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The Unanswered Question V : The Twentieth Century Crisis (1976)
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Lecture 5 picks up at the early twentieth century with an oncoming crisis in Western Music. As these lectures have traced the gradual increase and oversaturation of ambiguity, Bernstein now designates a point in history that took ambiguity too far.
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The year is 1764. For over a year, Josef has been leading a precarious life in Venice. He hopes to become an opera composer. The city, full of talented and already-established composers, seems closed to him. Looking for work as a violinist, he comes into the orbit of a rich young woman. Thanks to her, he gets the opportunity to play at salons. But his real opportunity arises when he becomes the lover of a libertine marquise. She teaches him worldly manners, rids him of signs of a provincial upbringing and introduces him to a hedonistic existence free from religious intolerance. Thus transformed, Josef gets an incan incredible commission: to write an opera for the San Carlo, Europe's largest theatre.
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John wilde is a happily married man who is about to face the biggest challenge of his life. Late one night, john logs into a social networking site and re-connects with his old high school flame, adrianna. What begins as a harmless hello rapidly escalates into a rekindling of their past romance. Torn between the life he once envisioned with adrianna and the life he's now building with his wife, mary, john soon discovers that there are serious consequences to the decisions he has made. Now john must try to find his way back to god and get on a path to forgiveness from mary, god and himself.
