Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.
Related Movies
Rap's Most Wanted (1991)
Documentery from 1991 where The 2 Live Crew, Chuck D (Public Enemy), Too Short, Ice-T, Geto Boys, H.W.A. drop real talk on different topics.
My Marlboro City (2011)
Brindisi, Italy: a focal point in cigarette smuggling. The director returns to her hometown to see what's left of the past and what lies in store for the future.
Kaleidoscope (1999)
A photographer and a filmmaker challenge each other to shoot—one to photograph the other to film—two young actresses, one from Tokyo, the other from the countryside. The photographer seeks naturalism in his compositions, and Kawase observes and comments on his work. The competition between the photographer, the filmmaker, and the actresses creates a charged atmosphere.
Afternoon of a Faun: Tanaquil Le Clercq (2014)
Of all the great ballerinas, Tanaquil Le Clercq may have been the most transcendent. With a body unlike any before hers, she mesmerized viewers and choreographers alike. With her elongated, race-horse physique, she became the new prototype for the great George Balanchine. Because of her extraordinary movement and unique personality on stage, she became a muse to two of the greatest choreographers in dance, George Balanchine and Jerome Robbins. She eventually married Balanchine, and Robbins created his famous version of Afternoon of a Faun for her. She had love, fame, adoration, and was the foremost dancer of her day until it suddenly all stopped. At the age of 27, she was struck down by polio and paralyzed. She never danced again. The ballet world has been haunted by her story ever since.
Living with Lions (2002)
On the African plains, where only the strong survive, one big cat rules supreme. This is life in the raw: savage, beautiful and unforgettable. During the eight years that Jurgen Jozefowicz filmed a pride of lions in South Africa's Kruger National Park, he won the trust of the dominant male and, astonishingly, was accepted into the pride. This is his story. How does it feel to live amidst a group of the most feared predators on the African continent as they fight to survive in a harsh, unforgiving world? Jurgen's film shows what it's like and is the result of his remarkable adventures. Jurgen is one of the world's premier wildlife photographers. His story of his life with these lions is one that spans a period of political struggles, disease and drought, showing the highs and the lows of life in the lion pride.
Bright Lights: Starring Carrie Fisher and Debbie Reynolds (2017)
An intimate portrait of Hollywood royalty featuring Debbie Reynolds, Todd Fisher, and Carrie Fisher.
The Persuaders (2004)
PBS Frontline takes an in-depth look at the multibillion-dollar "persuasion industries" of advertising and public relations and how marketers have developed new ways of integrating their messages deeper into the fabric of our lives. Through sophisticated market research methods to better understand consumers and by turning to the little-understood techniques of public relations to make sure their messages come from sources we trust, marketers are crafting messages that resonate with an increasingly cynical public.
Sweet Sweet Kink: A Collection of BDSM Stories (2019)
Sweet Sweet Kink takes a sweet, sweet peek into the kinky world of bondage, dominance, and sadomasochism through stories of intimate connection, consensual exploration, and deep self-reflection.
Haru, Island of the Solitary (1998)
In early 1970s, the graphic designer Tuulikki Pietilä had seen enough of stative visual art and purchased a film camera from Japan. She filmed the games and chores of the artist couple in their beloved hideout, the island of Klovharun.
The End Times: In the Words of Jesus (2006)
Jesus Christ spoke of signs that will announce the most catastrophic period in our planet's history: the seven years called the Tribulation!
Paparazzi (1964)
Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.
Que es un Fantasma?: The Making of 'The Devil's Backbone' (2004)
The making of “The Devil’s Backbone” by Guillermo del Toro.
John Grierson (1959)
A BFI-produced documentary about documentary filmmaker John Grierson speaking about documentary.
Milian Unleashed (2005)
An interview of Tomás Milián discussing his performance in Umberto Lenzi's Almost Human.
Like a Beast... Almost (2005)
Director Umberto Lenzi, writer Ernesto Gastaldi and stars Ray Lovelock & Gino Santercole discuss the making of Lenzi's Almost Human.
Breakdowns of 1938 (1938)
Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.
Teatro Amazonas (1999)
Teatro Amazonas is an elaborate, intriguing formalist experiment investigating the cinematic gaze and cultural exchange, and offering an unconventional ethnographic record of its Amazonian subjects engaged (and disengaged) in the act of spectatorship.
The Horror of It All (1983)
A collection of film clips from horror movies and interviews with the actors and directors who made them.
Africa Light / Gray Zone (2010)
"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.