A woman on her belated honeymoon deals with the transgressions of her past - and, ultimately, the consequences of her choices - as she struggles with deja vu at 16,000 ft.

The Birds (1963)
Thousands of birds flock into a seaside town and terrorize the residents in a series of deadly attacks.

Un Chien Andalou (1929)
Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.

Hell (2011)
In the course of one afternoon, Raphael's paradise turns into a spiral of guilt and paranoia.

OSARU-CHAN (2021)
When two brothers steal a valuable heirloom from an elderly Japanese woman, they unknowingly awaken her demigod son, Osaru, who does not take kindly to thieves.

Pilgrim (2019)
In an attempt to remind her family of their privilege and help them bond, Ms. Anna Barker invites Pilgrim reenactors to stay with them over Thanksgiving. When the “actors” refuse to break character, the Barker family learns that there is such a thing as too much gratitude.
Between Heaven and Hell (2010)
Ben Harkin has the perfect life. A loving wife, wonderful kids. However, on this day, with an ominous storm approaching, Ben will have to face his ultimate fear and lose the ones he loves one at a time. Will he uncover the dark secret that is taking his family piece by piece or will he be doomed to find what lies between heaven and hell.

Chad Gets The AxE (2019)
A self-absorbed social media personality investigates a murder house on his live stream, and gets what he deserves... Or does he?

ROMEO (2019)
"I can't reach you, So-jung.“ The movie starts with a desire to see what we all of us want to see. Love too ...

When the Howls Find Us (2017)
A young woman and her grandmother seek refuge from a blizzard. But it's not the cold they're running from.

Islands (2017)
A sexual reverie unfolds over the course of one ethereal night. Characters wander through an erotic maze of love and lust, blurring the lines between wet dream and lucid nightmare as a macabre, erotic stage performance sends a ripple of lustful desires through its audience and performers.

Bad Bunny (2017)
Wayward boy punishes his mother’s lover. Beauty and horror fondle each other. Young gods callously abjure conventional morality. Death goes whoring in child’s guise.

Dead Mail (2024)
An ominous help note finds its way to a 1980s post office, connecting a dead letter investigator to a kidnapped keyboard technician.

The Strangers (2008)
After a 4 a.m. knock at the door and haunting voices, Kristen McKay and James Hoyt’s remote getaway becomes a psychological night of terror as three masked strangers invade. Now they must go far beyond what they thought themselves capable of if they hope to survive.

The Devil Never Dies (2022)
A monarchy to sustain itself needs to use conservative forces to maintain power. While in palaces around the world some fight for power, in cis and heteronormative households, couples explore their own games of power and seduction, which escape the power dynamics behind the curtain, despite apparent stability.

Unlucky Charms (2022)
Late one night, a bored cashier collects all three toys from a box of Magic Munchos and unwittingly unleashes the ancient evil that lies within…

Refused (1980)
Frieda Liappa in this short film casts an alternative gaze on the notion of historicity. Loukia is a teenager currently staying at her cousin’s house in Athens. Unlike her cousin she is timid and quite stressed for the school exam. She studies history. Between the lines of her book the historical events sprung up in a multidimensional way. Liappa transverses the dimensions of the real the imaginary and the symbolic. She invites the viewer to consider the construction of the filmic as well as the historical text. She succeeds in making a film with an open end and to leave room for our own contingent constructions.

Midnight Kiss (2019)
A group of gay friends head to Palm Springs to ring in the New Year. Things take a terrifying turn as the friends all search for someone to kiss at midnight, and invite a killer into their midst.