Why is social trust breaking down, and how do we find it again? This is the question at the heart of Leviathan. Directed and produced by Alexander Beiner, it draws on sociology, myth, psychology, economics and systems theory to delve into the deep code of culture and make sense of the times we live in. It’s a journey that invites the viewer to confront the shadows lurking at the heart of our systems, and points the way toward hope, healing and action.
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A film essay contrasting the modern metropolis with its "golden age" from 1830-1930, with the participation of some of New York's leading political and cultural figures. Made at a time when the city was experiencing unprecedented real estate development on the one hand and unforeseen displacement of population and deterioration on the other. Empire City is the story of two New Yorks. The film explores the precarious coexistence of the service-based midtown Manhattan corporate headquarters with the peripheral New York of undereducated minorities living in increasing alienation.
When You Listen to This Song (2025)
In August 2021, writer Lola Lafon spent a night alone in the Annex of the Anne Frank Museum, where the young girl and her family hid from 1942 to 1944. This experience gave rise to a book, Quand tu écouteras cette chanson, and now its documentary adaptation. Over the course of a night, the author revisits her story. An inner journey around the figure of Anne Frank and the power of writing in the face of oblivion.
Leaving Neverland: The Aftermath (2019)
An investigation into the allegations made in Leaving Neverland (2019).
This Is My Body (2026)
Jérôme was sexually abused as a child by a priest. In a deeply personal film, he tries to search for clues in his memories and come to terms with the complicity of his former social environment.
White Walls Say Nothing (2017)
Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.
Roger & Me (1989)
A documentary about the closure of General Motors' plant at Flint, Michigan, which resulted in the loss of 30,000 jobs. Details the attempts of filmmaker Michael Moore to get an interview with GM CEO Roger Smith.
Only Ghosts in the Waves (2025)
Enrico Naso is an undertaker in Lampedusa. Constantly confronted with the death that lurks everywhere on this remote rock in the middle of the Mediterranean Sea, Enrico has chosen life, immersing us in what it means to be human.
The Corporation (2003)
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
Vivir de la madera (Kuxtal Ti' Che') (NaN)
In Mexico, the lack of jobs in villages and communities forces people to migrate to cities in search of opportunities and better income. This is the case of Justino, originally from the village of Muchucuxcáh, in the Yucatán Peninsula, who after traveling to Cancun and encountering problems and suffering there, decided to return to his village and learn to work with wood. Justino demonstrates how humans can interact with nature and their surroundings to have a dignified job.
Gramma & Ginga: The Movie (2021)
GRAMMA & GINGA: THE MOVIE is a 30-minute documentary film that tells the story of these two beloved internet superstars. This intimate portrait chronicles Gramma & Ginga’s unexpected rise to fame and takes viewers home to their small West Virginia town, where they reminisce and share their stories of the past hundred years— the good, the bad, the ugly and the laugh-out-loud hilarious.
Victorian Britain on Film (2021)
Offers audiences a unique window into a bygone era when a thrilling new invention, the motion picture camera, first captures a nation on film.
Ableism in São Paulo (2024)
Through intimate stories and day-to-day routines we get a naturalistic glimpse into the lives of individuals with disabilities in the bustling urban landscape of São Paulo. The film captures personal moments and how modern societies confront (or fail to confront) ableism and inclusion.
Portrait of a Song (2025)
A documentary looking at the making of the hit sing ‘Runaway’ for its 10 year anniversary, by AURORA
Bias (2018)
"Bias" challenges us to confront our hidden biases and understand what we risk when we follow our gut. Through exposing her own biases, award-winning documentary filmmaker Robin Hauser highlights the nature of implicit bias, the grip it holds on our social and professional lives, and what it will take to induce change.
Deshilando Luz (2025)
A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?
The Words to Tell You (2025)
Mariam, Asiya, and Anissa were 11, 7, and 5 years old when they were raped. The attackers were their paternal uncle, a neighborhood youth, and the nanny's son. They have no memory of the event. To protect them, their bodies developed traumatic amnesia. Years later, the memories returned, and they decided to file a complaint.
