Where Olive Trees Weep (2024)

Detained (2001)

Najwa, Nawal, and Siham, three Palestinian widows, live with their 11 children in a house on Shuhada Street in Hebron. Their house lies on the border; the façade is under Israeli occupation, the Palestinian Authority controls the back. At the entrance to the house is a military post; on the roof the Israeli army has placed a watch point over Palestinian Hebron. The three women, trapped in the middle and constantly surrounded by Israeli soldiers, carry on their difficult lives in a perverse situation: the occupation becomes a routine, the absurd becomes a given. This is the story of an occupation that extends to the staircase and the roof of the house, where it encounters poverty, loneliness, pain, but also the small joys of everyday life. This is an internal prison, the external one is the ongoing occupation.

War Photographer (2001)

Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.

No Traces of Life (2024)

Building on Forensic Architecture’s previous investigation into herbicidal warfare and its effects on Palestinian farmers along the eastern perimeter of the occupied Gaza Strip, this investigation marks Land Day in Palestine by examining the systematic targeting of orchards and greenhouses by Israeli forces since October 2023. Our analysis reveals that this destruction is a widespread and deliberate act of ecocide that has exacerbated the ongoing catastrophic famine in Gaza and is part of a wider pattern of deliberately depriving Palestinians of critical resources for survival.

Waltz with Bashir (2008)

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

The Case for Israel: Democracy's Outpost (2009)

Rising in vigorous defense of the nation-state of the Jewish people, distinguished Harvard Law School professor Alan Dershowitz presents incisive evidence from leading experts across the political spectrum to assert Israel's basic right to exist.

The Settlers (2016)

In the nearly 50 years since Israel's decisive victory in the 1967 Six-Day War, hundreds of thousands of Israeli citizens have established expanding communities in the occupied territories of the West Bank. Frequently coming into direct conflict with the region's Palestinian inhabitants, and facing the condemnation of the international community, the settlers have been viewed by some as the righteous vanguard of modern Zionism and by others as overzealous squatters who are the greatest impediment to the possibility of peace in the region.

Killing Gaza (2018)

In Killing Gaza, independent journalists Max Blumenthal and Dan Cohen documented Israel’s 2014 war on Gaza. Yet this film is much more than a documentary about Palestinian resilience and suffering. It is a chilling visual document of war crimes committed by the Israeli military, featuring direct testimony and evidence from the survivors.

Soraida, a Woman of Palestine (2004)

Soraïda is a Palestinian woman living in Ramallah, in the occupied territories. In this city under siege and a strict curfew, she fights her own battle: despite the military occupation, violence and oppression, she is determined not to lose her humanity.

Jerusalem... The East Side Story (2007)

The film documents Palestinian everyday's life under Isreali occupation in East Jerusalem. It uncovers Isreals policy of judaizing the city in order to gain Jewish majority by driving out Palestinian people from the city. The documentary includes interviews with Palestinian as well as Isreali political leaders, political analysts and human right activists.

Familiar Phantoms (2023)

Familiar Phantoms is an experimental documentary short film about memory, history and trauma.

Gaza (2019)

GAZA brings us into a unique place beyond the reach of television news reports to reveal a world rich with eloquent and resilient characters, offering us a cinematic and enriching portrait of a people attempting to lead meaningful lives against the rubble of perennial conflict. Throughout its entire history the Gaza Strip has been witness to conflict and upheaval. From ancient times this tiny coastal territory, located at a crossroads between continents, has been a pawn whose fate rested in the hands of powerful neighbours.

Anne Frank, Then and Now (2014)

Scenes from a production of The Diary of Anne Frank are combined with footage of young Palestinians talking candidly about war, first love and topics that Frank wrote about as a teenager.

Tawfiq’s Reef (2016)

Tawfiq’s Reef chronicles the plight of Palestinian fishermen in Gaza, heavily restricted in the area in which they can fish, often indebted, shot at, harassed or imprisoned by the Israeli Navy on the narrow sliver of fishing waters available to them off the Gaza coastline, making this one of the most dangerous professions in the world.

Let It Bring Hope: Bohemians v Palestine (2024)

A documentary on the historic first-ever visit of a Palestinian National team to Europe, following the Palestinian women's team as they arrive in Ireland to a heroes' welcome and play a solidarity friendly against Bohemian FC on May 15th, 2024. The sold-out match marked the 76th anniversary of the Nakba and highlighted the ongoing genocide and human rights violations happening every day in occupied Palestine. It was one of the most emotional and important games ever held at Dalymount Park in its long and storied history since 1901, and the event raised over €100,000 for three Palestinian humanitarian organizations.

1948: Creation & Catastrophe (2017)

The shocking story of the establishment of the state of Israel told from the perspective of those who lived through the end of the British Mandate for Palestine in 1948.

Here and Elsewhere (1976)

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.

On the Objection Front (2005)

A film documenting the story of the Israeli refusnik-movement and interviews some of its protagonists. This timely documentary interweaves the stories of six soldiers who, after years of loyal reserve duty and annual active combat, find they can no longer countenance serving in the occupied territories of the West Bank and Gaza Strip. They become "refusniks" - an action that puts them at odds with deeply held national values and has devastating consequences in their own lives. In the film, six of the signers of the original "Combatants’ Letter" reveal the untenable combat experiences that led to their decision, the public outcry it provoked and the price they continue to pay for refusing to serve - including isolation, family ostracism and imprisonment. Winner, Ecumenical Jury Prize, Berlin Film Festival

Naji Al-Ali, An Artist With Vision (1994)

In July 1987, Palestinian cartoonist Naji Al Ali was shot by an unknown assassin. This documentary traces his life and work from his birth in Galilee to his death in London. It examines the forces that shaped Naj Al Ali as an artist and as a human being and shows how his experiences mirrored those of other exiled Palestinians.

Yallah! Underground (2015)

Yallah! Underground follows some of today’s most influential and progressive artists in Arab underground culture from 2009 to 2013 and documents their work, dreams and fears in a time of great change for Arab societies. In a region full of tension, young Arab artists in the Middle East have struggled for years to express themselves freely and to promote more liberal attitudes within their societies. During the Arab Spring, like many others of this new generation, local artists had high hopes for the future and took part in the protests. However, after years of turmoil and instability, young Arabs now have to challenge both old and new problems, being torn between feelings of disillusion and a vague hope for a better future.

A Song Called Hate (2021)

The pro-Palestinian, anti-capitalist, BDSM-provocative, techno-punk performance art ensemble Hatari unsurprisingly drew attention to themselves with their performance at the Icelandic qualifiers for the Eurovision Song Contest. So much so that they won and therefore were allowed to perform at the main event in Tel Aviv. But what now? Should they boycott the event, swallow their idealism, or use their airtime to criticise the host country for their illegal occupation of Palestine? The Icelandic director Anna Hildur joins the boys in the band all the way to the fateful final.