Butterfly (1977)
A short story about three cheerful road workers who help a beautiful girl catch butterflies.
Three Sons-In-Law (1978)
Kahi and Baadur get a letter from Berik, who sent them photographs of women and a letter in which he informs them that he has decided to marry one of them. Having also decided to build their family life with unmarried others, the friends buy a hive of bees and set off on the train.
Luck (1980)
Baadur accidentally gets a lottery ticket which he can win a prestigious car - a white Volga GAZ-24.
The Blue Door (2018)
A district nurse is assigned a new patient living alone in a dilapidated bungalow. The nurse soon discovers that her dying patient and the home she inhabits are hiding a dark secret.
Nona (2016)
Fidi is aimlessly hitchhiking on a snowy winter's night and ends up being seduced by Nona into murdering several innocent bystanders.
Stay Tuned! (2023)
After being blacklisted from The Academy Awards, movie enthusiast Matthias Agganis decides to start his own awards show. But when things go wrong, the focus begins to shift on a variety of different programs. This comedy will have you "tuned in" the entire time.
Asas de um Anjo Soltas pelo Chão (2018)
In the countryside of Rio Grande do Sul in Brazil, live two brothers desperate about the situation they live in, desolated by the misery and in a cursed land, they search for help of a mysterious being around the place.
Deadpool: No Good Deed (2017)
Deadpool sees an opportunity to save the day, but it doesn't go entirely as planned.
Praize A Thon (2021)
A corrupt megachurch pastor needs to make money during the pandemic, so he comes up with a scam that will trick his congregation into tithing.
Steve Jobless (2023)
An introverted office drone tries to navigate through corporate America, and one tragic day he meets his match. He then realizes he needs to play the capitalistic game in order to survive. His pain and confusion is your laughter.
Callback (2021)
An actor pursues another actor at an inappropriate time - right before their auditions.
Boxers in Barrels (1897)
Two boxers climb into barrels and proceed to pummel each other in this novelty film from the Lumières.
Knockout Kings of Comedy (NaN)
"Knockout Kings of Comedy" stars Scruncho from "How High," alongside D. Lo, Woo Woo, and Snow. Hosted by Reggie Carroll, this uproarious comedy special guarantees non-stop laughter, camaraderie, and heavyweight hilarity in a night you won't forget.
Torchy's Kitty Coup (1933)
Dot Farley is throwing a benefit for cats but hasn't any. This means she calls up her husband, Edmund Breese, to bring some. He being busy with business deputes the job to Franklin Pangborn. Pangborn gets office boy Ray Cooke, and in no time at all, Breese has fleas.
Dartsville (2007)
When a young dart prodigy upstages his Daddy days before the big tourney, a conflict is born the likes of which Dartsville ain't ever seen.
Charming Men (1970)
One day, when Goro (Kiyoshi Atsumi) returns to his poor tenement house from a trip on a deep-sea tuna boat, his neighbor's daughter Haruko (Mitsuko Baisho) also returns from the juvenile classification center on the same day. However, at a welcome party held by Goro for Haruko, a drunk friend crashes into Haruko's house with a dump truck and is forced to leave. Goro plans to marry Haruko to a rich man and force her to pay dowry, but...
How to Disappear (2022)
Nina Moyse decides to completely exclude herself from society. However, everything changes when she discovers that she feels a desire for some form of human interaction.
Normal Porn for Normal People (2020)
"Normal Porn for Normal People" is an appropriated media piece that explores our societal need to consume violence for entertainment. The film offers a satirical commentary on the romanticizing and normalization of violent imagery, while observing the link to commercial consumerism that exploits human sexuality, while simultaneously demonizing it. Interview segments echo our endless need to devour salacious content by venerating both real and fictional violence. Sexuality and sexual images remain a convenient scapegoat that facilitate a continued avoidance regarding the impact that the glorification of violence has within American culture.