A man and his spirit navigate in harmony with nature. By day, by night, by the upheavals of unpredictability, he navigates the river as we all navigate our lives.

Working Women (1978)
Stylized with dramatic interiors and a distorted frame rate, this early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor.

No Māori Allowed (2022)
When an academic unearths a forgotten history, residents of the small township of Pukekohe, including kaumātua who have never told their personal stories before, confront its deep and dark racist past.
Dear Valued Guests (2013)
Forty four years ago, it seemed like a good idea to build a squat, concrete motel in downtown Columbia, Missouri. But within a few years, guests were calling for a do-over. Now, with the downtrodden building’s fate sealed, the Rabid Hands artist collective arrives on the scene as hospice workers, assisting in the passing of the building’s soul. What ensues is a New Orleans-style voodoo celebration of a previously unsung piece of architecture.

Riding Giants (2004)
Riding Giants is story about big wave surfers who have become heroes and legends in their sport. Directed by the skateboard guru Stacy Peralta.

Éloge du chiac (1969)
Taking the form of a conversation between a young teacher at a French school in Moncton and her students, the film shows how hard it is for francophones to preserve their language in a society where English is everywhere and has been for centuries.

The Arrival of a Train at La Ciotat (1896)
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Grow a Better Dallas (2024)
"Grow a Better Dallas" is a short documentary film showcasing South Dallas' Restorative Farms, a registered non-profit offering restorative justice and urban agriculture solutions to the "food desert" problem in South Dallas. Restorative Farms offers the ability for rehabilitation and therapeutic solutions to individuals with criminal backgrounds to come and contribute as employees to the farm. Restorative Farms was co-founded by Tyrone Day, who was falsely incarcerated for over 26 years.

Night and Fog (1959)
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Buñuel: Atheist Thanks to God (2005)
Documentary featuring interviews with several of legendary Spanish director Luis Buñuel’s close friends and collaborators.

Cocteau - Al Brown: the Poet and the Boxer (2020)
Portrait of Panama Al Brown, a great boxer in the 30's, and its story with France, with a focus on its relationship with Jean Cocteau, surrealist, poet, director, artist.

Empathy (2017)
Ed is commissioned to make a documentary intending to change those habits of society that are harmful to animals. But completely alien to the animal protection movement, he will realize that to carry out the project, he must first convince himself.

The Sun's Gonna Shine (1969)
A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living. Preserved by the Academy Film Archive in 2013.

Nanook of the North (1922)
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Land Without Bread (1933)
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Tenho Fé (2022)
This documentary accompanies the journey of artists who exalt and celebrate ancestry and the orishas in their work. It also offers a manifesto against one of the biggest problems facing Brazil: religious racism. The feature brings together stories from music, theater, fashion, dance and the visual arts to promote reflection on the power and importance of black representation, art and diversity