Explore the dramatic career and personal struggles of the talented and tragically short-lived entertainer Judy Garland through rare concert footage, never-heard-before voice recordings and personal photos.
Search and You Will Find It (1992)
The film is based on the events of the 4th International Orthodox Music Festival held in Moscow in February, 1992. The Festival featured not only such famous works as Rakhmaninov's "The All Night Service" and "Liturgy" but also the first performance of the latest interpretations of ancient Russian songs and the sensational first performance of Sviridov's cycle of "spiritual songs".
Cover Your Ears (2023)
When does art become obscenity? Cover Your Ears takes a close look at this question through the lens of the past 100 years of music and the ever-evolving discussion of legal and moral lines in the industry
Leonard Bernstein: Reflections (1978)
Leonard Bernstein discusses his Boston childhood, his musical growth at Harvard and the Curtis Institute and the influence of great masters like Reiner, Mitropoulos and Koussevitzky. He shares his feelings on the primacy of tonal music and speculates on the nature of the creative process. From Carnegie Hall, scene of his début, to the living room of his home and his private studio overlooking New York's Central Park, Reflections explores the artist's varied and colourful career.
Andre Matos - Maestro do Rock - Episódio II (2023)
The documentary shows the Maestro's entry into the Santa Marcelina Music College, where he met the friends with whom he would form Angra, and questions asked more than 20 years ago that had never been commented on will be answered. These are relevant statements by Andre himself, Kiko Loureiro and Rafael Bittencourt, who talk about the misunderstanding between them and the consequent departure of the singer from the band. Drummer Marco Antunes, who is speaking publicly about Angra for the first time, tells how things started to fall apart right at the beginning of the band.
Roxette (1978)
Documentary profiling young Roxy Music fans. They talk about the band and the music, are seen out and about in Manchester, they prepare for a concert at the Opera House. Includes footage of a tribute band, who, due to a lack of musical instruments, use household appliances to make music.
Ol' Dirty Bastard: A Tale of Two Dirtys (2024)
The untold story of the man and the musician who made an immense cultural impact across just a few short years. Having gained exclusive rights to a never-before-seen personal archive shot by his wife alongside access to his closest friends and family, the doc is described by the filmmakers as a culture-defining special that humanizes ODB as a man, a father and a husband like never before. It explores how Russell Tyrone Jones created Ol' Dirty Bastard, a Hip Hop alter ego superhero that would ultimately consume him.
May The Lord Watch: The Little Brother Story (2023)
May the Lord Watch follows the rise, breakup, and reunion of Little Brother, detailing the vast impact of the preeminent 2000’s rap group.
Amy Winehouse: At the BBC - Arena: The Day She Came to Dingle (2012)
Back in 2006 on a stormy December night, Amy Winehouse flew to the remote, south western corner of Ireland to perform for Other Voices, an acclaimed Irish TV music series filmed in Dingle every winter. Amy took to the stage of Saint James's church, capacity 85, and wowed the small, packed crowd with a searing, acoustic set of songs from Back to Black. After leaving the stage, a relaxed and happy Amy spoke about her music and influences - Mahalia Jackson, Sarah Vaughan, Ray Charles and the Shangri-Las to name a few. Arena joined forces with Other Voices and went to Dingle to catch up with some of the people that Amy met on that day, including taxi driver Paddy Kennedy, her bass player Dale Davis and Rev Mairt Hanley of the Other Voices church. This film showcases not only Amy herself, but the musical geniuses that inspired her to forge her own jazz pop style.
Don't Forget To Leave (2024)
Tim Landers, a prolific songwriter and founding member of the emo/pop-punk band TRANSIT, struggled. He fought battles, often privately, with substance misuse and his own mental health needs. "Don’t Forget To Leave" paints a poignant portrait of Landers, from his early success up until the posthumous release of Weathervane by his band Cold Collective. His story is chronicled through archival footage and interviews with members of A Loss For Words, The Story So Far, Frank Turner, Man Overboard, Transit and Cold Collective, family members and mental health professionals.
Star Wars: Music by John Williams (1980)
BBC documentary. Witness John Williams composing the legendary score for The Empire Strikes Back and conducting the London Symphony Orchestra.
BLACKPINK WORLD TOUR [BORN PINK] IN CINEMAS (2024)
BLACKPINK’s BORN PINK tour that captivated the world comes to the big screen, celebrating the group’s 8th anniversary since their debut! Drawing an audience of 1.8 million and breaking global records for female group concert tours, experience the energy of the live performances in cinemas worldwide!
The History of Rock 'n' Roll (1995)
The history of rock n' roll and pop music are explored are explored via interviews and footage of well-known music stars.
The Unanswered Question I : Musical Phonology (1976)
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Phonology is the linguistic study of sounds, or phonemes. Bernstein's application of this term to music results in what he calls "musical phonology".
The Unanswered Question III : Musical Semantics (1976)
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse:Semantics is the study of meaning in language, and Bernstein's third lecture, "musical semantics", accordingly, is Bernstein's first attempt to explain meaning in music. Although Bernstein defines musical semantics as "meaning, both musical and extramusical" this lecture focuses exclusively on the "musical" version of meaning.
The Unanswered Question IV : The Delights and Dangers of Ambiguity (1976)
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Bernstein provides two distinct meanings of the term ambiguity. The first is "doubtful or uncertain" and the second, "capable of being understood in two or more possible senses"
The Unanswered Question V : The Twentieth Century Crisis (1976)
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Lecture 5 picks up at the early twentieth century with an oncoming crisis in Western Music. As these lectures have traced the gradual increase and oversaturation of ambiguity, Bernstein now designates a point in history that took ambiguity too far.
The Unanswered Question VI : The Poetry of Earth (1976)
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: This lecture takes its name from a line in John Keats' poem, "On the Grasshopper and Cricket". Bernstein does not discuss Keats' poem directly in this chapter, but he provides his own definition of the poetry of earth, which is tonality. Tonality is the poetry of earth because of the phonological universals discussed in lecture 1. This lecture discusses predominantly Stravinsky, whom Bernstein considers the poet of earth.
Leftover Feelings: A Studio B Revival (2021)
Two Nashville music icons, John Hiatt and Jerry Douglas, combine their talents during the pandemic to record the album "Leftover Feelings" in Elvis's favorite studio, RCA's fabled Studio B. Walking in the footsteps of Elvis Presley, Dolly Parton, and Waylon Jennings through the house that Chet Atkins built, John and Jerry attempt to revive and capture the magical sounds of this iconic room where so many early hit songs were made.