An omnium-gatherum of film, poem, and song excerpts contextually juxtaposed in an attempt to explore masculinity, alienation, and identity in a post-industrial society.
New Year's Day (2000)
Two 17-year-old boys mark the new year by doing twelve dangerous but exciting tasks set for them by their friends.
The Trial (1962)
The surreal tale of an unassuming man who is accused of a never-specified crime and shambles through bizarre encounters to escape this nightmare.
Dr. Jekyll & Mistress Hyde (2003)
Dr. Jackie Stevenson is a Los Angeles based therapist and scientist who tries to invent a serum to separate the pure from the lustful side of the female psychosis. After she has an unsuccessful experiment with a female client named Martine, which drove her patient to insanity and to a mental hospital, Jackie tries part of the serum on herself and becomes her lustful alter ego Heidi Hyde; a voracious lesbian who prowls the streets of L.A. after dark looking for carnal pleasures.
The Exterminating Angel (1962)
A formal dinner party starts out normally enough, but after the bourgeois group retire to the host’s music room, they inexplicably find themselves unable to leave.
Mr. Freedom (1969)
Mr. Freedom, a bellowing good-ol'-boy superhero decked out in copious football padding, jets to France to cut off a Commie invasion from Switzerland. A destructive, arrogant patriot in tight pants, Freedom joins forces with Marie Madeleine to combat lefty freethinkers, as well as the insidious evildoers Moujik Man and inflatable Red China Man, culminating in a star-spangled showdown.
The Boston Strangler (1968)
Boston is being terrorized by a series of seemingly random murders of women. Based on the true story, the film follows the investigators path through several leads before introducing the Strangler as a character. It is seen almost exclusively from the point of view of the investigators who have very few clues to build a case upon.
Performance (1970)
In underworld terms, Chas Devlin is a 'performer,' a gangster with a talent for violence and intimidation. Turner is a reclusive rock superstar. When Chas and Turner meet, their worlds collide—and the impact is both exotic and explosive.
Full Moon in Paris (1984)
Louise is dissatisfied with her mundane life in a bleak Parisian new-town. She rents a pied-à-terre in the city so she can experience independence.
After Hours (1985)
Desperate to escape his mind-numbing routine, uptown Manhattan office worker Paul Hackett ventures downtown for a hookup with a mystery woman.
The Idol (1966)
A rebellious student embarks on an affair with the mother of his best friend, leading to disastrous consequences.
Damnation (1988)
Karrer plods his way through life in quiet desperation. His environment is drab and rainy and muddy. Eaten up with solitude, his hopelessness would be incurable but for the existence of the Titanik Bar and its beautiful, haunting singer. But the lady is married and Karrer is determined to keep her husband away...
Moving Through Time: Fire Walk With Me Memories (2014)
Documentary about the making of Twin Peaks: Fire Walk With Me.
Hour of the Wolf (1968)
While vacationing on a remote German island with his younger pregnant wife, an artist has an emotional breakdown while confronting his repressed desires.
King Ubu (2004)
A grotesque Shakespearean tale of Ubu who comes to power in a bloody way. When his absurd reforms fail and the treasury gets empty, Ubu and his flatterers start implementing terror across the country.
Santa Sangre (1989)
A former circus artist escapes from a mental hospital to rejoin his mother – the leader of a strange religious cult – and is forced to enact brutal murders in her name.
Bathory: Countess of Blood (2008)
Bathory is based on the legends surrounding the life and deeds of Countess Elizabeth Bathory known as the greatest murderess in the history of mankind. Contrary to popular belief, Elizabeth Bathory was a modern Renaissance woman who ultimately fell victim to men’s aspirations for power and wealth.
The Nine Lives of Tomas Katz (2000)
The last day of creation. A stranger arrives in London. No one knows who he is or where he has come from. By the time he leaves, the entire universe will have been erased.
Speaking of Abstraction: A Universal Language (1999)
At the beginning of the twenty-first century, abstraction - that most quintessentially modernist innovation - maintains a peculiarly contradictory position. Used, on one hand, by post-modernist artists as just one more quotable style amongst many, it is on the other hand still considered an elitist or hermetic language by audiences intimidated by its lack of recognizable subject matter. Yet ultimately, abstraction continues to be a viable creative path for contemporary artists of all generations, many of whom embrace it as the most inclusive and fundamentally resonant of artistic languages. Filmed at the artists' studios, the Dia Center for the Arts, and the Guggenheim Museum during their exhibition, "Abstraction in the Twentieth Century."