Experimental short film that reflects through the voice of the protagonist, poetically, about a fateful intimate and personal event.

Jeff (2025)
A phone sex operator loses her grip on reality, caught in a hypnotic relationship with a caller making disturbing confessions.

Painted Gaze (2025)
After a young girl discovers a fascinating art museum, she becomes attached to the artwork she comes across. Although over time, there is a strange shift in energy the more time she spends with the artwork.

Rosewater (1999)
A solitary man struggles to cultivate beauty in a desolate urban world. Lonely and dislocated, he drifts in and out of a dream state envisioning the promise of regeneration. ROSEWATER tells a story of hope sustained through perseverance, ritual and, ultimately, revelation.

O Novo Corpo (2025)
On an isolated farm, a woman finds an injured and frightened woman in her old chicken coop. Moved by an inexplicable instinct, she decides to help her, without imagining that this silent encounter will awaken buried secrets. When tension finally gives way to trust, something dark approaches, bringing a truth that no one could have foreseen.

Blue is Lost (NaN)
Trapped and lost in a crowded metropolis, the Grief navigates its way to find its missing owner. It has no timeline, it has no directions, and it is a cycle. The Grief evolves as it moves through different urban spaces & public transportation. As the Grief finds its missing owner, it has come to a realization that all this time, they’ve been together but both are lost.

154 (2024)
The prototype [TEST TYPE • 154] is a highly sophisticated artificial intelligence, which is capable of autonomously acquiring notions from its surroundings and - eventually - developing autonomy of thought. Given the nearly human nature of its learning capabilities, the laboratory that programmed it hires a kindergarten teacher, asking him to instruct the machine as if it were a newborn child. The learning process - which spans 7 days - becomes increasingly insidious in the long run, posing a peculiar yet crucial problem: can there be a form of autonomous thinking that excludes emotions?

Say My Name (2023)
A violated girl is trapped in an underworld of shame. As a child, she was exploited by her father and his friends, and then thrown to the streets as a vulnerable teenager. Despite life going against Mel at every turn, she is determined to see the good in people and find hope before her past catches up with her.
Strawman (2023)
After being exiled from his home by his mother, 11-year old Angel discovers a dilapidated scarecrow, and the pair develop an unusual relationship.

Almost (2025)
In a dimly lit apartment, two people exist in a world of half-lit gestures and unspoken desire. Touch is fleeting, hesitance lingers, and the space between them is charged with longing.

Chanson de gestes (1966)
Choreography of familiar gestures that the author was able to spice up with a peculiar and original perspective.

Tales of the Ukulele Man (2025)
Ukulele Man, an urban legend, narrates two stories, strumming melodies that blur the line between myth and reality. But is he merely a witness, or part of the story himself?

Negativ (2023)
A photographer during the Soviet-Afghan war becomes obsessed with a mysterious figure that appears in his images every time the person photographed dies.

nor any memories of the turning backs (2025)
[poem_body_memory_voice] None of them belong to each other. All of them belong to themselves. A layered accumulation —___- a poetic exercise on relating*_on_love, migration, and mourning.

Memories of Youth (2024)
Grappling with the complexities of mental health and trauma in a digital age that feels isolating and overwhelming, a young person embarks on a surreal journey of self-discovery, navigating the raw truths of adolescence in an attempt to find a place in the world.

beer cans under my bed (2024)
This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.

Walks That Won't Happen (2024)
While having a virtual walk through StreetView, on Google Maps, the artist questions the dissonance between the way the city is portrayed on those maps, and the way city looks today, compared to their own personal changes through time.

I went away and forgot you. A while ago I remembered. I remembered I'd forgotten you. I was dreaming. (2016)
What appears at first glance to be a patterned floor of traditional Islamic tiles is in fact an intricate installation of hand dyed sand. In a light-filled room in an abandoned house, the artist steps into frame to sweep it away, breaking the illusion and destroying the image of traditional heritage.