Blood will have blood. Unbridled ambition, supernatural forces, and murderous desires reign supreme in Shakespeare’s most poetic examination of evil. When three witches tell Macbeth that he will become King of Scotland, he plots with his wife to attain the title through an assassination; a bloody act that gives him his crown and sends him careening down the path of his own undoing.
Related Movies
National Theatre Live: The Habit of Art (2010)
National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.
Dead Poets Society (1989)
At an elite, old-fashioned boarding school in New England, a passionate English teacher inspires his students to rebel against convention and seize the potential of every day, courting the disdain of the stern headmaster.
National Theatre Live: Medea (2014)
Medea is a wife and a mother. For the sake of her husband, Jason, she’s left her home and borne two sons in exile. But when he abandons his family for a new life, Medea faces banishment and separation from her children. Cornered, she begs for one day’s grace. It’s time enough. She exacts an appalling revenge and destroys everything she holds dear.
Things I Know to Be True (2017)
As beautifully touching as it is funny and bold, Things I Know To Be True tells the story of a family and marriage through the eyes of four grown siblings struggling to define themselves beyond their parents’ love and expectations. Parents Bob and Fran have worked their fingers to the bone and with their four children grown and ready to fly the nest it might be time to relax and enjoy the roses. But the changing seasons bring home some shattering truths. Featuring Frantic Assembly’s celebrated physicality, and co-directed by Frantic Assembly’s Tony and Olivier Award nominated Artistic Director Scott Graham and State Theatre Company’s Artistic Director Geordie Brookman, Things I Know To Be True is a complex and intense study of the mechanics of a family that is both poetic and brutally frank.
Hamlet (2000)
Modern day adaptation of Shakespeare's immortal story about Hamlet's plight to avenge his father's murder in New York City.
National Theatre Live: Rosencrantz & Guildenstern Are Dead (2017)
Against the backdrop of Hamlet, two hapless minor characters, Rosencrantz and Guildenstern, take centre stage. As the young double act stumble their way in and out of the action of Shakespeare’s iconic drama, they become increasingly out of their depth as their version of the story unfolds.
National Theatre Live: Obsession (2017)
Gino is a drifter, down-at-heel and magnetically handsome. At a road side restaurant he encounters husband and wife, Joseph and Hanna. Irresistibly attracted to each other, Gino and Hanna begin a fiery affair and plot to murder her husband. But, in this chilling tale of passion and destruction, the crime only serves to tear them apart.
National Theatre Live: Angels In America — Part One: Millennium Approaches (2017)
The National Theatre's live theatrical production of Tony Kushner's two-part play 'Angels In America' about New Yorkers grappling with the AIDS crisis during the mid-1980s.
National Theatre Live: Angels In America — Part Two: Perestroika (2017)
America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell. This new staging of Tony Kushner's multi-award winning two-part play, Angels In America: A Gay Fantasia On National Themes, is directed by Olivier and Tony award winning director Marianne Elliott.
National Theatre Live: Yerma (2017)
A woman is driven to the unthinkable by her desperate desire to have a child in Simon Stone’s radical production of Lorca’s achingly powerful masterpiece.
O (2001)
Even though he's the only black student at the elite Palmetto Grove Academy, star basketball player and future NBA hopeful Odin James has the adoration of all, including the team's coach and the Dean's beautiful daughter Desi. Odin's troubled friend Hugo, the coach's son, is deeply resentful of his father's preference of Odin on and off the court. When Hugo plots a diabolical scheme to sow the seed of mistrust between O and Desi, it sets in motion a disturbing chain of events which erupts into a firestorm of breathtaking intensity.
Spirited Away: Live on Stage (2023)
A young girl, Chihiro, becomes trapped in a strange new world of spirits. When her parents undergo a mysterious transformation, she must call upon the courage she never knew she had to free her family. The film version of the stage production was shot during the play’s 2022 run at the Imperial Theatre in Tokyo.
National Theatre Live: King Lear (2014)
An aged king decides to divide his kingdom between his three daughters, according to which of them is most eloquent in praising him. His favourite, Cordelia, says nothing. Simon Russell Beale, whose recent appearances at the National include Timon of Athens and Collaborators, takes the title role in Shakespeare’s tragedy.
National Theatre Live: The Seagull (2022)
Emilia Clarke makes her West End debut as Nina in Anya Reiss’ unique 21st century modernisation of Anton Chekhov’s The Seagull, with direction by Jamie Lloyd.
Macbeth (2025)
Fearless and unforgettably creepy. This high-concept production, filmed live at London’s Donmar Warehouse, stars the formidable talents of David Tennant and Cush Jumbo in Shakespeare’s most infamous tragedy.
Awake and Sing! (1972)
The Bergers, a blue-collar Jewish family living in an overstuffed tenement and undone by the Depression, struggle through hard times and dream of a better future in this 1972 production of Clifford Odets' pungent play. Personalities and politics clash as Odets' mélange of characters try to survive on pennies a day. Walter Matthau plays cynical World War I amputee Moe Axelrod, and Leo Fuchs portrays the family's iron-willed leftist grandfather.
Rent: Filmed Live on Broadway (2008)
Set in New York City's gritty East Village, the revolutionary rock opera RENT tells the story of a group of bohemians struggling to live and pay their rent. "Measuring their lives in love," these starving artists strive for success and acceptance while enduring the obstacles of poverty, illness and the AIDS epidemic.
Hamlet at Elsinore (1964)
The ghost of the King of Denmark tells his son Hamlet to avenge his murder by killing the new king, Hamlet's uncle. Hamlet feigns madness, contemplates life and death, and seeks revenge. His uncle, fearing for his life, also devises plots to kill Hamlet. An historic BBC production taped on location in and around Kronborg castle in Elsinore (Denmark), in which the play is set.
Hamlet Goes Business (1987)
When Hamlet discovers his father’s deceased body, he finds himself pulled into a power struggle as his scheming uncle attempts to secure a monopoly on the Scandinavian rubber duck industry. Will Hamlet avenge his father? Will he become the king of rubber ducks? Does any of it really matter?
The Gin Game (1981)
Weller Martin and Fonsia Dorsey, two elderly residents at a nursing home for senior citizens, strike up an acquaintance. Neither seems to have any other friends, and they start to enjoy each other's company. Weller offers to teach Fonsia how to play gin rummy, and they begin playing a series of games that Fonsia always wins. Weller's inability to win a single hand becomes increasingly frustrating to him, while Fonsia becomes increasingly confident. While playing their games of gin, they engage in lengthy conversations about their families and their lives in the outside world. Gradually, each conversation becomes a battle, much like the ongoing gin games, as each player tries to expose the other's weaknesses, to belittle the other's life, and to humiliate the other thoroughly.