Related Movies
Syrenka: Legend of the Warsaw Mermaid (NaN)
On the banks of the Vistula River, a mermaid, and a bar matron face off against gendered power. Through an emblematic confrontation with a young fisherman, they tear at the net of prevailing misogyny.
Eternal Sunshine of the Spotless Mind (2004)
Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.
Three Colors: White (1994)
Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikołaj to smuggle him back to their homeland.
Amor (2023)
Based on the story "The monster in my room" by Miguel Angel López, a girl recounts living with her mother and a monster that stalks her at night.
Friends with Money (2006)
As she reaches her mid-thirties and quits her lucrative job, singleton Olivia finds herself unsure about her future and her relationships with her successful and wealthy friends. She begins to envy the security of her richer friends and, although their lives may seem easier, Olivia's friends have their problems too: screenwriters Christine and Patrick are unable to collaborate on their latest project, Jane and Aaron have lost the romance in their relationship, and Franny and Matt have difficulties handling the demands of parenthood.
Derailed (2005)
When two married business executives having an affair are blackmailed by a violent criminal, they are forced to turn the tables on him to save their families.
The Kids Turned Out Fine (2022)
This anti-coming-of-age film follows Generation Y characters as they chase the desire for radical self-realisation.
Metamorphosis (2022)
Seeking refuge on an island in Upstate New York, a married couple's final attempt to salvage their failing relationship takes a turn for the worse when the husband begins to regress emotionally, mentally, and physically.
For the Safety of Theo (2023)
When casual hook-ups become too debilitating, a man suffering from Obsessive-Compulsive Disorder seeks out different ways to purge himself of the consequences of the night before.
The Chameleon (1991)
A meditative film about the processes of consciousness of a local gangster and his attempts to break away from the group of fellow bohemian villains. The stilled narrative suggests themes such as generalized surveillance, the metamorphosis of the political regime only on the surface in post-communism, the impossibility of escaping from a system – favorite themes of the 90s. Through its metaphorical stylistics, the film is part of a tradition with which the films produced by the National Theatre & Film Academy (ATF) would be associated. -Gabriela Filippi
Gripsholm (2000)
Kurt and Lydia are planning a relaxed vacation at the Gripsholm castle in Sweden . What Lydia does not know is that for Kurt, a well-known publicist, the journey is actually a flight from encroaching fascism and a direct threat from the Nazis.
Bugman (2024)
A misunderstood and isolated transgender teenager takes revenge upon his unaccepting parents. A powerful supernatural entity known as the Bug God contacts him to help him do the deed. A mysterious organization produces a largely fictitious made-for-TV docudrama on the subject.
Peacock (2024)
A twisted gay romance set in the 19th Century picturesque Bohemia telling a tabooed true story of birth of one of the nation's most influential writers, starring Julius Feldmeier. Suspense, laughter, violence, hope, heart, nudity, sex and a happy ending—mostly a happy ending.
Big Girls Don't Cry (2002)
Kati and Steffi have been best friends since they were six. Now they're both 17 and enjoying the ups and downs of becoming adults together. While Kati's parents are religious and conservative, but argue constantly, Steffi comes from what appears to be a harmonious and liberal family. But the girls discover how quickly their attractive world can fall apart when, at a hip nightclub, they happen to see Steffi's father in the arms of another woman. Steffi is shocked, her trust in her small perfect world shaken to the core. She can only think of one thing: revenge.
Angst (2003)
Oskar Roehler's drama Der Alte Affe Angst (Angst) is about the dissolution of a couple. Robert (Andre Hennicke) and Marie (Marie Baumer) have little in common other than their sex life. Since Robert is going through a bout with impotency, they are having a very rocky time. Robert learns that his father, whom he is estranged from, has died. This disturbs Robert so much that he visits a prostitute, and is able to engage in sex with her. Marie discovers the infidelity, and the prostitute has a surprise of her own. Angst was screened at the 2003 Berlin Film Festival.
Anything Else (2003)
Jerry Falk, an aspiring writer in New York, falls in love at first sight with a free-spirited young woman named Amanda. He has heard the phrase that life is like "anything else," but soon he finds that life with the unpredictable Amanda isn't like anything else at all.
The Return (2003)
The relationships among two pre-pubescent brothers and their estranged father are tested on a trip into the Russian wilderness.
True (2004)
While he's receiving an enigmatic phone call from his girlfriend Francine, Thomas remembers the milestones of their relationship, from the very moment they met in a really strange way. A segment of “Paris, je t'aime” (2006).
Human Traffic (1999)
For Jip, Lulu, Koop, Nina and Moff, the dead-end jobs they endure during the week just kill the time until Friday night. That's when they cut very loose and get on the rollercoaster ride that takes them right through to Monday morning.
Menschenfrauen (1980)
Menschenfrauen is a film about relationships and the psychological oppression of women in society. Franz, a journalist, maintains relationships with four women. His three mistresses are introduced with television dreams of intense emotional violence (in the first dream, a mother shouts at her daughter, explaining that as a girl, she does not deserve a room of her own), and the fourth is his wife. He is desperate to have each to himself. Franz never offers a substantial sign of love, but is willing to say anything and make any promise for affection. His dependence on women for fulfilment is explained through arguments with his wife. He claims "I am my own sound. The women produce voices within me." An understandable and sometimes sympathetic antagonist is one of the films greatest strengths. The emotional damage he causes becomes believable.