“An Untitled Film” by George Alshevskij-Jones is a short documentary/visual essay about the struggles of moving to seek a better future in a different country. The research for the film was done by observing and talking to people who have left their home country. It doesn’t matter what country a person has left and in which country he has found himself, the general experiences and emotions stay the same. The most important message that I want the film to convey is that everything is possible and home is not a place on a map, but a place in the soul of each person that I spoke to. The unconventional way of showing many people as one is not just a way of making the film more convenient to create, but a way to fit a much information into one consistent image, that the audience is more likely to understand and perceive as the author intended it. My own experience blended in with the experiences of others.

My Village in Nunavik (1999)
Shot during three seasons, Kenuajuak's documentary tenderly portrays village life and the elements that forge the character of his people: their history, the great open spaces and their unflagging humour. Though Kenuajuak appreciates the amenities of southern civilization that have made their way north, he remains attached to the traditional way of life and the land: its vast tundra, the sea teeming with Arctic char, the sky full of Canada geese. My Village in Nunavik is an unsentimental film by a young Inuk who is open to the outside world but clearly loves his village. With subtitles.

It'll Never Work (2024)
A Scottish boat builder and fisherman perseveres in turning a vessel into an innovative solar-powered boat.

A Day in Colour (NaN)
Worried for his friend's mental health, Jack decides to take the day off in order to remind him how fun life can be.

Peach (2014)
How are biographies charted? How is identity constructed? Can we relive our past, reinvent it, rearrange or recycle it? Can we really know who we are if we ignore where do we come from?

War Dance (2007)
Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.

The Shooting Star (2025)
In a town where everyone is planning to leave, a young boy sees a shooting star as his ticket to escape. As he spends his final hours with his little sister, he decides to take her with him, no matter the cost.

Sugar (2008)
Like many young men in the Dominican Republic, 19-year-old Miguel "Sugar" Santos dreams of winning a slot on an American baseball team. Indeed, his talents as a pitcher eventually land him a slot on a single-A team in Iowa, but culture shock, racism and other curveballs threaten to turn Sugar's dream sour.

Alone (2021)
Fearing for their lives, Afshin, Alain and Patricia fled their country, without their parents, when they were only children. They had to start all over here in Canada in the hope of a better life. Combining real shooting and animated cinema, "Alone" bears the imprint of hope: how does a child manage to rebuild himself in a new country, when he has left everything behind?

Mulholland Drive (2001)
Blonde Betty Elms has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia. Meanwhile, as the two set off to solve the second woman's identity, filmmaker Adam Kesher runs into ominous trouble while casting his latest project.

Ghosts (2005)
Nina, an end-of-teenage orphan with mental problems, starts a new job as a garden cleaner when she meets Toni. They fell in love with each other, but soon Toni starts betraying Nina. In the meantime, Francoise is picked up at a psychic department of a Berlin hospital by her husband, Pierre. After seeing Nina, Francoise believes that she has found her kidnapped daughter Marie, but neither Toni nor Pierre believe her. Nina is unsure about what to think...

Princesses (2005)
Caye is a young prostitute whose family is unaware of her profession. She meets her striking Dominican neighbour Zulema, an illegal immigrant, after she finds her in the bathroom, badly beaten up. They strike up a close friendship unbeknownst to Caye's xenophobic co-workers.

« Je ne suis pas chinetoque » : Histoire du racisme anti-asiatique (2024)
Journalist Émilie Tran Nguyen invites the viewer to follow her in her quest and discover, at the same time as her, the historical origins of this anti-Asian racism. Told in the first person, alternating archive images, interviews with historians, sociologists and field sequences, this film traces the making of prejudices in the French imagination and pop culture, to twist the neck of stereotypes, deconstruct and act.

Live and Become (2005)
In 1980, the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.

A Mighty Heart (2007)
Based on Mariane Pearl's account of the terrifying and unforgettable story of her husband, Wall Street Journal reporter Danny Pearl's life and death.

Your Guardian (2022)
The start of the Yugoslav civil war forces freshly graduated Mina to choose between being an obedient daughter or escaping abroad with her lover so he wouldn't serve in the army.

Ae Fond Kiss... (2004)
A young man upsets his Punjabi family when he falls in love with an Irish schoolteacher.

Soviet Fantasia (2024)
A surreal exploration of queer identity in the face of immigration; following teenager Hajnal as they grapple with the demands of leaving behind their post-Soviet country in favour of a new life in England.

Hippocrates (2014)
Benjamin is meant to be a great doctor, he’s certain of it. But his first experience as a junior doctor in the hospital ward where his father works doesn’t turn out the way he hoped it would. Responsibility is overwhelming, his father is all but present, and his co-junior partner, a foreign doctor, is far more experimented than he is. This internship will force Benjamin to confront his limits… and start his way to adulthood.

Lucky (2017)
Lucky, an undocumented immigrant, struggles to make his way in New York but finds himself caught in a web of crime and murder, forcing him to take extreme action.

Jacob the Liar (1974)
A Jewish ghetto in the east of Europe, 1944. By coincidence, Jakob Heym eavesdrops on a German radio broadcast announcing the Soviet Army is making slow by steady progress towards central Europe. In order to keep his companion in misfortune, Mischa, from risking his life for a few potatoes, he tells him what he heard and announces that he is in possession of a radio - in the ghetto a crime punishable by death. It doesn't take long for word of Jakob's secret to spread - suddenly, there is new hope and something to live for - and so Jakob finds himself in the uncomforting position of having to come up with more and more stories.