Eban and Charley (2000)
29-year-old Eban has retreated home to his parent's house in Seaside Oregon after the dissolution of his teaching job in Seattle. There he courts 15-year-old Charlie and eventually the two start a sexual relationship. As the age of consent in Oregon is 18 years and given the age difference, the adults in this drama take a dim view of this development.
In the Line of Duty: Ambush in Waco (1993)
Religious fanatics are barricaded in a building and surrounded by police. But they're not going to surrender; they prefer to die.
Transfixed (2001)
Bo is a transexual prostitute in Brussels who left home after being abused by her father. She's infuatuated with a neighbor and suspected by the police in a series of transexual murders. In order to clear herself she must turn detective.
The Runaways (2010)
Joan Jett and Cherie Currie, two rebellious teenagers from Southern California, become the frontwomen for The Runaways -- the now-legendary group that paved the way for future generations of female rockers. Under the Svengali-like influence of impresario Kim Fowley, the band becomes a huge success.
Pigeon Feathers (1988)
From the pen of Pulitzer Prize winning author John Updike ("Witches of Eastwick," "Rabbit Run"), comes the story of a young man's search through the questions of life and death, and the wondrous discovery of living in the soaring beauty of one of nature's simplest creations. A family returns to life on a farm and finds some answers to the paradox of living.
The Blind Owl (1992)
Ricky is a young man who takes care of his sick mother. His father hovers at the edge of the picture, so Ricky provides for himself and his mom through prostitution, running errands, and acting as a caregiver for a blind man. Through the course of the film, Ricky befriends Janey, a young woman he finds beaten by her ex-boyfriend, and Trenn, a mysterious young man in trouble with the law. The three of them navigate a dark and confusing world. It uses many of the actors who have come to constitute the Dar A Luz company, including Tony Torn, Tom Fitzpatrick, Juliana Francis, and Tom Pearl. It will disappoint those who approach it looking for a film analogue of the “faster and louder” aesthetic that critics have used to characterize much of Abdoh’s stage work. The Blind Owl does use a variety of techniques reminiscent of his stage direction, giving it an unusual theatricality.
Bolan's Shoes (2023)
A love letter to 70s glam rock told through the eyes of Jimmy and Penny, two children who grew up in a children’s home and were involved in an accident after attending a T. Rex concert.
The Two Mrs. Carrolls (1947)
Struggling artist Geoffrey Carroll meets Sally while on holiday in the country. A romance develops, but he doesn't tell her he's already married. Suffering from mental illness, Geoffrey returns home where he paints an impression of his wife as the angel of death and then promptly poisons her. He marries Sally but after a while he finds a strange urge to paint her as the angel of death too and history seems about to repeat itself.
Bad Day for the Cut (2017)
A middle-aged Irish farmer, who still lives at home with his mother, sets off on a mission of revenge when the old lady is murdered.
Emmanuelle: The Joys of a Woman (1975)
Emmanuelle returns to her husband in Hong Kong and proceeds to have several extramarital affairs -- with his knowledge, of course. Her husband's lover and American guest are both very puzzled by their openness.
Equinox Flower (1958)
Wataru Hirayama's outwardly liberal views on marriage are severely tested when his daughter declares that she is in love with a musician and is adamant to live life her own way, instead of agreeing to an arranged marriage. Outwitted by his female relatives, Hirayama stubbornly refuses to admit defeat.
Good Morning (1959)
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
Shimga (NaN)
A waste picker woman segregates coconut shells from the wet waste of a society daily to be used as firewood. One day, she finds the shells missing.
Anbe Sivam (2003)
Anbarasu, young and arrogant, and Nallasivam, damaged - physically but not spiritually - by life, are thrown together by circumstances, and find that they are in some ways bound together by fate.
All Saints (2019)
Strung together by the Catholic Church, a confession booth, and the Rosary, All Saints is a voyeuristic and light-hearted character study and commentary on womanhood, religion, and culture.
Dillinger (1973)
After a shoot-out kills five FBI agents in Kansas City the Bureau target John Dillinger as one of the men to hunt down. Waiting for him to break Federal law they sort out several other mobsters, while Dillinger's bank robbing exploits make him something of a folk hero. Escaping from jail he finds Pretty Boy Floyd and Baby Face Nelson have joined the gang and pretty soon he is Public Enemy Number One. Now the G-men really are after him.