Aristocracy, army, elephants and more mark the start of the 1903 Durbar.
The Last Days of the Raj (2007)
Lord Louis Mountbatten arrives in India in March 1947 as Britain's Last Viceroy. He is committed to transfer administrative and authoritative power to an independent and sovereign India. Six months later India indeed was set free, but it had also been partitioned and overwhelmed by an orgy of sectarian violence involving Hindus, Muslims and Sikhs.
Duke of Connaught's Indian Tour (1921)
The Duke rides an elephant as he ventures on safari in Bengal.
Procession of Elephants at Jaipur; Galta; Raj Mahal (1933)
Armoured elephants, sacred monkeys and a camel carriage from Rajasthan.
From England to India by Air (1917)
A state welcome for a Handley Page aircraft arriving in Kolkata.
Her Excellency Lady Lytton At The Victoria Memorial (1922)
Lady Pamela Lytton, wife of the Governor of Bengal, visits the grand marble Victoria Memorial in Calcutta.
Temples of India (1938)
Hindu temples at Benares and Belur and the mythologies associated with them.
Love Parade: When Love Learned to Dance (2019)
At the end of the Cold War, something new arised that should influence an entire generation and express their attitude to life. It started with an idea in the underground subculture of Berlin shortly before the fall of the Wall. With the motto "Peace, Joy, Pancakes", Club DJ Dr. Motte and companions launched the first Love Parade. A procession registered as political demonstration with only 150 colorfully dressed people dancing to house and techno. What started out small developed over the years into the largest party on the planet with visitors from all over the world. In 1999, 1.5 million people took part. With the help of interviews with important organizers and contemporary witnesses, the documentary reflects the history of the Love Parade, but also illuminates the dark side of how commerce and money business increasingly destroyed the real spirit, long before the emigration to other cities and the Love Parade disaster of Duisburg in 2010, which caused an era to end in deep grief.
Pigs and Elephants (Suiformes and Elephantoidea) (1947)
Pig, hippo, and elephant footage strung together with narration. Elephants were included even though they are not related to pigs.
Hip Hip Parade! (1978)
Hip Hip Parade! was a primetime special promoting the Macy's Thanksgiving Day Parade, originally broadcast on PBS stations throughout Thanksgiving week 1978. Hosting the special were Kermit the Frog and Fozzie Bear, of The Muppet Show fame.
A Punjab Village (1925)
Richly detailed amateur ethnographic film on the agrarian economy and society in rural Punjab.
Maharajah of the Road (2012)
A Dream Trip Across India Some kilometers from Bombay, the Indian megalopolis, lost on a hill of Bollywood, is the grandiose set of a vast temple with a magical touch, reminiscent at the same time of an Indian shrine and an ancient Inca temple. Inside, Ten Ford Mustangs are waiting. Ten Ford Mustang with an incredible pedigree: Bullitt GT390, Shelby GT500, Shelby GT500 KR 1968... the deep sound of a gong resounds, the doors of the templeopen launching the first edition of the Maharajah of the Road. At the wheel of the ten Ford Mustang, passionate people coming from all over the world: Indian, French, American, Italian, Lebanese... they are business men, automobile designers, manufacturers, artists… From Mumbai to Jodhpur, a 2.000 kilometres tour will lead our Mustangs through India. From the Rats Temple in Deshnoke city to the thousand-and-one palaces, the two princesses will show the Rajasthan to the adventurers of the road in an eventful trip...
James Bond in India (1983)
The making of the James Bond movie Octopussy (1983) in Udaipur, India during 1982.
The Ramayana (1965)
The Little Ballet Troupe of Bombay performs a "puppet ballet" of the Hindu epic, the Ramayana.
Between the Lines: India's Third Gender (2005)
Repping best view to date into the world of the Indian eunuch, “Between the Lines: India’s Third Gender” may not answer all the questions it poses, but helmer Thomas Wartmann provides an intimate glimpse at a community whose members are considered pariahs and conduits of supernatural force. Following shutterbug Anita Khemka in her quest to discover why these castrated men fascinate and repel, docu concentrates on three personalities and uses them as guides to their highly stratified world. Under its nautch skirts, film has strong enough legs to step out into international arthouses.