The Queen of the Night has begged Prince Tamino to free her daughter Pamina from the clutches of the High Priest Sarastro, who has abducted her. Together with the bird-catcher Papageno, Tamino enters Sarastro's realm to seek her. When he finds her, the two fall in love, but they have to have to undergo ordeals before they can be together. At the end, Papageno is also rewarded with his Papagena.
Dido & Aeneas (2005)
Henry Purcell's opera Dido & Aeneas, completed in 1689, was the subject of a memorable and breathtaking performance at the Staatsoper Berlin in 2005. In Dido & Aeneas Sasha Waltz opens up new horizons in music theatre, creating a fusion of dance, singing and music the choreographic opera. The (extended, revised) libretto, the (reconstructed) music, vocal parts, dance, the stage set featuring a rousing underwater ballet combine to form a sublime total choreography and parallel action involving dancers, singers and musicians. In this choreographic opera, Sasha Waltz demonstrates not only her familiarity with Emile Jaques-Dalcroze and Pina Bausch, but also the confidence she has in her own style. Sensational!
Pfitzner: Palestrina (2009)
Requiring 38 soloists, chorus, and large orchestra, Hans Pfitzner's "Palestrina" is a challenging opera to stage. In Munich, the city in which it was premiered in 1917, director Christian Stückle, conductor Simone Young, and the Bavarian State Opera met those challenges with stunning success.
Philip Glass: Akhnaten (2020)
Akhnaten is set in Ancient Egypt, and based on the accession to the throne of the pharaoh Amenhotep IV – thought to have been around 1351BC – on his religious convictions, and the consequences of his actions. Presented as a combination of song, dance and music, the opera has a libretto by Philip Glass, Shalom Goldmann, Robert Israël and Richard Ridell, with the text drawing on ancient hymns, prayers and inscriptions, sung in their original Egyptian, Hebrew and Akkadian form. Produced by the Opéra de Nice Côte d’Azur as part of the Festival MANCA.
The Royal Opera: Turandot (2025)
The beautiful but icy Princess Turandot will only marry a man who can correctly answer three riddles. Those who fail are brutally beheaded. But when an unknown prince arrives, the balance of power in Turandot’s court is forever shaken, as the mysterious stranger does what no other has been able to.
Rubbish (1982)
A young boy creates a world of puppet friends using pieces of rubbish found in the street.
Harry Potter and the Chamber of Secrets (2002)
Cars fly, trees fight back, and a mysterious house-elf comes to warn Harry Potter at the start of his second year at Hogwarts. Adventure and danger await when bloody writing on a wall announces: The Chamber Of Secrets Has Been Opened. To save Hogwarts will require all of Harry, Ron and Hermione’s magical abilities and courage.
Amadeus (1984)
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.
Giordano: Andrea Chernier (2015)
“Kaufmann is performing the title role for the first time, and it’s hard to imagine him bettered. His striking looks make him very much the Romantic and romanticised outsider of Giordano’s vision. His voice, with its dark, liquid tone, soars through the music with refined ease and intensity: all those grand declarations of passion, whether political or erotic, hit home with terrific immediacy.” – The Guardian Presented in its Covent Garden premiere in January 2015, this staging – directed by David McVicar and conducted by the Royal Opera’s Music Director, Sir Antonio Pappano – shows a bloody tricolour daubed with the words “Even Plato banned poets from his Republic” – written by Robespierre on the death warrant of the historical Chénier, a poet and journalist sent to the guillotine in 1794 for criticising France’s post-revolutionary government.
The Beggar's Opera (1953)
Adaptation of John Gay's 18th century opera, featuring Laurence Olivier as MacHeath and Hugh Griffith as the Beggar.
Bizet: Carmen (2010)
Richard Eyre’s stunning new production of Bizet’s opera was the talk of the town when it was unveiled on New Year’s Eve 2009. Elīna Garanča leads the cast as the iconic gypsy of the title—a woman desired by every man but determined to remain true to herself. Roberto Alagna is Don José, the soldier who falls under her spell and sacrifices everything for her love, only to be cast aside when the toreador Escamillo (Teddy Tahu Rhodes) piques Carmen’s interest. With dances created by star choreographer Christopher Wheeldon and conducted by rising maestro Yannick Nézet-Séguin, this Carmen brings every aspect of Bizet’s tale to thrilling life, from its lighthearted beginning to its inevitably tragic climax.
Arthur (2001)
Clay animation film by Guionne Leroy, based on the music of Henry Purcell's opera "King Arthur"
The Metropolitan Opera: Siegfried (2011)
Robert Lepage’s remarkable Met Opera production of Wagner’s Der Ring des Nibelungen, the 2013 Grammy Award Winner for Best Opera Recording, is now available as individual DVDs. Siegfried features Bryn Terfel, Jay Hunter Morris, and Deborah Voigt, with Fabio Luisi conducting.
The Metropolitan Opera: Götterdämmerung (2012)
Ring Cycle, pt 4. Siegfried is drugged and tricked into kidnapping his wife, since she has the Ring now. More double-crossings, Siegfried ends up dead. Brunnhilde has had enough of this, tosses the Ring into the river and torches the place.
The Phantom of the Opera (1925)
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
Paisiello Nina (2002)
The opera: Nina, o sia La Pazza Per Amore itself, is an extra-ordinary sad and touching story, and seems very difficult to be performed if the singer has no acting talents. Therefore we adore Cecilia Bartoli for the magnificent performance as the crazy Nina who lost her mind totally. Her magnificent singing, we don't doubt at all, but her acting is amazingly such that it expressed a real situation of a girl becoming crazy and losing her mind caused by painful incidents in her love life. It is also supported by the other singers who are singing matching as perfectly and splendidly as the diva Cecilia Bartoli, especially the baritone Laszlo Polgar with his deep rich voice as the cruel father who has remorse and came back to see his daughter Nina and the young tenor Jonas Kauffmann with his clear light voice, resulting in a surprisingly beautifully performed opera.
Cecilia Bartoli Sings Haydn (2001)
From the Styriarte Festival in Graz Austria, the acclaimed mezzo-soprano Cecilia Bartoli and Maestro Nikolaus Harnoncourt with his orchestra Concentus Musicu Wien, present a concert on Haydn arias and Symphony No.92, the "Oxford". The singing virtuosity of "Scena di Berenice" is sublime as is the performance of The "Oxford" Symphony from the ensemble renown for its specialty in early music and playing on period instruments. A unique concert.
Tosca (1941)
Non-musical account of Puccini's opera: Tosca and Cavaradossi are in love, but the tyrant Scarpia desires Tosca and oppresses Cavaradossi who is fighting for freedom.