A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.
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Seemayer Studios presents a new documentary about the American Hotel in downtown Los Angeles and the Arts District that surrounds it. Since 1979, the American Hotel has been the beating heart of a rich community of artists who began moving into the deserted factory buildings between Alameda and the Los Angeles River.
The First Wave (2021)
When Covid-19 hit New York City in 2020, filmmaker Matthew Heineman gained unique access to one of New York’s hardest-hit hospital systems. The resulting film focuses on the doctors, nurses, and patients on the frontlines during the “first wave” from March to June 2020. Their distinct storylines each serve as a microcosm to understand how the city persevered through the worst pandemic in a century
Let It Fall: Los Angeles 1982-1992 (2017)
An in-depth look at the culture of Los Angeles in the ten years leading up to the 1992 uprising that erupted after the verdict of police officers cleared of beating Rodney King.
Down in Dallas Town (2023)
Through interviews with people on the street and songs recorded to memorialize JFK in the mid-1960s, the film explores the impact of the November 22, 1963 assassination on issues in today’s world, from lingering conspiracy theories to the proliferation of gun violence, homelessness, and the scourge of K-2.
We Were Once Kids (2021)
In the early nineties, before the massive gentrification of many of New York's then slums, several young people from very disparate backgrounds left their broken homes and ventured onto the brutal streets of the city. United by their love of skateboarding, they formed a family and built a unique lifestyle that eventually inspired Kids, a groundbreaking and outrageous film directed by photographer Larry Clark and released in 1995.
The Street (1996)
Every day, on the streets of Canada's cities, we pass them on our way to work or school. Bums, beggars, winos, bag people we call them. But who is the person at the end of that outstretched arm? What is life on the street really like? Is there a way off the street? For six years, director Daniel Cross followed the lives of three homeless men who spent much of their time in and around a Montreal subway station. Filmed in a cinema verité style, the film is unique: it humanizes the homeless, breaking down the barrier between us and them, neither moralizing nor offering easy answers. This is a gritty, compelling look at life on the streets that moves beyond the media stereotypes to show both the humanity of the homeless and the street-toughened aspects of their existence.
Hitler's 9/11 (2013)
Adolf Hitler's Nazi megalomania knew no limits. The most daring of his plans World War II involved German fighter planes crashing into Manhattan's skyscrapers as living bombs, like the Japanese kamikazes. Hitler understood the huge symbolic power of Manhattan's skyscrapers. He believed suicide bombing would have a devastating psychological impact on the American people and the U.S. war effort.
The First Foot (1981)
Voices from the past echo through the deserted, snow-covered stone houses in a village in the Caucasus Mountains.
Shine a Light (2008)
Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorsese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.
The Ring Thing (2017)
When Sarah accidentally proposes to her girlfriend in Provincetown, the mixup turns their loving relationship into a minefield of marital exploration.
Stockholm Syndrome (2021)
Stockholm Syndrome chronicles the meteoric rise of contemporary trendsetter A$AP Rocky, capturing the exuberance of youth and urgency of hip-hop in equal parts, before taking a detour into darkness. With amazing access, the film reveals Rocky’s experience with the inequities of the Swedish judicial system and the dangers of stardom and scapegoating through a series of twists and turns, ultimately paralleling the need for prison reform in our own backyard. Directed by The Architects, the film blends archival footage with contemporary interviews, animation, and electrifying live concert footage to tell the astonishing story of how one of rap’s biggest superstars became embroiled in an international incident, leading to an unexpected political awakening.
Un instante en la vida ajena (2003)
Compilation of images of the amateur recordings of Madronita Andreu, Catalan intellectual of the nineteenth century, daughter of Dr. Andreu, famous for its pills and cough syrup.
Mad Hot Ballroom (2005)
Eleven-year-old New York City public school kids journey into the world of ballroom dancing and reveal pieces of themselves and their world along the way. Told from their candid, sometimes humorous perspectives, these kids are transformed, from reluctant participants to determined competitors, from typical urban kids to "ladies and gentlemen," on their way to try to compete in the final citywide competition.
We Were There to Be There (2021)
On June 13, 1978, the punk bands the Cramps and the Mutants played a free show for psychiatric patients at the Napa State Hospital in California. We Were There to Be There chronicles the people, politics, and cultural currents that led to the show and its live recording.
Global Enlightenment: Part 1 (2005)
The shape-shifting and enigmatic hip hop artist Kool Keith has managed to surprise, shock, and enrage fans and detractors alike with virtually every album he has released. His many personas include Dr. Octagon, under which he released 1996's Dr. Octagonecologyst, a futuristic masterpiece that flouted traditional hip hop mores in favor of intriguingly disruptive, warped rhymes. He is also the Black Elvis, Dr. Doom, Mr. Gerbik, and Rhythm X, and is formerly of the Bronx group the Ultramagnetic MCs, with whom he first established himself as a rapper that pushes the envelope and is not afraid to be critical of the system within which he operates. This DVD release features multiple interviews with the artist, as well as live concert footage. Keith takes his audiences on a tour of Manhattan and the Bronx. Keith also explains why he loves seltzer water.