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Nadador (2019)
Lucas discovers that his new student is an old schoolmate, the boy who put him through the worst time of his life. The time for revenge has arrived.
Shepherdess of Ivry (1913)
Hortense Fauvel, the wife of a village postmaster, takes Aimée, a young shepherdess, under her wing. Aimée soon becomes engaged to François, the Fauvel’s loyal servant. At a fête hosted by the Count of Granval, Aimée gives her fiancé a knife, telling him that he should kill her if ever she ceases to be faithful to him. That same day, the Count is planning to have an amorous liaison with Hortense, but Aimée intervenes. To save her mistress from a scandal, Aimée tells the postmaster that it is she, not Hortense, who has been seeing the Count. Disgraced, Aimée is dismissed by the postmaster. François contemplates his revenge and recalls what Aimée said to him.
Brouillard #14 (2013)
Alexandre Larose creates supernally spectral superimpositions infused with a meteorological mix and the intense lusciousness of the Québec landscape.
Caledonian Road (2017)
Caledonian Road follows Seb, who decides to meet up with Corey one rainy night. Seb has never slept with a boy before, and plans to fulfil some dream of conquering his desire. Little does he know what’s in store for him when he enters Corey’s house, as he’s thrown into a strangely unreal night.
Granatapfel (1989)
Winter morning in Berlin. A Greek migrant worker comes home from the night shift and dreams of his past as an athlete.
Emoticon Man (2017)
In a world where everybody wears emoticon masks, Nick meets Sophie, a woman that dares to express her feelings through her own face. The life of Nick will drastically change by having feelings that emoticons cannot describe.
HomeBound (2021)
HomeBound is the story of Jamie Rockwell (Katie Vincent), a woman burdened by severe agoraphobia. After losing her therapy dog, she must muster the courage within, not only to find her dog, but ultimately, to find herself.
Hedgehog in the Fog (1975)
A little hedgehog, on the way to visit his friend the bear, gets lost in thick fog, where horses, dogs and even falling leaves take on a terrifying new aspect...
Our Need for Consolation (2012)
Swedish writer Stig Dagerman (1923-1954) was a literary sensation who after a few productive years, suddenly fell silent. Struggling with writer's block, Dagerman wrote the essay "Our Need for Consolation" about his inner demons and his quest for freedom. For the first time in English, featuring Stellan Skarsgard as an on-camera narrator, this film brings Dagerman's powerful words to life in the form of a visual poem.
The Red Balloon (2014)
Paris, France, 1963. A couple have an argument in a bar. A young man sitting nearby takes the opportunity to talk to the girl and tells her what their life together could be if she accepts to run away with him, now.
Wargames (1962)
A group of boys playing near the seashore in Tokyo find a goat, kill it in a tug of war for ownership, bury it with ceremony, and, except for one boy, run off in heedless laughter ready for more games.
Himself as Herself (1967)
The young hero seems the essence of maleness, yet he's troubled by vaguely feminine objects. Soon his masculine and feminine selves are intercut, as each of his identities appears to look and gesture at the other. The film, at once melancholy and transcendent, consists of a shimmering, nearly plotless evocation of gender identity in flux through haunting, densely interlaced images.
Eros, O Basileus (1967)
Structured in nine tableaux each a study of a simple action or situation involving a lone, naked figure, the blind Eros, searching for fulfilment, for self. The objects he touches - books, paintings - can be seen as icons of the creative spirit; there is also a motor cycle and film equipment. In succeeding scenes he appears to try on identities offered by institutional doctrines of religion and social traditions of (overt) masculinity. Much of the film was constructed in-camera with a small amount of editing afterwards. An innovation was the use of in-camera fade-outs as phrase markers, not as terminal points, within a single set-up or shot.
Psyche (1948)
Psyche 1947, made while a student at USC, shows Markopoulos’ developing style and his sensuous use of colour and composition. Shot in the Hollywood hills, the film was inspired by an unfinished novella by Pierre Louÿs. - Tate Modern
Lysis (1949)
Markopoulos called Lysis “a study in stream-of-consciousness poetry of a lost, wandering, homosexual soul” and felt that the film foreshadowed The Illiac Passion.
Broken (2017)
Jani Budi, 60s, after serving a sentence, was released from prison in Ancona and embarks on a ship to return to his country of origin, Albania. Arriving in Tirana he discovers the shocking truth: his wife died shortly after his arrest, and his son, Andi, has become politically corrupt. The film is a combination of drama and comedy that scans Albania today and human relations.