The film, “Govi Thaththa” (Father, the farmer) is introduced as the first of its kind in Asia to portray the tragedies people and the environment are faced with today due to moving away from nature-friendly agro practices of the past to adopt chemical-based agriculture. This movie is considered as the first-ever movie directed by a musician and produced by a farmer.

Firearms and Fireworks: Chapter 2 (2024)
Manju, once aspiring to become a Catholic priest, is pulled into the violent underworld after his uncle's murder. Meanwhile, Lucky, a gangster turned political enforcer, rises to power by serving a powerful minister. As both work under rival ministers in the same political party, their clash over control of the underworld sparks a deadly conflict amid an escalating national crisis.

Attention (2024)
Attention (සීරුවෙන්) is a Sri Lankan Sinhala thriller drama film directed by Sudesh Wasantha Pieris and produced by Nihal Wijesinghe for Nilkamal Films. It stars Jackson Anthony in the lead role along with Dasun Pathirana, Buddhika Jayaratne, Dishni Rajapakshe and Semini Iddamalgoda in supportive roles. The film marked the final cinema appearance of the dramatist Jackson Anthony before his death.

My Red Comrade (2024)
Girl escaped from the police under thundering rainy night hidden in old man house spark a conversation on their past, revolutionary traits with sharing ideologies in arts, culture, feminism and revolution.

Devi Kusumasana (2025)
Devi Kusumasana lets you deep dive into a world of stunning visuals, powerful storytelling, and unforgettable performances that explore the essence of love, sacrifice, and the beauty of life. Set against the breathtaking backdrop of Sri Lanka, this film promises to touch your heart and inspire your soul.

Goal (2018)
Goal is the story of bunch of ordinary village children who challenge the impossible with the help of a teacher who refuses to see them fail.

Mandara (2024)
This is a tale weaving love, betrayal, and adventure. "Mandara" unfolds around the lives of sports star Mandara, engineer Vishwa, orphan heiress Yashora, and her uncle Bharatha. After Mandara and Vishwa's romance leads to heartbreak, their paths cross with Yashora, on the run from her murderous uncle, aiming to seize the family fortune. Their fates intertwine in a story of love, loss, and resilience, leading to a dramatic showdown and a heartwarming conclusion, all set against the backdrop of Sri Lanka's stunning landscapes and accompanied by a captivating soundtrack.

Leopard Do Not Bite (2015)
In a small village deep within the forests of Sri Lanka, everyone follows the teachings of a monk, with the exception of one hunter. While no one dares to kill in accordance with the monk’s teachings, the lone hunter hunts and provides meat for everyone. Meanwhile, beautiful villager Gomari is killed by a leopard, but no one knows this. Suspecting what happened to Gomari, the hunter begs the monk to cancel the upcoming full moon rituals, but the monk refuses, believing in the inevitability of fate. The hunter that never kills unless absolutely necessary must now hunt alone for the leopard that will attack humans.

Kambili (2024)
Two friends, Bhanuka and Kalana, arrive in a remote village where Bhanuka falls for Samadhi, the beautiful daughter of the revered Ayurvedic healer, Mr. Wickramasinghe. As their stay unfolds, they uncover a hidden crime in the village.

Wassanaye Sanda (2017)
Wassanaye Sanda (Moon of the Autumn) (Sinhalese: වස්සානයේ සඳ ) is a 2018 Sri Lankan Sinhala romantic drama film directed by Udayakantha Warnasuriya. It follows the story of two young lovers Mihiri & Sandesh and struggles they face.

A Letter of Fire (2005)
A schoolboy and his friend are caught at school looking at pornography on the computer. Punished, they wrongly believe that the police are going to arrest them so they hide in an abandoned building and as the boys feel cornered, and fearing for their lives, one of them accidentally kills a prostitute with a dagger thinking she was a mugger...

August Drizzle (2011)
A film that touches Life, Death and Expectations.One Person’s death fans the flame of expectations in another. the life that begins with that expectation ultimately ends in death. Loneliness, loss of social contacts and deceit are the underlying human conditions of the film.

Kadira Divyaraja (2023)
This mythological film depicts the romantic relationship between Hindu god Kartikeya and the aboriginal princess Valli.

Dirty, Yellow, Darkness (2017)
After his wife leaves him, a man with a severe case of OCD who fears that his own urine is contaminating everything around him, admits himself to a mental hospital for treatment to overcome his fear and win his wife back.

Rani (2025)
The film follows Dr. Manorani Saravanamuttu's relentless pursuit of justice after the tragic abduction and murder of her son, Richard de Zoysa, a journalist, writer, and human rights activist, in 1990.

Loku Duwa (1994)
"Loku Duwa" depicts an attractive and self-sacrificing daughter of the middle class in the city who is trapped in a family of traditional values.

Ape Principal (2023)
A new principal comes to the underdeveloped village school that is affected by lazy teachers and drugs.

Sangili (2019)
Sangele (Dulani) is a girl who lives alone in a village of people . People in the city are trying to get close to her some even making sexual advances. Punchi Malli (Sanath) is very attracted to Sangile, even though he is married. Meanwhile, a hard working young Sunimal (Saranga) falls in love with Sangile. Punchi Malli was falsely accused in due to a rumor and sent to jail. During this time, Punchi Malli raped Sangile and Punchi Malli's wife (Veena) get to know about the hidden truth. She tried to blame Sangile for dirty works, however Punchi Malli punished her. Sangile gets pregnant and story continues.

Pawana Ralu Viya (1995)
An upper middle class family's struggles as a country struggles between democracy and totalitarianism. The family faces persecution and the ramifications cut across the country's borders.

The Day We Will (2018)
(Eka Dawasaka Api / එක දවසක අපි) The day Parami appeared on Vimukthi’s eyes he found out that she is the one who he needed to his life. Later, a day with a tension mood these two soul mates get into a train with tears on their faces to ride their last train journey together. But Vimukthi’s family is strongly against to approve Parami as their daughter in law. The reason for disapproving Parami is her cast and status.

The Tree Goddess (2018)
Vaishnavee (The Goddess), (Sinhalese: වෛෂ්ණාවී) is a 2018 Sri Lankan Sinhala drama thriller film directed by veteran director Sumitra Peries and produced by Mano Nanayakkara. 1930’s, Sri Lanka. Partly a compelling domestic drama, and a demonic love story, the narrative follows a puppet-maker who’s set to be married to a young girl. Unfortunately, the girl elopes with her secret lover. Devastated, the grieving puppet-maker ends up carving a puppet in her likeness, which eventually comes to life, setting in motion a fantastical chain of events.