CE QUE CACHE LA FORÊT (What the Forest conceals) explores the invisible inheritance we carry within us: that of the family unconscious passed down from generation to generation. Personalities as varied as psychologist Anne Ancelin Schützenberger, systemic therapist Bert Hellinger and artist Alexandro Jodorowsky have, each in their own way, revealed the existence of these unresolved stories that profoundly influence our lives. Today, epigenetic research confirms that trauma can mark our genome, and be passed on beyond those who experienced it. But how do these memories get inscribed in us? How can they be recognized, overcome and healed? Filmmaker Louis Mouchet shares his own journey through this deeply personal film. This process was nourished by : The making of and follow-up to the film La Constellation Jodorowsky, An introspective dive triggered by the death of his mother and the simultaneous birth of his first child, A powerful session with Romanian therapist Cristina Schmidt.

Hand of Fate (1999)
Filmmaker Scott Morgan spotlights six individuals who claim to possess the power of clairvoyance.

Those Who Wrestle With God (2024)
A Canadian couple reflect on how their painful journey in fundamentalism led to them rescuing their faith & relationship. Along the way, they uncover a supportive community that helps them navigate their journey of rediscovery.

Strudel Sisters (2016)
Two elderly sisters share the delicate art of making traditional Hungarian strudel and reveal a deeply personal family story about their mother, who taught them everything they know.

Ashes (2022)
A cellar. A forgotten amphora. The ashes of a woman. Her granddaughter, daughter-in-law and son characterise her, entwining their memories and experiences. They reflect about filial love, gender and isolation through her overbearing nature.

The Trouble with Merle (2002)
The director explores the birth origins of actress Merle Oberon, traveling to Tasmania and India in search of the truth, but her quest ultimately results in probably more questions than it answers.

Call Me Miss Cleo (2022)
Follow the rise, fall, and reinvention of controversial and revered '90s television psychic Miss Cleo. Featuring interviews with celebrities and those closest to the self-proclaimed voodoo priestess, this documentary explores the many layers behind a complicated and charismatic figure.

Up the Yangtze (2007)
At the edge of the Yangtze River, not far from the Three Gorges Dam, young men and women take up employment on a cruise ship, where they confront rising waters and a radically changing China.
Wanda (NaN)
School lunch chef Wanda McAfee-Conart reflects in her job and how it connects her to the sensory environment and to her own family history.

The Smuggler and Her Charges (2016)
A captivating and personal detective story that uncovers the truth behind the childhood of Michaël Prazan's father, who escaped from Nazi-occupied France in 1942 thanks to the efforts of a female smuggler with mysterious motivations.

Faces from Home (2024)
In an empty house, we see the memories of a home, from those who once lived and filled it with joy and love.

Drinking a Monster in the parking lot of the clinic where I was born that is now a funeral home (2024)
A woman returns to the site of her birth, which is now a funeral home. She drinks a white monster energy drink.

Phantoms of the Sierra Madre (2024)
A Danish writer travels to Mexico with the purpose of locating a mysterious Apache tribe that fervently seeks to remain in obscurity.

Nazaten (2025)
Frans Bromet goes in search of his family history and discovers that Hermanus Bromet was a well-known slave trader in Suriname. Should he feel guilty for what his ancestor did? How do you deal with a burdened family past?

The Giacomettis (2023)
The rugged Swiss mountain valley of Bregaglia has produced an entire dynasty of artists: the Giacomettis. Alberto revolutionised the art world with his slender sculptures. Before him, his father was an Impressionist of the first hour. What makes this valley the birthplace of so many artists?

Our Maternal Home (2024)
Filmmaker and educator Janine Windolph ventures from Saskatchewan to Quebec with her two teens and younger sister, tracing their familial origins to the Cree First Nation of Waswanipi. Against the scenic backdrop of these Traditional Lands, Elders offer newfound interdependence and hands-on learning, transforming this humble visit into a sensory-filled expression of reclamation and resilience. Our Maternal Home lovingly establishes a heart-centred form of resistance to confront and heal from the generational impacts of cultural disconnection, making space for what comes next.