A celebration of the 20th anniversary of the punk band's bestselling and award-winning seventh studio album.
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The Story of Skinhead (2016)
Don Letts examines the history of this notorious subculture in a fascinating documentary, which features interviews with members of different skinhead scenes through the decades. Beginning in the late 1960s, Don fondly recalls a time of multiracial harmony as youngsters bonded over a love of ska, reggae and smart clothes as white working-class kids were attracted to Jamaican culture and adopted its music and fashions. But when far-right politics targeted skinheads in the 1970s and 1980s, an ugly intolerance emerged, and Don reveals how the once-harmonious subgroup has since struggled to shake this stigma.
The Pogues Live at the Town and Country (2004)
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The Spectacular Spinning Songbook made its first appearance in 1986 in Los Angeles during the "Costello Sings Again Tour." In 2011, Elvis Costello and the Imposters set out on The Revolver Tour and, for the first time in 25 years, once again allowed his set-list to be chosen by "The Spectacular Spinning Songbook," a monumental game-show type wheel spun by select fans and featuring songs from his latest critically acclaimed release National Ransom, plus new renditions of hits, rarities and very unexpected covers. This is the complete concert from the 12th May, including special guest appearance from The Bangles.
Nana (2005)
Two girls named Nana meet on a train to Tokyo. Nana K. aims to reunite with her boyfriend and Nana O. hopes to make it big in the music business. Despite their differences, the pair hit it off and become roommates.
Ladies and Gentlemen, the Fabulous Stains (1982)
Corrine Burns retreats far into plans for her band, The Fabulous Stains, after her mother's death.
Art as a Weapon (2014)
Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.
