A young, wannabe streetwear influencer dying to make an impact on the world gets a lot more than he bargained for when a shy but obsessive fan decides to help him become a star for his own gain at the expense of everyone else involved. Macabre Metrics is an almost feature-length, visually experimental exploration into the world of image culture set in Seoul. Shot entirely on iPhone with animated sequences.
AA-PROXIMA-SUN (2022)
A girl approaches a divine entity that comes to the world in the form of a yellow umbrella, and ends up discovering her true self.
Phantasia (2024)
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
reMemBer2.human (2023)
In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.
Purgatorium (2023)
After his death, a young man stuck in purgatory attempts to cope with the afterlife.
Street Musique (1972)
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
hands (2023)
A personal reflection on hands, the word "tear," and caring for oneself that experiments with sound, silence, and definitions.
The Freedom of Herds (2023)
The history and trauma of two men, brought together by war, is exposed when a mysterious visitor treads familiar ground.
Magnética (2020)
In a city inhabited by drawn beings, an indigenous boy witnesses a holographic appearance. It is the arrival of an entity of unknown materiality. With a mysterious presence and exotic allegories, it starts to enchant the residents, awakening their most insane senses.
beer cans under my bed (2024)
This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.
Borealis (2022)
After the mysterious death of his father, Aaron O'Donnell, a ruthless capitalist, decides to take the reins as the leader of Borealis. However, his brother Andrew sets out to hijack his dictatorship and warn not only the residents of Borealis, but all future visitors of the danger Aaron poses.
Dam$els of Luxury (2024)
Amanda's stoner slumber party is put to a halt when one of her guests is nowhere to be found.
Chelicera (2023)
A neurodivergent man is stuck in the web of an abusive relationship, unable to free himself from his lovers grasp.
vitreous (2015)
The nine virtual sculptures underlying vitreous resulted from experimental setups by Robert Seidel for generating three-dimensional clusters of fibrous refractions, as well as the gravitational lensing of different volumetric and chromatic densities. Singular elements gravitate towards each other, accumulating in a gigantic sculptural system, where each entity exists with its own visual axis and vanishing point. The impalpable luminous formations create prismatic interactions between the ridges and plateaux of the main colours floating in front of the infinite violet background.