After a flat tire leaves her stranded in the woods, a woman revisits haunting memories of her self-destructive tendencies on the finger nails. As she peels the skin from her fingers, each strip draws her deeper into the past. With every layer, she steps closer to the hidden child within herself.
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The journey of two storks on an ordinary workday reveals the urgent crisis in maternal health care in the United States. One stork has a relatively safe trip to deliver her baby, while the other faces significant dangers, risking her life; each obstacle serves as a metaphor for various forms of violence or obstetric complications. Throughout her journey, the protagonist visually deconstructs herself, just as she does the idealization of motherhood. A layer of reality begins to take over the screen through experimental manual painting. Upon reaching the maternity ward, the stark difference between the two storks becomes clear: the one who barely survived is the one delivering a Black baby.
Optimizer Customizer (2002)
A feminine machine, stuffed with modern nano-technology and useless operations is depicted in this mixed-media 2D animation short, highlighting the consequences of consumerism and the downfall of civilized society. The machine reminiscent of a two-dimensional video game, leads to a destructive chain reaction after a strange malfunction, with people turning into clones and robots.
The Figure of Unconscious Mind (2023)
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Functional Block Diagrams (NaN)
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Yellowbird (2014)
Yellowbird lives in the ruins of an old house. He lacks the confidence to leave his home, no matter how much Bug, his labybird friend, tries to convince him to go out into the world. Attempts to toughen him up have had little success, so Bug seizes an opportunity that leaves Yellowbird unexpectedly finding himself the new leader of the flock that is migrating to Africa. Still, lacking faith in his own abilities and with danger and imminent failure lurking around every corner, our feathered hero is forced to either find the strength required to work with the team or bow out and stay hidden away forever.
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On a cold desert night, a drifter and his dog make camp — but eerie sounds stir the dark, and ancient creatures crawl from the shadows.
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Phantasia (2024)
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
reMemBer2.human (2023)
In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.
White Tendons (2023)
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Norsk Folksang (2011)
Emerging from the sea onto land an axolotl swims through complex terrain parallel to a man searching for an encounter with God.
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Regeneration (2009)
Regeneration is a film about transformation. Starting in a dark place the character reaches toward the divine and breaks into the world of the spirit. Through this act representing an outstretched hand we see that the Holy Spirit represented as a dove is pursuing us even more urgently. The meeting of the two represents the freedom in flight found in trusting fully in the Holy Spirit and is completed with the return to the heart now fully regenerated.
