This 1962 documentary tells the story of a fire that started on November 5th, 1961 in Bel Air, Los Angeles, and over the course of three days destroyed 484 homes, damaged 190 others, and burned over 16,000 acres. The $30 million disaster led to new laws by the city to eliminate wood shingle roofs and to clear dry brush away from homes. The film was produced by the Los Angeles Fire Department and is narrated by actor William Conrad
Related Movies
Breaking Boundaries: The Science of Our Planet (2021)
David Attenborough and scientist Johan Rockström examine Earth's biodiversity collapse and how this crisis can still be averted.
Desynchronized (2021)
Recent studies show that insects are in decline across the globe and there may be a direct connection between the current climate crisis and these declining populations. DESYNCHRONIZED focuses on Pope Canyon Queens, a beekeeping and queen breeding company in Northern California. Pope Canyon Queens is currently trying to rebuild after the 2020 LNU Lightning Complex fires destroyed their farm, shop, and half of their hives. Their crucial work to breed honey bee queens with stronger genes fortifies beekeepers' hives across the country while they face the effects of climate change and unregulated industries. Dr. Nicholas Teets, PhD Entomology, explains how shifts in phenology are predicted to cause bigger issues. Howard Goldstein, Senior Forest Ecologist at the Prospect Park Alliance explores how community gardens and green spaces in large metropolitan areas may help insect populations recover from loss of habitat and food scarcity.
Chlorine and the Firefighter (1974)
This 1974 film is dedicated by the Chlorine Institute to the public interest. It is specifically intended to assist firefighters and other emergency services. The techniques demonstrated are appropriate for emergency use; different circumstances might require modified or additional procedure. The information is drawn from sources believed to be reliable. The Institute, its members any organizations cooperating in the development of this film, jointly or severally, cannot be responsible for how the information is used and must make this legal disclaimer. This is a 1960s era, color movie about Chlorine and emergency workers… specifically, firefighters. The film is intended to show firefighters what chlorine is, what a chlorine emergency might involve, how a company can plan ahead and how an emergency can be handled safely.
High Rise Building Problems (1973)
This is a 1970’s era, color movie discussing problems fire departments have with high rise buildings. It opens with a massive high-rise tower with a ladder next to it and was produced with the assistance of the National Fire Protection Association and Fire Prevention through Films. Producer is Julian Olansky and the New Haven Fire Department in New Haven, Connecticut.
The Fire Triangle (1962)
"The Fire Triangle" presents different types of fires (electrical, chemical, etc.) and firefighting techniques, while exploring the "triangle" conception of fire, consisting of heat, fuel and oxygen. Shot in Los Angeles with the cooperation of the LAFD, it dates to 1962.
Condemned (1963)
“Condemned” (c.1960s) is a color fire prevention film presented by Fire Prevention Through Films. It was produced by Julian Olansky in cooperation with fire departments across Connecticut (Andover, Eagleville, Hebron, Mansfield, Willimantic, University of Connecticut Fire Dept.). The film warns against the dangers of fire and not having a proper fire safety plan. The film starts out by focussing heavily on the risks associated with carelessly smoking cigarettes at home before showing other scenarios that can turn deadly.
Stop All the Clocks: W.H. Auden in an Age of Anxiety (2017)
Thirty years after his BBC film The Auden Landscape, director Adam Low returns to the poet and his work. Following surges of popularity - from featuring in Four Weddings And A Funeral to being the poet New Yorkers turned to after 9/11 - Low reveals how Auden’s poetry helps us to better understand the 21st century and the tumultuous political climate in which we now live.
Skin and Bones (1988)
Skin and Bones gently introduce us to the world of anorexia and bulimia. The heroines of this moving film in which reality and fiction merge are called Annie, Andréanne, Hélène, Eisha. They have in common their youth and charm - as well as a terrible tendency to self-destruct.
Reconciliation (2022)
A 19-year-old woman is killed by a bullet intended for her father in the tragic culmination of a bitter family feud between her father and his cousin, who is now imprisoned for murder. Or is her death just another twist in a saga of blood revenge? In the Albanian mountains, the ancient tribal law Kanun rules, and even though the killer is behind bars, the last word in the case has not been spoken. Religious and legal authorities - like the families involved - have their own powerful and conflicting interests in the controversial law, which is a taboo both in church and modern society. The question, however, is if the young woman’s father can find the faith to not only forgive his cousin, but also reconcile himself with him and break the vicious circle once and for all? Marija Zidar’s epic drama was filmed over 5 years in an obstinate patriarchal world, on the threshold of modern times. A mountain western from the old world, from the stuff of antique tragedies.
Room Without a View (2021)
Slavery has never ended. It has just assumed other names and ways to conceal itself. Roser Corella’s film zooms in on Beirut, where the upper class on a large scale hires maids from countries such as Ethiopia, Kenya and the Philippines through agencies that advise people how to cheat and manipulate the young women to work full-time (literally) for meagre wages. An upsetting revelation, but Corella keeps a cool head and tears the inhuman ‘kafala’ system apart piece by piece. She analyses the situation in both words and images, but it is the underpaid maids themselves who provide the conclusion in the form of demonstrations, protests and demands for proper working conditions. ‘Room without a View’, the title of which describes the rooms made available to the women, combines an artistic and an investigative approach to its exposition of the abominable monster that is modern slavery. A film that is highly topical in all parts of the world - unfortunately.
She Had a Dream (2021)
25-year-old Ghofrane dreams of becoming a politician and having an influence on the future of Tunisia. As a young black woman from the working class, it is a dream that requires stamina – and she has plenty of it. Raja Amari’s film follows her up to the election in 2019 when she is on the streets to gather votes and give especially young people renewed faith in democracy in a polarised society plagued by racism and inequality. A smaller film might turn a blind eye on realism in favour of a good story, but here both Ghofrane nor Amari are aware of the exhausting struggles that have to be overcome before she can bring about the change she so fervently longs to see happening. An inspiring film about a true idealist and a rich image of a society full of contrasts.
La peau et les os, après... (2006)
Almost twenty years after the release of "La peau et les os", filmmaker and actress Hélène Bélanger-Martin interviews women who have overcome anorexia and bulimia.
Sisters on Track (2021)
Three track star sisters face obstacles in life and in competition as they pursue Junior Olympic dreams in this extraordinary coming of age journey.
Skál (2021)
Dania is 21 years old and grew up in a Christian community in the Faroe Islands’ Bible belt. She has just moved to Tórshavn and is seeing Trygvi, a hip-hop artist and poet locally known as Silvurdrongur (Silver Kid). He comes from a secular family and writes poems and texts about the shadow sides of humanity. Dania herself sings in a Christian band but is fascinated by Trygvi’s courage to write brutally honest lyrics. As she tries to find her place in the world and understand herself, she starts to write more personal texts. Her writings develop into a collection of critical poems called ‘Skál’ (‘Cheers’), about the double life that she and other youths must live in the conservative Christian world.
The Banality of Grief (2021)
Since the 1970s, the travelling and extremely productive film poet Jon Bang Carlsen has created an extensive body of work with a creative and personal look at the world, with the staged documentary as his preferred form. When his beloved wife passes away, he reaches for filmmaking as a way to give his grief a form. ‘The Banality of Grief’ is a cinematic love letter to a loved one and to the places where they shared their lives for 35 years. South Africa, the USA, their shared home by the water. The boundaries between past and present end in an impressionistic and deeply personal film, where existential and artistic thoughts are countered by new impressions, which testify that life is the greatest of them all. Jon Bang Carlsen is a rare and precious figure in Danish cinema. An adventurer with an ever-recording camera, who directs his gaze outwards even when his thoughts are turned inwards.
When a City Rises (2021)
Behind the gas masks of Hong Kong’s democracy movement, the often very young activists are just as diverse as the youths of the rest of the world. But they share a demand for democracy and freedom. They have the will and the courage to fight – and they can see that things are going in the wrong direction in the small island city, which officially has autonomy under China but is now tightening its grip and demanding that ‘troublemakers’ be put away or silenced. Amid the violent protests, we meet a 21-year-old student, a teenage couple and a new father.
The Other Side of the River (2021)
To avoid a forced marriage, 19-year-old Hala finds refuge across the Euphrates River in northeastern Syria at a military academy where, while learning to fight, she vows to fight to free all women.
Mr. Robot_dec0d3d.doc (2016)
In Mr. Robot Decoded, creator Sam Esmail, stars Rami Malek and Christian Slater, real-life hacker Jeff Moss and other experts open up about how the show made an extremely technical subject relatable to a wide audience and brought humanity to hackers through the main character Elliot Alderson.
