The residents of Malegaon look to Bollywood cinema for a much-needed escape from daily drudgery. Amateur filmmaker Nasir Shaikh gets inspired to make a film for the people of Malegaon, by the people of Malegaon. He bands together his ragtag group of friends to bring his vision to life, thereby bringing a fresh lease of life into the town.
Siskiyaan (2005)
One rainy night, what happens when a stranger comes face to face with a woman with a traumatic past.
Hollywood Boulevard (1976)
A Midwestern ingenue arrives in Hollywood to try her luck as an actress. An incompetent agent hooks her up with a production company which specializes in low budget B-movie fair, which starts being plagued by strange, deadly accidents.
Dulha Mil Gaya (2010)
A man, the heir to an empire, believes that marriage will ruin a man's life. Unfortunately, the only way for him to inherit his father's wealth, is to get married.
Ishk Actually (2013)
Gia is at a crossroads in her life, with the arrows pointing towards Neil in one direction and Kabir in the opposite direction. She grapples with making a decision as she's torn between the two worlds that she's been living in. Love is the unanswered emotion that leads to a series of life altering situations . Amazed at life's sense of timing, she treads along a path that she believes will lead to her true love.
Bewakoofiyaan (2014)
A middle-class corporate couple doesn't worry about money and living expenses until the recession drains their finances.
Zabardast (1985)
A family man, Ratan, decides to commit a crime for Balram Singh, but keeps the bounty for himself. Singh sets his house on fire, and believing his family to be dead, Ratan goes on the run.
Naajayaz (1995)
Jai and Sandhya are on the case of taking down Raj Solanki, a gangster. However, things take an unexpected turn when Jai finds out that Raj is his father.
Bidesiya (1963)
Bidesiya is a Bhojpuri film based on the play of same name written by Bhikhari Thakur.
Jusqu'ici, tout va (2022)
In the middle of shooting a film, the lead actress meets with the director to discuss a problematic scene.
Baarish Aur Chowmein (2018)
The story revolves around Siraj who is unable to rent a house in Mumbai as not many are willing to accommodate a Muslim. So, he hides his true identity and finds a home, where he falls in love with the landlord's daughter, Neelu. Will Siraj be honest and disclose his secret to Neelu?
FryDay (2018)
What happens when an honest salesman and a flirtatious married man cross path? Chaos ensues on a Friday as one outrageously hilarious lie leads to another.
Ishq (1997)
The children of two wealthy businessman fall in love with someone from a poor background, much to their parents' disapprovals.
Vedaa (2024)
A court-marshalled soldier with a traumatic past helps a young girl from 'lower' caste and an aspiring boxer work towards her dreams despite her hostile environment.
Amar Prem (1972)
A village woman abandoned by her husband is forced into prostitution in Kolkata and forms nameless yet strong relations with a wealthy patron as well as an abused boy in the neighbourhood.
Pyaar Impossible! (2010)
Be-spectacled geek, Abhay falls in love with college hottie, Alisha and silently slinks away into the shadows when he realises she's unattainable. Seven years later, he re-enters her life as the nanny and hopes to woo the single mom, this time at least. Does he succeed?
Phobia (2016)
A talented artist tries to curb her phobia of being in public places, only to be convinced that a malevolent spirit is haunting her.
Cabaret (2019)
Cabaret is an Indian romantic dance film directed by Kaustav Narayan Niyogi and produced by Pooja Bhatt and Bhushan Kumar under the banner of Fisheye Network private limited.
Monsoon Wedding (2001)
As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.
Sangam (2004)
Two men from South Asia meet on a New York subway train. One is seeking the American dream and in the process has abandoned his family and culture. The other, now disillusioned by material dreams of success, yearns for meaning and memories from his childhood. Prashant Bhargava’s award-winning short film was described as “an elegant and poetic evocation of immigrant angst, memory and haunted spirituality” by the Village Voice.