In this third remake of legendary Japanese director Akira Kurosawa's hugely influential The Seven Samurai, the seven gunslingers (George Kennedy, Michael Ansara, Joe Don Baker, Bernie Casey, Monte Markham, Fernando Rey and Reni Santoni) liberate Mexican political prisoners, train them as fighters and assist them in a desperate attack on a Mexican fortress in an attempt to free a revolutionary leader.
Related Movies
Young Guns II (1990)
Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.
Ravenous (1999)
Upon receiving reports of missing persons at Fort Spencer, a remote Army outpost on the Western frontier, Capt. John Boyd investigates. After arriving at his new post, Boyd and his regiment aid a wounded frontiersman who recounts a horrifying tale of a wagon train murdered by its supposed guide -- a vicious U.S. Army colonel gone rogue. Fearing the worst, the regiment heads out into the wilderness to verify the gruesome claims.
From Dusk Till Dawn 3: The Hangman's Daughter (2000)
Narrowly escaping death, outlaw Johnny Madrid goes on the run with the hangman's sensuous daughter Esmeralda by his side.
The Missing (2003)
When rancher and single mother of two Maggie Gilkeson sees her teenage daughter, Lily, kidnapped by Apache rebels, she reluctantly accepts the help of her estranged father, Samuel, in tracking down the kidnappers. Along the way, the two must learn to reconcile the past and work together if they are going to have any hope of getting Lily back before she is taken over the border and forced to become a prostitute.
Return of the Seven (1966)
Chico one of the remaining members of The Magnificent Seven now lives in the town that they (The Seven) helped. One day someone comes and takes most of the men prisoner. His wife seeks out Chris, the leader of The Seven for help. Chris also meets Vin another member of The Seven. They find four other men and they go to help Chico.
Vera Cruz (1954)
After the American Civil War, mercenaries travel to Mexico to fight in their revolution for money. The former soldier and gentleman Benjamin Trane meets the gunman and killer Joe Erin and his men, and together they are hired by the Emperor Maximillian and the Marquis Henri de Labordere to escort the Countess Marie Duvarre to the harbor of Vera Cruz.
45 Calibre Echo (1932)
A cowhand and his sidekick come to the Texas border country looking for the man who had lured the cowhand's sister in bondage in Mexico. But the man doesn't want to be found and has hired some gunmen to see that he isn't.
Viva Maria! (1965)
An IRA operative escapes to the Americas and teams up with a circus singer to create a popular vaudeville act. When the singer falls for a rebel, they leave the circus behind to become fierce revolutionaries.
Rain for a Dusty Summer (1971)
In Mexico, a mad general is leading his own war against the Church. Priests are rounded up, churches burned down and religion outlawed. The suffering of one pious catholic priest could bring the tide of change however.
My Outlaw Brother (1951)
Danny, a greenhorn from New York comes to the Mexican border in search for his older brother whom he has always looked up to. A Texas Ranger charged with bringing in, El Tigre and his gang of bandits, takes Danny under his wing.
And Starring Pancho Villa as Himself (2003)
In 1914, the Mexican revolutionary Pancho Villa invites studios to shoot his actual battles against Porfírio Diaz army to raise funds for financing guns and ammunition. The Mutual Film Corporation, through producer D.W. Griffith, interests for the proposition and sends the filmmaker Frank Thayer to negotiate a contract with Pancho Villa himself.
Mercenaries of the Rio Grande (1965)
Dr. Karl Sternau, the personal physician of the count Bismarck, who spent much of his youth in Mexico, is sent back to that country during the occupation by French troops in the service of the Austrian 'Emperor' Maximilian, to carry an encouraging letter from U.S. President Lincoln to the nationalist Mexican president Benito Juarez.
Pyramid of the Sun God (1965)
Mexico, 1864. The country is divided by the struggle against the French occupation and emperor Maximilian. The German doctor Karl Sternau and his friend Andreas Hasenpfeffer come to love the country and support the cause of the proud Mexicans.
Run, Man, Run (1968)
The legendary Tomas Milian stars as Cuchillo, a knife-throwing thief on the run from murderous bandits, sadistic American agents, his hot-blooded fiancée and a sheriff turned bounty hunter, all of whom are gunning for a hidden fortune in gold that could finance the Mexican Revolution.
The Undefeated (1969)
After the Civil War, ex-Union Colonel John Henry Thomas and ex-Confederate Colonel James Langdon are leading two disparate groups of people through strife-torn Mexico. John Henry and company are bringing horses to the unpopular Mexican government for $35 a head while Langdon is leading a contingent of displaced southerners, who are looking for a new life in Mexico after losing their property to carpetbaggers. The two men are eventually forced to mend their differences in order to fight off both bandits and revolutionaries, as they try to lead their friends and kin to safety.
The Professionals (1966)
An arrogant Texas millionaire hires four adventurers to rescue his kidnapped wife from a notorious Mexican bandit.
Charro! (1969)
Vince Hackett's gang steals a prized victory canon from Mexico and blames the deed on ex-member Jess Wade, who wants to go straight.
Frontier Outlaws (1944)
Billy Carson, looking for rustlers, kills Bradley in a gun fight. Arrested, the judge finds him innocent but jails him anyway. When the rustling resumes he is released and posing as a Mexican cattle buyer he hopes to trap the culprits.
Ammunition Smuggling on the Mexican Border: Incidents of the Mexican Revolution (1914)
Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.