In northern Mexico, residents of a cattle-ranching community struggle to survive amid harsh conditions caused by an ongoing drought.
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Bikes for Africa (2013)
Bikes for Africa is an entertaining, insightful and moving documentary following the life adventures of Hap Cameron and Mandy Todd, and their attempt to help implement a self sustainable bike workshop in rural Namibia with a container load secondhand donated bikes from Melbourne. The film investigates how a bicycle can fundamentally change the lives of rural Africans, and brings to focus the great works of two-wheeled charities Bicycles for Humanity and the Bicycling Empowerment Network Namibia.
Girls of Hope (2011)
In Turkey far too many women are still unable to read and write, and all they see in their life span is being forced into early marriage and relegation to the home, where they look after extended families and more children than they can feed. The girls are portrayed in their homes, together with the strongest supporters of their emancipation through education: their mothers. Girls of Hope portrays five girls who struggle for their education and, despite all the difficulties, try to hold on to their hope for a better future.
Werner We Love You (2017)
When Werner Herzog was still a child, his father was beaten to death before his eyes. His mother was overwhelmed with his upbringing and thereupon shipped him off to one of the toughest youth welfare institutions in Freistatt. This was followed by a career as a bouncer in the city's most notorious music club and an attempt to start a family. Today, the 77-year-old from Bielefeld lives with his dog Lucky in a lonely house in the country. Despite adverse living conditions, he has survived in his own unique and inimitable way.
Bessho Tea Factory (2014)
A documentary directed by Hori Teiichi who was a production assistant on the 1994 documentary Otentousama ga Hoshii and has worked in a wide variety of genres from pink films to ordinary theatrical releases. The lifestyle and scenery of Osawa, a village situated 740 meters up on the mountainous slopes of Hamamatsu city's northern region in Shizuoka Prefecture, are the focus of this first installment to the "Tenryu-ku" series. It straightforwardly captures the tea harvest in late May and the tea processing conducted in a factory while showcasing mist shrouded tea fields drummed by rain as well as the beauty of the glistening green of the tea leaf shoots.
Terres noires (1961)
Pseudo-ethnological documents about two villages which, without roads and electricity, "stopped existing"
El campo para el hombre (1975)
"El campo para el hombre" was a politically militant documentary about the small holdings of land in the north of Spain and the large estates in the south of the country. This film portrays the exploitation and misery of the Spanish peasants, but also their class-consciousness and their will to fight for their rights and freedom. The film was shot in the late years of Franco's dictatorship, so it was made in secrecy (the directors were connected to the Spanish Communist Party).
Sauacker (2014)
SauAcker depicts the obstacles faced by Philipp, a young farmer determined to modernize his father's old-fashioned farm. His motto is "I'll do it my way". Philipp is fully committed and is even risking his relationship to attain his goals. The documentary paints a funny and charming picture of the two wayward heroes and presents an entertaining angle on the realities of contemporary society.
The Artist’s Garden: American Impressionism (2017)
Taking its lead from French artists like Renoir and Monet, the American impressionist movement followed its own path which over a forty-year period reveals as much about America as a nation as it does about its art as a creative power-house. It’s a story closely tied to a love of gardens and a desire to preserve nature in a rapidly urbanizing nation. Travelling to studios, gardens and iconic locations throughout the United States, UK and France, this mesmerising film is a feast for the eyes. The Artist’s Garden: American Impressionism features the sell-out exhibition The Artist’s Garden: American Impressionism and the Garden Movement, 1887–1920 that began at the Pennsylvania Academy of the Fine Arts and ended at the Florence Griswold Museum, Old Lyme, Connecticut.
That Kid (1976)
A group of educators led by Fernand Deligny are working to create contact with autistic children in a hamlet of the Cevennes.
Restricted Access to Residents (2024)
The way to the bus stop is the same everyday in this remote semi rural neighborhood. But when concrete blocks and trucks start to appear on the middle of the street, it's necessary to take a detour. The landscape and daily routine of the residents are completely changed.
Maura (2023)
84-year-old Maura is the guardian of a very particular tradition in danger of extinction. She is a singer of amorfinos, verses full of humor that will disappear forever with her departure.
Still (2014)
The documentary tells the story of Uschi, a farmer living free and recluded in the bavarian alps. Shot in epic black and white pictures, Still follows Uschi's life over a ten year period. From an untroubled summer of making cheese through pregnancy and the uncertain future of the parental farm, Matti Bauer portrays Uschi's struggle to keep alive the dream of a way of life that has become rather untypical in this day and age.
Koyaanisqatsi (1983)
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
Dream of San Juan (2013)
The last representatives of Mixteco culture inhabit a village in the Sierra Madre. Deprived of their identity by modern civilization, they are facing an even bigger threat: a landslide that may destroy the village during the next torrential rains. The mayor tries to prevent the disaster. He wants to invite a geologist, so that the approaching danger can be officially confirmed. But no help is coming and the inhabitants must simply wait for the disaster.
Coombs (2017)
If Samuel Beckett had lived in Scotland and made a great film, it would be this: a lucid, sometimes funny, and profoundly compassionate study of extreme old age, death, grief and loneliness. These facts of life are revealed in an act of virtuoso film-making that is dedicated, laconic and ultimately - impossible as it may seem - uplifting. A unique experience, this is a very significant and totally original film that will test, and reward any audience. The challenge is to spend time with lonely old people and Dolak is unflinching. He handles words, sounds and image with extreme care. His film is composed of long takes that juxtapose a daily routine alongside the expansive and empty landscapes of the north east, and both shot in exquisitely beautiful monochrome. Everything seems settled and inevitable until the film makes a completely unexpected move into another realm and intimates a further reach of the imagination.