David Norton is used to being in control. As a best-selling author, he decides the fate of his characters, their lives and their deaths. But what happens when his fictional world becomes all too real?
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The True Game of Death (1978)
The film begins with footage of Bruce Lee's funeral. The narrator then says that there is a new actor "who looks quite like him" that will become Lee's successor. His name is Hsao Lung. Later Hsao Lung is filming a movie. On the set, he is approached by a group of gangsters, led by a man named George, who want to control Hsao Lung. Hsao Lung declines, so they go after his girlfriend Alice, forcing her poison Hsao. During sex, the poison takes action and Hsao supposedly dies. Hsao fakes his death and pretends to be a chef so that he can watch over Alice. Alice is kidnapped by the gangsters, so Hsao starts looking for her and goes to a shipyard. There he fights off 4 motorcycle-riding gangsters that are wearing multi-colored tracksuits, one of them being the iconic green and black one from Game of Death. He defeats them and goes to the tower of death.
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The Patriot (1998)
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Two young officers, Saint-Avit and Morhange, get lost in the desert and find themselves prisoners of the beautiful Antinéa, queen of the city of Atlantis. Saint-Avit, blinded by his love for her, obeys her when she orders him to kill his comrade... With L’Atlantide, Pabst offers a psychoanalytic reading of Benoit’s novel, with a dominant female figure who enslaves her lovers before destroying them. The film’s fantasy dimension is disturbing, L’Atlantide bathes in a humid nightmare atmosphere, between the desperate search for a missing friend and the apparitions of an underworld lost in the desert. A long, discursive flashback suggests the Parisian origins of Antinéa, born from the marriage between Clémentine, a pretty, light-thighed French Cancan dancer, and an Arab prince seduced during a theatrical performance. But again, it's impossible to know whether these are the ramblings of an old alcoholic or the strange truth.
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Madigan (1968)
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