Scenes at a garden party given by Earl Lytton, Governor of Bengal, at Government House, Calcutta.
Born Into Brothels: Calcutta's Red Light Kids (2004)
Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.
Wild Karnataka (2019)
An unprecedented UHD film on Karnataka's rich biodiversity narrated by David Attenborough. Portraying the state with highest number of tigers and elephants using the latest technology - a masterpiece showcasing the state, its flora, fauna.
Trip to Manipur (1935)
Amateur film of a road trip through northeastern India, showing traditional dances and a gigantic flower float.
Mai (NaN)
As the months pass through her, Mai gives us a glimpse into old age that explores between being abandoned and being belonged, passing the time and living the time.
Nehru (1984)
Divided into three parts — The Awakening, The Struggle, and Freedom — this is a biographical film on Pandit Jawaharlal Nehru, the first Prime Minister of independent India. Relying on Nehru's writings and speeches, the film traces the evolution of Nehru from his birth through his life. It also deals with the effect of history on Nehru and in turn his impact on the world.
India Cabaret (1985)
A documentary exploring the "respectable" and "immoral" stereotypes of women in Indian society told from the point of view of 2 strip-tease dancers in a cabaret house in Bombay.
Gurukulam (2013)
Every individual confronts fundamental questions about the nature of reality, self-identity, and elusive happiness, yet few make these their life goal. An international group of students have traveled to a monastery in a remote area of southern India with the single purpose of discovering these answers. GURUKULAM is a journey into their lives, a wisdom tradition, and the contemplative space in which it is carried.
Madatrek (2018)
Embark on a journey of discovery in Madagascar with Alexandre and Sonia Poussin, Philaé, 10 years old, and Ulysse, 7 years old, along with their quirky cart pulled by zebu. Their mission was multi-faceted: to produce a documentary series, raise funds for NGOs encountered along the way, open their children's eyes to the beauty but also the fragility of the island's endemic nature, and finally to live a life of long-term, joyful simplicity. Challenges of crossing, encounters, and lessons learned will always be present in this slow-paced alternative learning journey.
Dawn of the Damned (1965)
This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.
Africa Blood and Guts (1966)
A chronicle of the violence that occurred in much of the African continent throughout the 1960s. As many African countries were transitioning from colonial rule to other forms of government, violent political upheavals were frequent. Revolutions in Zanzibar and Kenya in which thousands were killed are shown, the violence not only political; there is also extensive footage of hunters and poachers slaughtering different types of wild animals.
Statues Also Die (1953)
Short documentary commissioned by the magazine Présence Africaine. From the question "Why is the African in the anthropology museum while Greek or Egyptian art are in the Louvre?", the directors expose and criticize the lack of consideration for African art. The film was censored in France for eight years because of its anti-colonial perspective.
Home Life (1928)
Made by an English family living in north India during the heyday of the Raj, this amateur film reveals the grandeur in which middle-class English colonials lived.
Etched in Bone (2018)
Drawing on original footage from National Geographic, Etched in Bone explores the impact of one notorious bone theft by a member of the 1948 American-Australian Scientific Expedition to Arnhem Land. Hundred of bones were stolen and deposited in the Smithsonian Institution in Washington DC, until it became known to Arnhem elders in the late 1990s. The return of the sacred artefacts was called for, resulting in a tense standoff between indigenous tribespeople and the Department of Anthropology at the Smithsonian.
Benares Chungking Ichang (1916)
Arresting early film images of both northern India and central and south western China.
Life in Hunza (1937)
Rural life in the mountainous valley near Gilgit - now in the Northern areas of Pakistan.