Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.
Tax Shelter Terrors (2017)
The first feature-length documentary that fully explores how the toxic social and political Canadian context after 1968 created some of the most nihilistic and imaginative Canadian cult films of the 1970s and 80s and beyond.
Fulci Flashbacks: Reflections on Italy's Premiere Paura Protagonist (2011)
This documentary is featured on Arrow Video's 2011 DVD & Blu-ray releases for The Beyond (1981).
And in shallow waters, then i learned not to swim but to lie (2018)
Footage from summer of 2018 that explores the passing of time regarding the little things in life.
Cole Porter in Hollywood: True Love (2003)
A short documentary about the making of the 1956 film, High Society. Hosted by Celeste Holm.
Feeler (2016)
16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.
The ram's nap (2020)
Lucía and Valeria take out three Tarot cards that reveal the first two dishes of a menu that takes them from Embún, Spain to Llanquihue, Chile; the towns of their grandmothers. Among improvised still lifes, maps and video calls, the friends try to discover the meaning of the third card through a ritual that connects both continents.
Spectres of Shortwave (2016)
A mysterious web of international shortwave radio towers once dominated the Tantramar marshlands near Sackville, New Brunswick. For almost 70 years the RCI shortwave towers broadcast around the world. Due to budget cuts, the site was decommissioned in 2012 and dismantled in 2014. Examining themes of identity and memory, the film captures images of the towers over four seasons in various weather conditions, accompanied by the voices of residents and technicians narrating accounts of hearing radio broadcasts emanate from their household appliances.
Beyond Doubt: The Making of Hitchcock's Favorite Film (2000)
A short documentary about the Making Of Hitchcock's "Shadow of a Doubt" (1943).
Not Bad at All (NaN)
Every weekend for six years, Jessica takes a bus from NYC, where she lives and works as a set decorator, to Boston, her hometown, where she cares for her dad, Aloysius, who is 87 and has advanced Alzheimer's disease.
Concerning Violence (2014)
Concerning Violence is based on newly discovered, powerful archival material documenting the most daring moments in the struggle for liberation in the Third World, accompanied by classic text from The Wretched of the Earth by Frantz Fanon.
She Had Her Gun All Ready (1978)
Two women – one passive and resigned, the other aggressive and domineering – interact in various locations in New York city. The film explores the dynamic between them before ending with a showdown at the roller-coaster on Coney Island.
Cole Porter in Hollywood: Too Darn Hot (2003)
Ann Miller hosts this documentary short on the making of the MGM-Cole Porter hot musical "Kiss Me Kate".
How Animated Cartoons Are Made (1919)
Wallace Carlson walks viewers through the production of an animated short at Bray Studios.
The Kingdom of Dreams and Madness (2013)
Follows the behind-the-scenes work of Studio Ghibli, focusing on the notable figures Hayao Miyazaki, Isao Takahata, and Toshio Suzuki.
That Guy Dick Miller (2014)
Documentary about veteran character actor Dick Miller, whose career in and outside of Hollywood has spanned almost 200 films across six decades, featuring a diverse range of interviews with directors, co-stars, and contemporaries.
We Feed the World (2005)
A documentary that exposes the shocking truths behind industrial food production and food wastage, focusing on fishing, livestock and crop farming. A must-see for anyone interested in the true cost of the food on their plate.
The Happy Accident (2020)
Embarks on a journey that traces the life and work of Antonio Martorell, a prolific plastic and multi-disciplinary artist in Puerto Rico. This film is a dance between the director (Paloma Suau) and the portraitist while portraying each other. More than a documentary, this film is an experiment of a director trying to reconnect with her creative voice.