A documentary in which 5 men describe their experiences with gender dysphoria as they wrestled with feelings of inadequacy as men, and their ultimate pursuit to find peace in their natural bodies.
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The Codes of Gender (2010)
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
A Pandemic: Away from the Motherland (2020)
As the Pandemic breaks, 5 doctors in the USA treat COVID-19 patients away from their Motherland. An emotional journey of healthcare workers and their families with unfiltered content from their personal lives shot entirely during the lockdown.
Afraid of People (2002)
This documentary follows the lives of several extraordinary people who have been diagnosed with social anxiety disorder. Through personal interviews, viewers learn about the symptoms, emotions, and challenges these people face and about the treatments available to help people on their road to recovery.
Durch Schnitt (2022)
At the age of 13, Robin drops out of school. His grades are inadequate, even at a special school, and to make matters worse, his health continues to deteriorate. That was over 20 years ago. Today he runs his own hair salon.
Trixie Mattel: Moving Parts (2019)
Trixie charmed audiences and judges as winner of RuPaul's Drag Race All Stars. But the grind of performing and the pressure of the title proves that heavy is the head that wears the tiara.
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The Great American Lie (2020)
Examines how a US value system built on the extreme masculine ideals of money, power and control has glorified individualism, institutionalized inequality, and undermined the ability of most Americans to achieve the American Dream.
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A Southern Indiana man endures a fatal night of torture after being arrested for a routine traffic stop.
The Happiest Man on Earth (2019)
A lonely 40-year-old man sits on the balcony of a Finnish apartment building. Joonas Berghäll has learned that he will die in 14 years’ time, unless he changes his way of living or attitude towards life. Joonas wants to make a film about the state of wellbeing of Finnish men, drawing from his own experiences and mirroring the society at large. The film is built around six stories. It starts with the context of school and proceeds through the contexts of military service, custody battle, burnout and substance abuse to end on the subject of premature death caused by health problems.
My Film with Andrei, Or: How I Learned to Stop Worrying and Document a Sex Party. (2021)
A crypto-trader and an ex-clergyman travel to Berlin to throw a sex party. Filmmaker Ayoto Ataraxia documents them and their sex-positive community with a phone during the week leading up to the event, discussing sex and life. But will they cum?
Unrest (2017)
When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s "all in her head." Determined to live, she sets out on a virtual journey to document her story—and four other families' stories—fighting a disease medicine forgot.
Bending the Arc (2017)
About the extraordinary doctors and activists—including Paul Farmer, Jim Yong Kim, and Ophelia Dahl—whose work 30 years ago to save lives in a rural Haitian village grew into a global battle in the halls of power for the right to health for all.
No me dejaron llorar (2019)
The collective of antipatriarchal men is a political organization that, since 2010, organizes spaces of group self-reflection to problematize the role of masculinity for those who identify as and/or are read as men. This documentary was filmed around one of their yearly regional forums.
Nola (2023)
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2020 (2020)
Madrid was one of the hardest-hit regions in the world by the pandemic of Covid-19. When the state of alarm was declared in March 2020, awarded filmmaker Hernán Zin grab his camera and went out to portray it from all fronts: hospitals, ambulances, nursing homes, funeral homes, fire department, police and army operations.He got exclusive access to places and situations that few filmmakers in the world had due to the effort of the politicians to keep the press out of the hospitals and nursing homes.
